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      시각문화에서 ‘열림’으로서의 신체-주체 문제 -시간의 변증법적 이행에 대해서- = Body-Subject Problems as Opening in Visual Culture -On the dialectical transition of time-

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      https://www.riss.kr/link?id=A108846874

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      다국어 초록 (Multilingual Abstract)

      This study is on a new methodology for visual culture research. Its concept is about ‘dialectic of affirmation’ as the dynamics of time. In other words, the affirmative dialectics is converted into a time dialectics that reveal changes in existence itself, and the time dialectics operates as a principle of generating images containing the affirmative events. And the image secures its reality based on the social and material practices of the body-subject proposed as a new subject form and media. As a form of reversal of cogito-subject of Hegel-Marxism, body-subject can be a new alternative to the subject that structuralism and post-structuralism alienated the subject. the body-subject is the performative subject that embodies the time spatially on ontological time. And a sense is the body, at the same time a sense-image is an image as an arche of the mind, which opens ‘now and here’ and becomes the basis of creative acts. The dialectical transition of time refers to the dialectical trajectory of time for Events that occur on ontological time. That focuses on non-artistic things that originate from human life in visual culture, also a process of dialectically exploring what visual art is.
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      This study is on a new methodology for visual culture research. Its concept is about ‘dialectic of affirmation’ as the dynamics of time. In other words, the affirmative dialectics is converted into a time dialectics that reveal changes in existenc...

      This study is on a new methodology for visual culture research. Its concept is about ‘dialectic of affirmation’ as the dynamics of time. In other words, the affirmative dialectics is converted into a time dialectics that reveal changes in existence itself, and the time dialectics operates as a principle of generating images containing the affirmative events. And the image secures its reality based on the social and material practices of the body-subject proposed as a new subject form and media. As a form of reversal of cogito-subject of Hegel-Marxism, body-subject can be a new alternative to the subject that structuralism and post-structuralism alienated the subject. the body-subject is the performative subject that embodies the time spatially on ontological time. And a sense is the body, at the same time a sense-image is an image as an arche of the mind, which opens ‘now and here’ and becomes the basis of creative acts. The dialectical transition of time refers to the dialectical trajectory of time for Events that occur on ontological time. That focuses on non-artistic things that originate from human life in visual culture, also a process of dialectically exploring what visual art is.

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      참고문헌 (Reference)

      1 이종관, "포스트휴먼이 온다" 사월의 책 2017

      2 Smith, Terry, "컨템포러리 아트란 무엇인가 What is Contemporary Art" 마로니에북스 2013

      3 Merleau-Ponty, Maurice, "지각의 현상학 Phénoménologie de la Perception" 문학과 지성사 2002

      4 Malpas, Simon, "장 프랑스아 리오타르 포스트모더니즘을 구하라 Jean-François Lyotard" 앨피 2008

      5 이지현, "이미지의 긍정의 변증법" 한국미학예술학회 48 : 113-146, 2016

      6 Gasset, José Ortega y, "예술의 비인간화 La deshumanización del asrte y otros ensayos de estética" 고려대출판부 2004

      7 이지현, "열림과 닫힘, 신체 주체: 포스트휴머니즘 시대의 주체 변화에 대한 소고" 현대미술사학회 (44) : 201-228, 2018

      8 Kern, Stephen, "시간과 공간의 문화사 1880-1918 The Culture of Time and Space 1880-1918" 휴머니스트 2004

      9 이재현, "사물인터넷과 사물철학" 커뮤니케이션북스 2020

      10 Flusser, Vilém, "사물과 비사물: 현상적 소묘 Dinge und Undinge:Phänomenologische Skizzen" 필로소픽 2018

      1 이종관, "포스트휴먼이 온다" 사월의 책 2017

      2 Smith, Terry, "컨템포러리 아트란 무엇인가 What is Contemporary Art" 마로니에북스 2013

      3 Merleau-Ponty, Maurice, "지각의 현상학 Phénoménologie de la Perception" 문학과 지성사 2002

      4 Malpas, Simon, "장 프랑스아 리오타르 포스트모더니즘을 구하라 Jean-François Lyotard" 앨피 2008

      5 이지현, "이미지의 긍정의 변증법" 한국미학예술학회 48 : 113-146, 2016

      6 Gasset, José Ortega y, "예술의 비인간화 La deshumanización del asrte y otros ensayos de estética" 고려대출판부 2004

      7 이지현, "열림과 닫힘, 신체 주체: 포스트휴머니즘 시대의 주체 변화에 대한 소고" 현대미술사학회 (44) : 201-228, 2018

      8 Kern, Stephen, "시간과 공간의 문화사 1880-1918 The Culture of Time and Space 1880-1918" 휴머니스트 2004

      9 이재현, "사물인터넷과 사물철학" 커뮤니케이션북스 2020

      10 Flusser, Vilém, "사물과 비사물: 현상적 소묘 Dinge und Undinge:Phänomenologische Skizzen" 필로소픽 2018

      11 Foster, Hal, "반미학 The Anti-Aesthetic: Essays on Postmodern Cultrue" 현대미학사 1993

      12 Nancy, Jean-Luc, "무위의 공동체 La Communauté Désoeuvrée" 인간사랑 2010

      13 Ladurie, Emmannuel Le Roy, "몽타이유 Montaillou" 도서출판 길 2006

      14 Flusser, Vilém, "몸짓들: 현상학 시론 Gesten: Versuch einer Phänomenologie" Workroom Press 2018

      15 Mitchell, W. J. T., "그림은 무엇을 원하는가, 이미지의 삶과 사랑 What do Pictures want?, The lives and Loves of Images" 그린비 2010

      16 Krauss, Rosalind, "Welcome to the Cultural Revolution" 77 : 83-96, 1996

      17 Bal, Mieke, "Visual essentialism and the object of visual culture" 2 (2): 4-32, 2003

      18 Elkins, James, "Visual Studies, A Skeptical Introduction" Routledge 2003

      19 Chris Jenks, "Visual Cuture" Routledge 1995

      20 Dikovitskaya, Margaret, "Visual Culture: the study of the visual after the cultulral turn" MIT Press 2006

      21 Smith, Marquard, "Visual Culture Studies" SAGE 2008

      22 Alpers, Svetlana, "Visual Culture Questionnaire" 77 : 25-70, 1996

      23 Homer, William Inner, "Visual Culture : A New Paradigm" 12 (12): 6-9, 1998

      24 Bryson, Norman, "Vision and Painting : the logic of the gaze" Yale University Press 1983

      25 Garoian, Charles R., "The Spectacle of Visual Culture" 45 (45): 298-312, 2004

      26 Lyotard, Jean-Francois, "The Inhuman: Reglections on Time" Stanford University Press 1988

      27 Jay, Martin, "The Dialectical Imagination" Little, Brown 1973

      28 Mitchell,W.J.T., "Picture Theory: Essays on Verbal and Visual Representation" University of Chicago Press 1999

      29 Braudel, Fernand, "On History" The University of Chicago Press 1980

      30 Harman, Graham, "Object-Oriented Ontology: A New Theory of Everything" Penguin Ranom House 2018

      31 William John Thomas Mitchell, "Iconology, visual culture and media aesthetics" Adam Mickiewicz University Poznan (30) : 341-364, 2017

      32 Lyotard, Jean-Francois, "Discourse, figure" University of Minnesota Press 2011

      33 Chris Jenks, "Culture" Routledge 1993

      34 Badiou, Alain, "Affirmative Dialectics : from Logic to Anthropology" 2 (2): 2013

      35 이지현, "A. 바디우의‘긍정의 변증법’에 근거한 이미지 연구" 홍익대학교 2018

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