Conjoining the emerging field of sound studies with literary and cultural studies, this essay provides a new reading of Gertrude Stein’s two literary portraits, “If I Told Him, A Completed Portrait of Picasso,” written in 1923 and first publishe...
http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
https://www.riss.kr/link?id=A108177414
김현정 (Texas A&M University)
2022
English
Gertrude Stein ; Literary Portrait ; Visual ; Sound ; Gender
KCI우수등재,SCOPUS
학술저널
211-232(22쪽)
0
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
Conjoining the emerging field of sound studies with literary and cultural studies, this essay provides a new reading of Gertrude Stein’s two literary portraits, “If I Told Him, A Completed Portrait of Picasso,” written in 1923 and first publishe...
Conjoining the emerging field of sound studies with literary and cultural studies, this essay provides a new reading of Gertrude Stein’s two literary portraits, “If I Told Him, A Completed Portrait of Picasso,” written in 1923 and first published in Vanity Fair in 1924, and “Ada” (1910), one that she wrote during the early years (1908-1913) in which she worked on her word portraits. The essay tunes in to Stein’s literary portraits to reveal how the acoustics of Stein’s work responds to the gendering of sound and at the same time critiques the male-centric visual paradigm that dominates Western thought. I propose the body and sound as the point of departure to develop a different line of thinking in the queer feminist poetics of Stein. To be precise, moving beyond the conceptual reading of Stein’s linguistic experiment, the essay attempts to excavate a new politics in Stein’s work, specifically in her literary portraits, by attending to the acoustic aspects of her writing. Not merely situating herself as the painter, in other words, the gazer, switching the gendered norm of the positionalities in the genre of portrait painting, Stein also makes her literary portrait a multisensorial acoustic space in which the collaborative making of each other becomes possible through an unending process of talking and listening. In doing so, she disapproves of both the gendered norm of sound and the conventional construction of the authoritative male figure in portrait painting.
참고문헌 (Reference)
1 Stein, Gertrude, "Writings 1903-1932" Library of America 1903
2 Jarcho, Julia, "Writing and the Modern Stage: Theater beyond Drama" Cambridge UP 2017
3 Retallack, Joan, "What is Experimental Poetry & Why Do We Need It?"
4 Lyotard, Jean-François, "Voices of a Voice" 14 (14): 126-145, 1991
5 Derrida, Jacques, "Voice and Phenomenon : Introduction to the Problem of the Sign in Husserl’s Phenomenology" Northwestern UP 2011
6 Brooks, Andrew, "There’s a riot goin’ on" 35 (35): 123-136, 2021
7 Glavey, Brian, "The Wallflower Avant-Garde : Modernism, Sexuality, and Queer Ekphrasis" Oxford UP 2016
8 Harney, Stefano, "The Undercommons: Fugitive Planning and Black Study" AK P 2013
9 Stoever, Jennifer Lynn, "The Sonic Color Line: Race and the Cultural Politics of Listening" NYU P 2016
10 Corey, Alex W., "The Routledge Companion to Sound Studies" Routledge 2019
1 Stein, Gertrude, "Writings 1903-1932" Library of America 1903
2 Jarcho, Julia, "Writing and the Modern Stage: Theater beyond Drama" Cambridge UP 2017
3 Retallack, Joan, "What is Experimental Poetry & Why Do We Need It?"
4 Lyotard, Jean-François, "Voices of a Voice" 14 (14): 126-145, 1991
5 Derrida, Jacques, "Voice and Phenomenon : Introduction to the Problem of the Sign in Husserl’s Phenomenology" Northwestern UP 2011
6 Brooks, Andrew, "There’s a riot goin’ on" 35 (35): 123-136, 2021
7 Glavey, Brian, "The Wallflower Avant-Garde : Modernism, Sexuality, and Queer Ekphrasis" Oxford UP 2016
8 Harney, Stefano, "The Undercommons: Fugitive Planning and Black Study" AK P 2013
9 Stoever, Jennifer Lynn, "The Sonic Color Line: Race and the Cultural Politics of Listening" NYU P 2016
10 Corey, Alex W., "The Routledge Companion to Sound Studies" Routledge 2019
11 Puar, Jasbir K., "The Right to Maim : Debility, Capacity, Disability" Duke UP 2017
12 Voegelin, Salomé, "The Political Possibility of Sound : Fragments of Listening" Bloomsbury 2018
13 Stein, Gertrude, "The Autobiography of Alice B. Toklas" Vintage Books 1990
14 Sterne, Jonathan, "The Audible Past : Cultural Origins of Sound Reproduction" Duke UP 2003
15 Puchner, Martin, "Stage Fright: Modernism, Anti-Theatricality, and Drama" Johns Hopkins UP 2002
16 Dyson, Frances, "Sounding New Media: Immersion and Embodiment in the Arts and Culture" U of California P 2009
17 Marchiselli, Chani Anine, "Queer Sonorities : Sound as Persuasion in Gertrude Stein’s Tender Buttons" 39 (39): 69-85, 2016
18 Skoulding, Zoë, "Poetry & Listening : The Noise of Lyric" Liverpool UP 2020
19 Weheliye, Alexander G, "Phonographies" Duke UP 2005
20 Stadler, Gustavus, "On Whiteness and Sound Studies"
21 Stadler, Gustavus, "Never Heard Such a Thing : Lynching and Phonographic Modernity" 28 (28): 87-105, 2010
22 Spillers, Hortense, "Mama’s Baby, Papa’s Maybe : An American Grammar Book" 17 (17): 64-81, 1987
23 Janus, Adrienne, "Listening : Jean-Luc Nancy and the ‘Anti-Ocular’ Turn in Continental Philosophy and Critical Theory" 63 (63): 182-202, 2011
24 Stadler, Gustavus, "Introduction : Breaking Sound Barriers" 28 (28): 1-12, 2010
25 Luhan, M. D., "Intimate Memoirs" Harcourt, Brace and Company 1935
26 Moten, Fred, "In the Break : The Aesthetics of the Black Radical Tradition" Duke UP 2003
27 임태연, "Houses in Motion and Queer Voyagers in the Ordinary: Spatial Ideology of Modernism and Gertrude Stein’s Domestic Space" 한국영어영문학회 66 (66): 631-652, 2020
28 Carson, Anne, "Glass, Irony and God" A New Directions Book 119-142, 1992
29 Povinelli, Elizabeth A, "Geontologies : A Requiem to Late Liberalism" Duke UP 2016
30 Brooks, Andrew, "Fugitive Listening : Sounds from the Undercommons" 37 (37): 25-45, 2020
31 Muñoz, José Esteban, "Cruising Utopia : The Then and There of Queer Futurity" Duke UP 2009
32 You, Mia, "Buttons and Holes : Stein and Picasso at the Bon Marché" 87 (87): 791-782, 2020
33 Crawley, Ashon T, "Blackpentecostal Breath : The Aesthetics of Possibility" Fordham UP 2016
34 Freeman, Elizabeth, "Beside You in Time : Sense Methods and Queer Sociabilities in the American Nineteenth Century" Duke UP 2019
The Ethics of Sympathy and the Aesthetics of Spatial Composition in Middlemarch by George Eliot
Louise Glück’s Poetics of Becoming, Survival as Abject: Rethinking Ethics of Ecopoetry
Vulnerability and the Failures of Compassion in Stephen Crane’s Maggie
학술지 이력
연월일 | 이력구분 | 이력상세 | 등재구분 |
---|---|---|---|
2022 | 평가예정 | 계속평가 신청대상 (등재유지) | |
2017-01-01 | 평가 | 우수등재학술지 선정 (계속평가) | |
2014-10-08 | 학회명변경 | 영문명 : 미등록 -> The English Language and Literature Association of Korea | |
2013-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2010-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2008-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2006-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2005-10-14 | 학술지등록 | 한글명 : 영어영문학외국어명 : The Journal of English Language and Literature | |
2004-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2001-01-01 | 평가 | 등재학술지 선정 (등재후보2차) | |
1998-07-01 | 평가 | 등재후보학술지 선정 (신규평가) |
학술지 인용정보
기준연도 | WOS-KCI 통합IF(2년) | KCIF(2년) | KCIF(3년) |
---|---|---|---|
2016 | 0.06 | 0.06 | 0.1 |
KCIF(4년) | KCIF(5년) | 중심성지수(3년) | 즉시성지수 |
0.18 | 0.2 | 0.384 | 0 |