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https://www.riss.kr/link?id=M11655086
New York : Metropolitan Museum of Art ; New Haven : Yale University Press, c2009
2009
영어
709.73/0747471 판사항(22)
9780300148923 (hbk. : Yale University Press) : US
9781588393142 (hbk. : The Metropolitan Museum of Art)
9781588393159 (pbk : The Metropolitan Museum of Art)
일반단행본
New York(State)
The Pictures Generation, 1974-1984 / Douglas Eklund.
350 p. : ill. (some col.) ; 29 cm.
"This catalogue is published in conjunction with the exhibition 'The Pictures Generation, 1974-1984,' on view at the Metropolitan Museum of Art, New York, from April 21 to August 2, 2009."--Title page verso.
Includes bibliographical references (p. 330-339) and index.
Image art after Conceptualism : CalArts, Hallwalls, and Artists Space -- The jump : appropriation and its discontents -- "His gesture moved us to tears" : Pictures art in a reinvigorated market.
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The Pictures Generation, 1974-1984
This handsome book is the first comprehensive examination of the Pictures Generation, a loosely knit group of artists working in New York from the mid-1970s to the mid-1980s. The overarching subject of the work of these artists was imagery itselfhow pictures not only depict but also shape how we perceive the world and ourselves. The collective achievement of this group is an extremely important chapter in the history of contemporary art. Born into an expanding media and consumer culture and educated in the strategies of Minimal and Conceptual art, the artists of the Pictures Generation, including Robert Longo, Richard Prince, David Salle, and Cindy Sherman, chose to return to representation, addressing the rhetorical, social, and psychological functions of the image across all media (photography, painting and sculpture, drawings and prints, film and video, and music and performance). While the careers of these artists are typically considered in isolation, this catalogue traces their complex interrelationships and mutual developmentbeginning with the emergence of a group sensibility characterized by techniques of distancing and theatricality and ending with a resurgence of painting by mostly male artists (which was contested by women art...