论中国画线条在动画造型中的禅变 = On the Zen change of Chinese painting lines in animation modeling

다국어 초록 (Multilingual Abstract)

读图时代的当下，动画以快速的势头渗透到人的生活之中。动画不仅对丰富了人们的感知觉体验,更在很大程度上拓宽了人们的审美视域,影响着人们的价值判断和审美心理。昔日具有“中国学派”之美誉的中国动画（美术片）如何在当下各民族大融合的潮流下再创辉煌，是中国广大动画工作者需要思考的课题。线是中国绘画语言的重要表现元素，同样的在动画造型上也具有不可小视的地位。中国画的艺术可以理解为是线的艺术呈现。线的造型，线的哲学已根深蒂固的深入民族文化中。中国画中线条的艺术表现形式很多，如何将之运用到动画造型中去，如何在动画中体现出来，是本文谈论的问题。通过对中国画线条在动画造型中的演变与运用,中国画的线条的写实、写意以及在装饰上的体现，结合动画造型的表现手段和专业特点进行创作实践,从而深入地引出对中国画线条在动画造型的的探索与研究。中国画线条在动画造型中应用不仅仅能够将中国本土特有的文化特色加以传承与发展,并且还能够使其在现代化的社会中紧跟时代步伐。本文在结合中国画线条的理论哲学观的基础上，多角度地将中国画线在动画造型的创新应用与发展加以展示。动画设计中，线作为造型的最直接表达方式，其重要性与作用中国画中的线条有着异曲同工之意。但又由于艺术门类之分，又有着各自不同的艺术要求。首先对中国画线条入手分析解析其艺术特征，使更多的受众意识到中国画的绘画方式的重要作用及其优势，以及相关的哲学观念，之后引入到动画造型中对线的的认识分析，从而区别比较，使二者之间的优势及不足等多方面的问题加以展示，发挥各自的优势不断地完善存在的劣势不足，促进彼此之间的整体性的提升。在了解中国线条在传统绘画中的意义和重要性的基础之上,深入的了解线条本身的内涵提出了中国画线在动画造型中的设计方法,，以及在动画造型设计中所起到的作用。中国画线条在动画中应用，发展延伸原有的艺术特性，不仅仅是传统艺术的传承也是在新兴的学科领域的再衍生发展，是具有中国民族的特有文化的继承与发展，也是与时代相结合，形成自身特有的艺术风格。

다국어 초록 (Multilingual Abstract)

In the era of picture reading, animation penetrates into people's life with rapid momentum. Animation not only enriches people's perceptual experience, but also broadens people's aesthetic vision to a great extent, and affects people's value judgment and aesthetic psychology. How to make Chinese animation (art film), which used to have the reputation of "Chinese School", become more and more brilliant under the current trend of the integration of all nationalities, is a subject that Chinese animation workers need to think about. Line is an important expression element of Chinese painting language, which also plays an important role in animation modeling. The art of Chinese painting can be understood as the artistic presentation of lines. The shape and philosophy of the line have been deeply rooted in the national culture. There are many forms of artistic expression of lines in Chinese paintings. How to apply them to animation modeling and how to reflect them in animation are the issues discussed in this paper. Through the evolution and application of Chinese painting lines in animation modeling, the realistic, freehand and decorative expression of Chinese painting lines, combining with the means of expression and professional characteristics of modern animation modeling, the creation practice is carried out, so as to further lead to the exploration and research of Chinese painting lines in animation modeling. The application of Chinese painting lines in animation modeling can not only inherit and develop the unique cultural characteristics of China, but also make it keep pace with the times in the modern society. In animation design, as the most direct expression of modeling, the importance and function of lines in Chinese painting have the same meaning. However, due to the different categories of art, there are different artistic requirements. In this paper, first of all, the line of Chinese painting is analyzed and analyzed to make more audiences realize the important role and advantages of the way of Chinese painting, as well as the relevant philosophy. Then, it is introduced to the understanding and analysis of the line in animation modeling, so as to distinguish and compare the advantages and disadvantages between the two, etc. to show their advantages and disadvantages To improve the disadvantages and promote the integrity of each other. Based on the understanding of the significance and importance of Chinese line in traditional painting, the paper puts forward the design method of Chinese line in animation modeling and the role it plays in animation modeling design. The application of Chinese painting lines in animation, the development and extension of the original artistic characteristics, not only the inheritance of traditional art but also the re derivative development in the field of sexual discipline, is the inheritance and development of the unique culture of the Chinese nation, as well as the combination with the times to form its own unique artistic style. Based on the theoretical philosophy of Chinese painting lines, this paper demonstrates the innovative application and development of Chinese painting lines in animation modeling from multiple perspectives.

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