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Rewriting Europe: Pentecost and the Crossroads of Migration
Gamer, S. B. THE UNIVERSITY OF GUELPH 1997 p.3-14
Margaret Clarke's Gertrude & Ophelia: Writing Revisionist Culture, Writing a Feminist "New Poetics"
Burnett, L. THE UNIVERSITY OF GUELPH 1997 p.15-32
Focus, Faithfulness, Shakespeare, and The Shrew: Directing as Translation as Resistance
Knowles, R. P. THE UNIVERSITY OF GUELPH 1997 p.33-52
The Interests of the Theatre: Stephen Greenblatt on Shakespeare's Stage
Gauntlett, M. THE UNIVERSITY OF GUELPH 1997 p.53-66
The Role Power Plays in George F. Walker's Detective Trilogy
Hadfield, D. THE UNIVERSITY OF GUELPH 1997 p.67-84
Mister Twister or Goodbye America!: The Interdependence of Meanings and Material Conditions
Van de Water, M. THE UNIVERSITY OF GUELPH 1997 p.85-94
Michael Hays and Anastasia Nikolopoulou, eds., Melodrama: The Cultural Emergence of a Genre
Davis, T. C. THE UNIVERSITY OF GUELPH 1997 p.95-97
McGuire, P. C. THE UNIVERSITY OF GUELPH 1997 p.98-102
Philip Parsons, gen. ed., Companion to Theatre in Australia
Goldie, T. THE UNIVERSITY OF GUELPH 1997 p.103-104
Maria M. Delgado and Paul Heritage, eds., In Contact with the Gods?: Directors Talk Theatre
Gross, R. F. THE UNIVERSITY OF GUELPH 1997 p.105-106