자장커의 <세계>에 나타난 복제 현실의 재고 = Reconsidering Simulated Reality in Jia Zhangke’s The World

다국어 초록 (Multilingual Abstract)

This article starts with examining the previous studies that insist on seeing a critique of postmodern “simulation” in Jia Zhangke’s The World. It intends specifically to investigate how much the theory of simulation propounded by Jean Baudrillard in diagnosing the emerging postmodern media world can account for the problems of post-socialist Chinese society captured in Jia’s cinema. The main argument of this paper is that the significance of the World Park in Jia’s movie reaches further than a simple mirroring or replicating of the forgeries and inauthentic human experiences rampant outside of the theme park. It brings into focus the role of the theme park as an ideological state apparatus designed to interpellate a specific class of Chinese society into a loyal, obedient social group. This paper also brings to the fore the issue of social mobility and prosperity which the rapid modernization of neoliberal China promised to its people but of which only certain classes turned out to be the beneficiaries. The conclusion of this paper is that The World takes issue with the modern ills of neoliberal China, not its postmodern problems, and also that it narrativizes the virtual incarceration of the deprived migrant workers through mobilizing a variety of tropes and subtle camerawork.

참고문헌 (Reference)

1 이강인, "푸코의 ‘權力’ 개념으로 바라본 《세계》에 대한 談論" 대한중국학회 (33) : 329-354, 2009

2 현실문화연구, "지아장커, 중국영화의 미래" 현실문화연구 2002

3 안영은, "지아장커(贾樟柯)영화 『세계(世界)』속 세 개의 세계" 중국연구소 48 : 73-87, 2010

4 서원태, "지아장커 영화, 중국사회에 대한 비판적 성찰과 실험적 기록" 현대영화연구소 6 (6): 191-216, 2010

5 박언진, "중국영화의 이해" 동녘 100-133, 2007

6 안상혁, "중국 6세대 영화, 삶의 본질을 말하다" 성균관대학교 출판부 2008

7 창리핑, "자장커(賈樟柯) 영화의 노동자 재현 양상 연구" 서울시립대학교 2020

8 최형권 ; 임대근, "세기 전환기 욕망과 도시의 재현: <북경자전거>와 <세계>의 양상을 중심으로" 외국문학연구소 (49) : 589-614, 2013

9 육소양, "세계화속의 중국 영화" 신성출판사 2005

10 정병언, "공간의 자본화와 장소상실: 지아장커의 <소무>, <세계>, 그리고 <스틸라이프>" 문학과영상학회 12 (12): 541-562, 2011

11 박민수, "개혁개방 이후 중국영화에서 나타나는 하위계층의 재현 양상 연구 ― 저항과 순응을 중심으로" 대한중국학회 (61) : 215-228, 2017

12 "Unknown Pleasures 任逍遙"

13 "The World 世界"

14 "Still Life 三峽好人"

15 Kerch, Henrique, "See Jubilee! The Last True Showgirl Show in Las Vega s"

16 Gaetano, Arianne, "Rural Woman and Modernity in Globalizing China:Seeing Jia Zhangke’s The World" 25 (25): 2009-2025, 2009

17 "Pickpocket 小武"

18 Yao, Sijia, "Pessimistic Chinese Cosmopolitanism and Jia Zhangke’s The World" 43 : 147-158, 2019

19 Luo, Ting, "Neither Here nor There: The Representation of Post-Socialist Space in The World and Still Life and Jia Zhangke's Transcendence of Realism" 동아시아학술원 15 (15): 149-171, 2015

20 Althusser, Louis, "Lenin and Philosophy and Other Essays" Monthly Review Press 1971

21 이석구, "Korea: Neoliberalism, State Developmentalism, and People Power" 연세대학교 영어영문학과 BK21 Plus 사업단 11 (11): 1-17, 2018

22 Baudrillard, Jean, "Jean Baudrillard: Selected Writings" Stanford University Press 169-187, 2001

23 Wang, Yanjie, "Displaced in the Simulacrum: Migrant Workers and Urban Space in The World" 22 (22): 152-169, 2011

24 Pollock, Sheldon, "Cosmopolitanisms" 12 (12): 577-590, 2000

25 Marchetti, Gina, "Citing China: Politics, Postmodernism, and World Cinema" University of Hawaii Press 2018

26 Silbergeld, Jerome, "Chinese Ecocinema" Hong Kong University Press 113-153, 2009

27 Zhang, Hongbing, "Chinese Ecocinema" Hong Kong University Press 129-153, 2009

28 Jaffee, Valerie, "An Interview with Jia Zhangke" 32 : 2004

29 김경석, "<駱駝祥子>와 <十七歲的單車>에 투영된 도시문명" 중국어문학연구회 (43) : 315-330, 2007