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      헤밍웨이 작품속의 역동성 연구

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      다국어 초록 (Multilingual Abstract)

      Ernest Hemingway could collect various sources to write his works from the travels and many experiences. To evaluate his works rightly, there are many important things which are worthy of attention in both his travels and experiences. When he was a reporter at the Kansas City Star, he was trained for not using superfluous words. In Paris years, he could learn how to write a story like a painting through the iceberg theory and it had a strong influence on his works. Hemingway learned “the modern space conception” from iceberg theory, which are charactered by solidness, endurance, grotesqueness, simplicity, enclosure, expansion, and omission. After he was influenced by the painting technique, Hemingway could create his iceberg theory. The definition of the iceberg theory is as follow: one eight of the iceberg is above water and seven eighths of it is under water. Like this iceberg principle, a writer should omit and eliminate unnecessary parts and details of a story. After “Up in Michigan” in which the use of photographic realism is obvious, Hemingway used different techniques in his works. This change of technique in Hemingway’s could be formed from the travels and influences he accepted from the people and works he encountered. Hemingway tried to minimize the explanation and descriptions about the main theme as did, and to transmit the themes through clear and concrete nouns. But while this method can have simple structure and excellent visual effects, it can also cause overly simple and awkward sentences. To solve this problem, Hemingway used staccato sequence of motion and facts, and repetition technique to achieve rhythmic style which successfully reduce the stiffness of his sentences. As Hemingway tried to write his novels by using the iceberg theory, readers also need to consider the theory to understand what he says in his novels. When Hemingway tried to write his works without considering the effects of the iceberg theory, he failed to create a critically successfully work. when Hemingway wrote For Whom the Bell Tolls, Across the River Into the Trees and To Have and Have Not, these were not considered to be successful from a critical standpoint of Hemingway's own style. Those novels were critical of society and For Whom the Bell Tolls has political undercurrents. The themes of the works were not suitable for delineating his real aesthetic theme, the matter of perpetuity of human beings. Under the iceberg theory, social and political stories cannot be effectively described. After writing a series of works unfavorable to critics, he wrote The Old Man and the Sea which demonstrates the general effects of iceberg theory such as painting effects of style, objective words, image words, effects of blank, forward and backward movements of narrative pattern, and the sense of rhythm. In conclusion, the iceberg and can help readers understand the themes and characteristics of his style. The style of Hemingway is feat that demonstrates overcoming the limitation of expression of prose and transmits a powerful consciousness of the theme of a novels without particular depiction. Hemingway could enlarge the domain of novels by taking the influence of other arts into his style.
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      Ernest Hemingway could collect various sources to write his works from the travels and many experiences. To evaluate his works rightly, there are many important things which are worthy of attention in both his travels and experiences. When he was a re...

      Ernest Hemingway could collect various sources to write his works from the travels and many experiences. To evaluate his works rightly, there are many important things which are worthy of attention in both his travels and experiences. When he was a reporter at the Kansas City Star, he was trained for not using superfluous words. In Paris years, he could learn how to write a story like a painting through the iceberg theory and it had a strong influence on his works. Hemingway learned “the modern space conception” from iceberg theory, which are charactered by solidness, endurance, grotesqueness, simplicity, enclosure, expansion, and omission. After he was influenced by the painting technique, Hemingway could create his iceberg theory. The definition of the iceberg theory is as follow: one eight of the iceberg is above water and seven eighths of it is under water. Like this iceberg principle, a writer should omit and eliminate unnecessary parts and details of a story. After “Up in Michigan” in which the use of photographic realism is obvious, Hemingway used different techniques in his works. This change of technique in Hemingway’s could be formed from the travels and influences he accepted from the people and works he encountered. Hemingway tried to minimize the explanation and descriptions about the main theme as did, and to transmit the themes through clear and concrete nouns. But while this method can have simple structure and excellent visual effects, it can also cause overly simple and awkward sentences. To solve this problem, Hemingway used staccato sequence of motion and facts, and repetition technique to achieve rhythmic style which successfully reduce the stiffness of his sentences. As Hemingway tried to write his novels by using the iceberg theory, readers also need to consider the theory to understand what he says in his novels. When Hemingway tried to write his works without considering the effects of the iceberg theory, he failed to create a critically successfully work. when Hemingway wrote For Whom the Bell Tolls, Across the River Into the Trees and To Have and Have Not, these were not considered to be successful from a critical standpoint of Hemingway's own style. Those novels were critical of society and For Whom the Bell Tolls has political undercurrents. The themes of the works were not suitable for delineating his real aesthetic theme, the matter of perpetuity of human beings. Under the iceberg theory, social and political stories cannot be effectively described. After writing a series of works unfavorable to critics, he wrote The Old Man and the Sea which demonstrates the general effects of iceberg theory such as painting effects of style, objective words, image words, effects of blank, forward and backward movements of narrative pattern, and the sense of rhythm. In conclusion, the iceberg and can help readers understand the themes and characteristics of his style. The style of Hemingway is feat that demonstrates overcoming the limitation of expression of prose and transmits a powerful consciousness of the theme of a novels without particular depiction. Hemingway could enlarge the domain of novels by taking the influence of other arts into his style.

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      목차 (Table of Contents)

      • I
      • II
      • III
      • Works Cited
      • Abstract
      • I
      • II
      • III
      • Works Cited
      • Abstract
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      참고문헌 (Reference)

      1 소수만, "헤밍웨이 언어: 형식과 효과" 동국대학교 대학원 1986

      2 소수만, "헤밍웨이 언어: 빙산이론과 침묵의 언어" 25 (25): 75-93, 1999

      3 소수만, "헤밍웨이 소설의 본령의 일탈과 실패" Dongguk Review 22-23, 1994

      4 소수만, "어니스트 헤밍웨이: 그의 인생과 작품세계" 도서출판 동인 2006

      5 Brooks, Cleanth, "Understanding Fiction" Prentice-Hall 1979

      6 Hass, Robert Bartlett, "Transatlantic Interview: 1946.” A Primer for the Gradual Understanding of Gertrude Stein" Black Sparrow Press 1971

      7 Hemingway, Ernest, "To have and Have Not" 1970

      8 Stein, Gertrude, "Three Lives" Vintage Books 1936

      9 Murphy, Richard W, "The World of Cezanne" Time-Life Books 1968

      10 Hemingway, Ernest, "The Torrents of Spring" Charles Scribner’s Sons 1926

      1 소수만, "헤밍웨이 언어: 형식과 효과" 동국대학교 대학원 1986

      2 소수만, "헤밍웨이 언어: 빙산이론과 침묵의 언어" 25 (25): 75-93, 1999

      3 소수만, "헤밍웨이 소설의 본령의 일탈과 실패" Dongguk Review 22-23, 1994

      4 소수만, "어니스트 헤밍웨이: 그의 인생과 작품세계" 도서출판 동인 2006

      5 Brooks, Cleanth, "Understanding Fiction" Prentice-Hall 1979

      6 Hass, Robert Bartlett, "Transatlantic Interview: 1946.” A Primer for the Gradual Understanding of Gertrude Stein" Black Sparrow Press 1971

      7 Hemingway, Ernest, "To have and Have Not" 1970

      8 Stein, Gertrude, "Three Lives" Vintage Books 1936

      9 Murphy, Richard W, "The World of Cezanne" Time-Life Books 1968

      10 Hemingway, Ernest, "The Torrents of Spring" Charles Scribner’s Sons 1926

      11 Hemingway, Ernest, "The Sun Also Rises" Charles Scribner’s Sons 1945

      12 Baker, Carlos, "The Spanish Tragedy. Ernest Hemingway: Critiques of Four Major Novels" Charles Scribner’s Sons 1962

      13 Hemingway, Ernest, "The Snows of Kilimanjaro and Other Stories" Charles Scribner’s Sons 1961

      14 Schnitzer, Deborah, "The Pictorial in Modernist Fiction: from Stephen Crane to Ernest Hemingway" U. M. I Research Press 1988

      15 Hemingway, Ernest, "The Old man and the Sea" Penguin Books 1968

      16 Burhans, Clinton S., "The Old Man and the Sea: Hemingway: Critiques of Four Major Novel" Charles Scribner’s Sons 1962

      17 Nahal, Chaman, "The Narrative Pattern in Ernest Hemingway’s Fiction" Fair leigh Dickinson University Press 1971

      18 Hemingway, Ernest, "The First Forty-Nine Stories" Janathan Cape 30 Bedford Square 1964

      19 Hemingway, Ernest, "The Essential Hemingway" Penguin Books 1973

      20 Hoffman, Michael J., "The Development of Abstractionism in the Writings of Gertrude Stein" University of Pennsylvania Press 1965

      21 Hemingway, Ernest, "The Dangerous Summer" Charles Scribner’s sons 1985

      22 Burhans, Clinton S., "The Complex Unity of In Our Time" 14 (14): 313-328, 1968

      23 Fenton,Charles A., "The Apprenticeship of Ernest hemingway:The Early Years" Mentor Books 1954

      24 Baker, Carlos, "Selected Letters 1917-1961" Charles Scribner’s Sons 1981

      25 Bernard, Emile, "Paul Cezanne" Occident 1904

      26 Levin, Harry, "Observation on the style of Ernest Hemingway.” Hemingway: A Collection of Critical Essays" Englewood Cliff 1962

      27 Hemingway, Ernest, "Islands in the Stream" Charles Scribner’s sons 1935

      28 Burwell, Rose Marie, "Hemingway: The Postwar Years and the Posthumous Novels" Cambridge University Press 1996

      29 Nelson, G. B, "Hemingway: Life and Works" Facts on File Publications 1984

      30 Nelson, Raymond S., "Hemingway: Expressionist Artist" The Iowa State University Press/Ames 1979

      31 Meyers, Jeffrey, "Hemingway: A Biography" Harper & Row Publishers 1985

      32 Montgomery, Constance Cappel, "Hemingway in Michigan" Fleet Publishing Corporation 1966

      33 Baker, Carlos, "Hemingway and His Critics: An International Anthology" Hill and Wang 1961

      34 Hemingway, Ernest, "Green Hills of Africa" Charles Scribner’s Sons 1935

      35 Hemingway, Ernest, "For Whom the bell Tolls" Penguin Books 1969

      36 Cheney, Sheldon, "Expressionism in Art" Tudor Publishing Company 1948

      37 Baker, Carlos, "Ernest Hemingway: The Writer as Artist" Princeton: University Press 1972

      38 Baker, Carlos., "Ernest Hemingway: Critiques of For Major Novels" Charles Scribner’s Sons 1962

      39 Baker, Carlos, "Ernest Hemingway: Critiques of For Major Novels" Charles Scribner’s Sons 1962

      40 Baker, Carlos, "Ernest Hemingway: A life Story" Charles Scribner’s Sons 1969

      41 Baker, Carlos, "Ernest Hemingway as Short Story Writer.” The Short Stories of Ernest Hermingway: Critical Essays" Duke University Press 1975

      42 Philips, Larry W., "Ernest Hemingway On Writing" Charles Scribner’s Sons 1984

      43 Oliver, Charles M., "Ernest Hemingway A to Z: The Essential Reference to the Life and Work" Checkmark Books 1999

      44 Young, Philip, "Ernest Hemingway" Rinehart & Company. inc 1952

      45 Hemingway, Ernest, "Death in the Afternoon" Jonathan Cape 30 Bedford Square 1955

      46 Denis, Maurice, "De Gauguin et de Van Gogh au classicisme. Theories 1890-1910: Du symbolisme et Gauguin vers un nouvel ordre classique(Paris, 1920: orige. ed,. 1912)"

      47 Plimpton, George, "An Interview with Ernest Hemingway.” Hemingway and His Critics: An International Anthology" Hill and Wang 1961

      48 Hemingway, Ernest, "Across the River and into the Trees" Penguin Books 1972

      49 Waldhorn, Arthur, "A Reader’s Guide to Ernest Hemingway" Farrar, straus Giroux 1972

      50 Hemingway, Ernest, "A Moveable Feast" Charles Scribner’s Sons 1964

      51 Hemingway, Ernest, "A Farewell to Arms" Penguin Books 1969

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      학술지 이력
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      2026 평가예정 재인증평가 신청대상 (재인증)
      2020-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2017-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2013-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2010-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2007-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2006-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2004-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.45 0.45 0.45
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.4 0.38 0.67 0.23
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