The Routledge companion to dramaturgy

목차 (Table of Contents)

• 자료제공 :

• Introduction

• Magda Romanska

• Part I World dramaturgy in the twenty-first century

• 1 Robert Blacker looks at the past and future of American dramaturgy

• Jacob Gallagher-Ross and Robert Blacker

• 2 Contemporary new play dramaturgy in Canada

• Brian Quirt

• 3 Collaborative dramaturgy in Latin American theater

• Margarita Espada

• 4 Documentary dramaturgy in Brazil

• Julie Ann Ward

• 5 The place of a dramaturg in twenty-first century England

• Du?ka Radosavljevi?

• 6 On German Dramaturgy

• Bernd Stegemann

• Translated by Johannes Stier

• 7 The making of La Dramaturgie in France

• Kate Bredeson

• 8 Dramaturgy and the role of the dramaturg in Poland

• Agata D?bek

• Translated by Michael Leonard Kersey Morris

• 9 The new play dramaturgy in Russia

• Pavel Rudnev

• Translated by Jessica Hinds-Bond

• 10 Dramaturgy in post-revolution Iran: problems and prospects

• Marjan Moosavi

• 11 Performing dramaturgy in Syria: observations and interview with Mayson Ali

• Fadi Fayad Skeiker

• 12 Official and unofficial dramaturgs: dramaturgy in China

• William Huizhu Sun

• 13 Dramaturgy of Separated Elements in the Experimental Japanese Theatre

• Eiichiro Hirata

• 14 Dramaturgy in Indian theatre: a closer view

• Ketaki Datta

• 15 Dramaturgy in Australia and the case of Avast and Doku Rai

• Peter Alexander Eckersall

• 16 Dramaturgies in/of South Africa

• Marie-Heleen Coetzee and Alan Munro

• Part II Dramaturgy in the age of globalization

• 17 The dramaturg as globalist

• Tom Sellar

• 18 Freelance dramaturgs in the twenty-first century: journalists, advocates, and curators

• Anne Hamilton

• 19 The National Theatre goes international: global branding and the regions

• Jens Peters

• 20 From alienation to identity: transnational communication of Russian-Israeli theatre

• Miriam Yahil-Wax

• 21 Intercultural dramaturgy: dramaturg as cultural liaison

• Walter Byongsok Chon

• 22 The dramaturgical bridge: contextualizing foreignness in multilingual theatre

• Debra Caplan

• 23 Reading and (re)directing "racial scripts" on and beyond the stage

• Faedra Chatard Carpenter

• 24 Transcultural dramaturgy methods

• Judith Rudakoff

• 25 The dramaturgical process and global understanding

• Robyn Quick

• 26 European dramaturgy in the twenty-first century

• Marianne Van Kerkhoven

• Part III Dramaturgy in motion: demolitions, definitions, and demarcations

• 27 Dramaturgy on shifting grounds

• Hans-Thies Lehmann and Patrick Primavesi

• 28 Dramaturgy as skill, function, and verb

• Lawrence Switzky

• 29 Interactual dramaturgy: intention and affect in interdisciplinary performance

• Bruce Barton

• 30 The expansion of the role of the dramaturg in contemporary collaborative performance

• Sarah Sigal

• 31 Who is the dramaturg in devised theatre?

• Teresa Stankiewicz

• 32 Finding our hyphenates: a new era for dramaturgs

• Jessica Applebaum

• 33 Dramaturgy as a way of looking into the spectator’s aesthetic experience

• Milan Zvada

• 34 Dramaturgy as training: a collaborative model at Shakespeare’s Globe

• Amy Kenny

• 35 The art of collaboration: on dramaturgy and directing

• Anne Bogart and Jackson Gay

• 36 Dramaturgy in action{...}even if it’s not as a dramaturg

• Thomas A. Oldham

• Part IV Dramaturgs as artistic leaders and visionaries: privileges and responsibilities of the office

• 37 Dramaturgs as artistic leaders

• Gideon Lester

• 38 Dramaturgical leadership and the politics of appeal in commercial theatre

• Ken Cerniglia

• 39 On dramaturgy and leadership

• Vicki Stroich

• 40 Leadeship advice to a dramaturgy student

• Anne Cattaneo

• 41 Season planning: challenges and opportunities

• Edward Sobel

• 42 The dramaturg’s role in diversity and audience development

• Julie Felise Dubiner

• 43 Guthrie Theater’s debt to women and diversity

• Marianne Combs

• 44 Reimagining the literary office: designing a department that fulfills your purpose

• Janine Sobeck

• 45 The National New Play Network Collaborative Literary Office: new tools for old tricks

• Jason Loewith and Gwydion Suilebhan

• Part V Dramaturg as context manager: transculturalism, translation, adaptation, and contextualization

• 46 A view from the bridge: the dramaturg’s role when working on a play in translation

• Katalin Trencsenyi

• 47 Lost in translation

• Gitta Honegger

• 48 The dissemination of theatrical translation

• Adam Versenyi

• 49 Literary adaptation for the stage: a primer for adaptation dramaturgs

• Jane Barnette

• 50 Intermingling literary and theatrical conventions

• Tomasz Wi?niewski

• 51 Research strategies in dramaturgical practice

• Matt DiCintio

• 52 Dramaturg as context manager: a phenomenological and political practice

• Graca Correa

• 53 New play explorations in the twenty-first century

• Mark Bly

• 54 Thinking like an actor: a guide for the production dramaturg

• Andrew Ian Carlson

• 55 The youth respondent method: new work development for Theatre for Young Audiences

• Kristin Leahey

• Part VI Dramaturgy among other arts: interdisciplinarity, transdisciplinarity, and transvergence

• 56 Complex in-betweeness of dramaturgy and performance studies

• Marin Bla?evi?

• 57 The dramaturg(ies) of puppetry and visual theatre

• Dassia N. Posner

• 58 A method for musical theatre dramaturgy

• Brian D. Valencia

• 59 Borderless dramaturgy in dance theatre

• Vessela S. Warner

• 60 The role of the dramaturg in the creation of new opera works

• Andrew Eggert

• 61 Dramaturgy and film

• Gerry Potter

• 62 Phronesis for robots: (re)covering dramaturgy as an Interdiscipline

• Michael Chemers

• 63 Dramaturgical design of the narrative in digital games

• Klaus P. Jantke

• 64 New media dramaturgy

• Peter Eckersall, Helena Grehan, and Edward Scheer

• 65 The science of dramaturgy and the dramaturgy of science

• Jules Odendahl-James

• Part VII Dramaturg as systems analyst: dramaturgy of postdramatic structures

• 66 Postdramatic dramaturgy

• Gad Kaynar

• 67 Teaching deconstructively

• Barbara Johnson

• 68 EF’s visit to a small planet: some questions to ask a play

• Elinor Fuchs

• 69 Dramaturging non-realism: creating a new vocabulary

• Tori Haring-Smith

• 70 On dramaturgy in contemporary dance and choreography

• Sandra Noeth

• 71 Research, counter-text, performance: reconsidering the (textual) authority of the dramaturg

• D. J. Hopkins

• 72 The bead diagram: a protean tool for script analysis

• Shelley Orr

• 73 Methods for a new dramaturgy of digital performance

• Jodie McNeilly

• 74 Drametrics: what dramaturgs should learn from mathematicians

• Magda Romanska

• 75 Parallel-text analysis and practical dramaturgies

• Toby Malone

• Part VIII Dramaturg as public relations manager: immersions, talkbacks, lobby displays, and social networks

• 76 Dramaturgy and the immersive theatre experience

• Catherine Bouko

• 77 Barrack-dramaturgy and the captive audience

• Andras Visky

• 78 Framing the theatrical experience: lobby displays

• Miriam Weisfeld

• 79 Dramaturg as public relations manager

• Katie Rasor

• 80 Talkbacks: asking good discussion questions

• Jodi Kanter

• 81 Talkbacks for "sensitive subject matter" productions: the theory and practice

• Martine Kei Green-Rogers

• 82 Dramaturgies for the digital age

• Ilinca Todoru?

• 83 Digital engagement: strategies for online dramaturgy

• Tanya Dean

• 84 Digital dramaturgy and digital dramaturgs

• LaRonika Thomas

• 85 Can technology save theatre? Tweet Seats, YouTube auditions, and Facebook backstage?

• Randi Zuckerberg