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    以感情科学为基础的勒柯布西耶和安藤忠雄的建筑美学研究

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    https://www.riss.kr/link?id=A109997756

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    建筑在⼈类⽣活中是不可或缺的⼀部分。随着社会的发展,建筑不仅仅是⼈类居住的场所。⼈们在满⾜了⾝体的需求后,开始追求精神上的满⾜。建筑也是如此,在有住所的情况下,⼈们对建筑外观的要求也在⽇益提⾼。所以在现如今的社会中,建筑美学的存在是⾮常必要的。
    本⽂从建筑美学的⽅向⼊⼿。但⼤多数的⼈们都没有接受过艺术⽅⾯的教育,他们对建筑美学的理解来⾃直观的感受。这正是建筑师通过建筑的表现所要达到的⽬的。这些直观的感受引起⾝体感情的变化,这就是感情科学的真理。基于感情科学的理论,就能理解建筑美学的真相。
    儒家思想认为⼈要敬畏⾃然,顺应⾃然。勒柯布西耶的作品中尤其是朗⾹教堂就体现了这⼀理念。安藤忠雄的“教堂三部曲(光之教堂/⽔之教堂/风之教堂)”特别能够说明他对⾃然元素的融合的重视与喜爱。⽽勒柯布西耶在萨伏伊别墅和安藤忠雄在住吉的长屋的设计中表达的⼈⽂主义思想本质上就是儒家“仁爱”主义的体现。
    学习了感情科学后才会明⽩⾃⼰内⼼的真实。设计师也是如此。设计师只有明⽩了⾃⼰内⼼的真实感情以及设计建筑时只有明⽩⾃⼰想要传达的感情,才能使居住者和观赏者感受到建筑美学中蕴含的感情。另外,设计师还要考虑居住者的真正的需求,遵循感情科学的逻辑,顺应⾃然的规律,融合仁爱之⼼,才能设计出所谓完美的建筑。
    번역하기

    建筑在⼈类⽣活中是不可或缺的⼀部分。随着社会的发展,建筑不仅仅是⼈类居住的场所。⼈们在满⾜了⾝体的需求后,开始追求精神上的满⾜。建筑也是如此,在有住所的情况下,⼈们对...

    建筑在⼈类⽣活中是不可或缺的⼀部分。随着社会的发展,建筑不仅仅是⼈类居住的场所。⼈们在满⾜了⾝体的需求后,开始追求精神上的满⾜。建筑也是如此,在有住所的情况下,⼈们对建筑外观的要求也在⽇益提⾼。所以在现如今的社会中,建筑美学的存在是⾮常必要的。
    本⽂从建筑美学的⽅向⼊⼿。但⼤多数的⼈们都没有接受过艺术⽅⾯的教育,他们对建筑美学的理解来⾃直观的感受。这正是建筑师通过建筑的表现所要达到的⽬的。这些直观的感受引起⾝体感情的变化,这就是感情科学的真理。基于感情科学的理论,就能理解建筑美学的真相。
    儒家思想认为⼈要敬畏⾃然,顺应⾃然。勒柯布西耶的作品中尤其是朗⾹教堂就体现了这⼀理念。安藤忠雄的“教堂三部曲(光之教堂/⽔之教堂/风之教堂)”特别能够说明他对⾃然元素的融合的重视与喜爱。⽽勒柯布西耶在萨伏伊别墅和安藤忠雄在住吉的长屋的设计中表达的⼈⽂主义思想本质上就是儒家“仁爱”主义的体现。
    学习了感情科学后才会明⽩⾃⼰内⼼的真实。设计师也是如此。设计师只有明⽩了⾃⼰内⼼的真实感情以及设计建筑时只有明⽩⾃⼰想要传达的感情,才能使居住者和观赏者感受到建筑美学中蕴含的感情。另外,设计师还要考虑居住者的真正的需求,遵循感情科学的逻辑,顺应⾃然的规律,融合仁爱之⼼,才能设计出所谓完美的建筑。

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    Architecture is an indispensable part in human life. As the society develops, architecture is not only the place of human habitation. People began to pursue mental satisfaction after satisfying physical needs. People, for example, want clothes to wear if they don't have clothes to wear. However, as people began to wear more clothes, they began to pursue chic and uniqueness. The same goes for architecture. With the presence of addresses, people's demands for architectural appearance are also increasing day by day. Therefore, the existence of architectural aesthetics in modern society is very necessary.
    This paper starts from the direction of architectural aesthetics. However, the majority of people have not been educated in the field of art, and li Hae about architectural aesthetics comes from an intuitive feeling. This is the purpose of the architect to reach through the expression of the architecture. It is a truth of emotional science that this intuitive feeling causes changes in bodily emotions. Base on the theory of science of feelings one can understand the truth of architectural aesthetics.
    This paper analyzes the failed architecture cases, concludes that the architecture without fusion of science of feelings is' failed architecture '. From this, it analyzed the architectural works of Le Corbusier and Tadao Ando from the Angle of emotional science, confirming that their architectural works conform to the theory of emotional science.
    The idea is that one should be in awe of nature and conform to nature. Le Corbusier 's work, particularly the Cathedral of Lanchamp, embodies this ideology. The Trilogy of Churches (Church of Light/Church of Water/Church of the Wind), especially by Tadao Ando Shows that he fuses and loves the elements of nature. Le Corbusier described in The Villa Savoy, Tadao Ando in the Azma House, the idea of humanism as essentially Confucian love(仁愛).
    It was not until I studied emotional science that I realized the truth within myself. The same goes for designers. Only when an architect knows the true feelings of his or her heart and the feelings he or she wants to convey when designing architecture can the resident or the viewer feel the feelings embedded in architectural aesthetics. In addition, the architect can design a perfect architecture only by considering the real demand of residents, following the lonely of science of feelings, conforming to the laws of nature and blending with a benevolent heart.
    번역하기

    Architecture is an indispensable part in human life. As the society develops, architecture is not only the place of human habitation. People began to pursue mental satisfaction after satisfying physical needs. People, for example, want clothes to wear...

    Architecture is an indispensable part in human life. As the society develops, architecture is not only the place of human habitation. People began to pursue mental satisfaction after satisfying physical needs. People, for example, want clothes to wear if they don't have clothes to wear. However, as people began to wear more clothes, they began to pursue chic and uniqueness. The same goes for architecture. With the presence of addresses, people's demands for architectural appearance are also increasing day by day. Therefore, the existence of architectural aesthetics in modern society is very necessary.
    This paper starts from the direction of architectural aesthetics. However, the majority of people have not been educated in the field of art, and li Hae about architectural aesthetics comes from an intuitive feeling. This is the purpose of the architect to reach through the expression of the architecture. It is a truth of emotional science that this intuitive feeling causes changes in bodily emotions. Base on the theory of science of feelings one can understand the truth of architectural aesthetics.
    This paper analyzes the failed architecture cases, concludes that the architecture without fusion of science of feelings is' failed architecture '. From this, it analyzed the architectural works of Le Corbusier and Tadao Ando from the Angle of emotional science, confirming that their architectural works conform to the theory of emotional science.
    The idea is that one should be in awe of nature and conform to nature. Le Corbusier 's work, particularly the Cathedral of Lanchamp, embodies this ideology. The Trilogy of Churches (Church of Light/Church of Water/Church of the Wind), especially by Tadao Ando Shows that he fuses and loves the elements of nature. Le Corbusier described in The Villa Savoy, Tadao Ando in the Azma House, the idea of humanism as essentially Confucian love(仁愛).
    It was not until I studied emotional science that I realized the truth within myself. The same goes for designers. Only when an architect knows the true feelings of his or her heart and the feelings he or she wants to convey when designing architecture can the resident or the viewer feel the feelings embedded in architectural aesthetics. In addition, the architect can design a perfect architecture only by considering the real demand of residents, following the lonely of science of feelings, conforming to the laws of nature and blending with a benevolent heart.

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