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      Representation of the Ether in Women in Love: In Relation to Ernst Haeckel and Umberto Boccioni

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      https://www.riss.kr/link?id=A82602301

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      다국어 초록 (Multilingual Abstract)

      It is in Women in Love that D. H. Lawrence used the word "ether" for the first time. In late nineteenth- and early twentieth-century Europe, the idea of the "ether" played a significant role in reconsidering the nature of the universe. At the time, it...

      It is in Women in Love that D. H. Lawrence used the word "ether" for the first time. In late nineteenth- and early twentieth-century Europe, the idea of the "ether" played a significant role in reconsidering the nature of the universe. At the time, it was assumed that the universe was filled with the medium called the ether, through which light was propagated as electromagnetic waves. Visible light vibrating through the dark space of the ether gave rise to a new vision of the universe, which was entirely different from the vision explained by Newton`s idea of absolute space and time. The new vision of the universe made possible by the idea of the ether eventually developed into Einstein`s special theory of relativity published in 1905, which explains the universe not as the absolute, but as relative. Lawrence encountered the idea of the ether in Ernst Haeckel`s The Riddle of the Universe, which he read in 1908. He was also familiar with the representation of the ether in Umberto Boccioni`s visual arts. Studying Women in Love in relation to the idea of the ether that both Haeckel and Boccioni pursued will make it clear how ardently Lawrence explored a new vision of the relative world in the cultural climate of his time.

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      참고문헌 (Reference)

      1 Haeckel, Ernst, "he Riddle of the Universe. 1900" Prometheus 1992

      2 Lawrence, D. H., "Women in Love. 1920" Cambridge UP 1987

      3 Henderson, Linda Dalrymple, "Vibratory Modernism: Boccioni, Kupka, and the Ether of Space. From Energy to Information: Representation in Science and Technology, Art, and Literature" Stanford UP 126-149, 2002

      4 Warwick, Andrew, "Through the Convex Looking Glass: A. S. Eddington and the Cambridge Reception of Einstein’s General Theory of Relativity. Masters of Theory: Cambridge and the Rise of Mathematical Physics" U of Chicago P 443-500, 2003

      5 Muto, Hiroshi, "The ‘Disembodied Voice’ in Fin-de-s?ıcle British Literature: Its Genealogy and Significances" University of Warwick 2001

      6 Lawrence, D. H., "The Two Principles. The Symbolic Meaning: The Uncollected Versions of Studies in Classic American Literature. 1923" Viking 159-173, 1962

      7 Blavatskey, Helen, "The Secret Doctrine" Theosophical Publishing House 1987

      8 Lawrence, D. H., "The Rainbow. 1915" Cambridge UP 1989

      9 Lawrence, D. H., "The Proper Study. Reflections on the Death of a Porcupine and Other Essays. 1925" bridge UP 167-173, 1988

      10 Bell, Michael, "The Metaphysics of Modernism. The Cambridge Companion to Modernism" Cambridge UP 9-32, 1999

      1 Haeckel, Ernst, "he Riddle of the Universe. 1900" Prometheus 1992

      2 Lawrence, D. H., "Women in Love. 1920" Cambridge UP 1987

      3 Henderson, Linda Dalrymple, "Vibratory Modernism: Boccioni, Kupka, and the Ether of Space. From Energy to Information: Representation in Science and Technology, Art, and Literature" Stanford UP 126-149, 2002

      4 Warwick, Andrew, "Through the Convex Looking Glass: A. S. Eddington and the Cambridge Reception of Einstein’s General Theory of Relativity. Masters of Theory: Cambridge and the Rise of Mathematical Physics" U of Chicago P 443-500, 2003

      5 Muto, Hiroshi, "The ‘Disembodied Voice’ in Fin-de-s?ıcle British Literature: Its Genealogy and Significances" University of Warwick 2001

      6 Lawrence, D. H., "The Two Principles. The Symbolic Meaning: The Uncollected Versions of Studies in Classic American Literature. 1923" Viking 159-173, 1962

      7 Blavatskey, Helen, "The Secret Doctrine" Theosophical Publishing House 1987

      8 Lawrence, D. H., "The Rainbow. 1915" Cambridge UP 1989

      9 Lawrence, D. H., "The Proper Study. Reflections on the Death of a Porcupine and Other Essays. 1925" bridge UP 167-173, 1988

      10 Bell, Michael, "The Metaphysics of Modernism. The Cambridge Companion to Modernism" Cambridge UP 9-32, 1999

      11 Lawrence, D. H., "The Letters of D. H. Lawrence, Vol. 4" Cambridge UP 1987

      12 Lawrence, D. H., "The Letters of D. H. Lawrence, Vol. 2" Cambridge UP 1981

      13 Antliff, Mark, "The Fourth Dimension and Futurism: A Politicized Space. 2000. The Art Bulletin. March 17 2008. "

      14 Lawrence, D. H., "The First ‘Women in Love’" Cambridge UP 1998

      15 Lawrence, D. H., "Study of Thomas Hardy and Other Essays. 1985" Cambridge UP 1988

      16 Beer, Gillian, "Science and Literature. Companion to the History of Modern Science" Routledge 783-798, 1990

      17 Einstein, Albert, "Relativity: The Special and the General Theory" Three Rivers 1961

      18 Lawrence, D. H., "Psychoanalysis and the Unconscious and Fantasia of the Unconscious. 1960" Cambridge UP 2004

      19 Warner, Marina, "Phantasmagoria: Spirit Visions, Metaphors, and Media into the Twenty-First Century" Oxford UP 2006

      20 Hoshi, Kumiko, "Modernism’s Fourth Dimension: Einstein, Picasso and Lawrence. ‘A Window to the Sun’: D. H. Lawrence’s ‘Thought-Adventures.'" Fairleigh Dickinson UP 2008

      21 Turner, Martha A., "Mechanism and the Novel: Science in the Narrative Process" Cambridge UP 1993

      22 Hunt, J. Bruce, "Lines of Force, Swirls of Ether. From Energy to Information: Representation in Science and Technology, Art, and Literature" Stanford UP 99-113, 2002

      23 Delavenay, Emile, "Lawrence and the Futurists. The Modernists: Studies in a Literary Phenomenon" Associated UP 140-162, 1987

      24 Kushigian, Nancy, "Italian Futurism and Preparation for the Rainbow. Pictures and Fictions: Visual Modernism and the Pre-War Novels of D. H. Lawrence" Peter Lang 75-103, 1990

      25 Lawrence, D. H., "Indians and Entertainment. Mornings in Mexico and Etruscan Places" Heinemann 43-54, 1965

      26 Apollonio, Umbro, "Futurist Manifestos" MFA 1970

      27 Clarke, Bruce, "From Thermodynamics to Virtuality. From Energy to Information: Representation in Science and Technology, Art, and Literature" Stanford UP 17-33, 2002

      28 Benson, Donald R., "Facts and Fictions in Scientific Discourse: The Case of Ether" 38 (38): 825-837, 1984

      29 Clarke, Bruce, "Energy Forms: Allegory and Science in the Era of Classical Thermodynamics" U of Michigan P 2001

      30 Whitworth, Michael H., "Einstein’s Wake: Relativity, Metaphor, and Modernist Literature" Oxford UP 2001

      31 Friedman, Alan J., "Einstein as Myth and Muse" Cambridge UP 1985

      32 Henderson, Linda Dalrymple, "Editor’s Introduction" 17 (17): 423-466, 2004

      33 Burnet, John, "Early Greek Philosophy" Black 1975

      34 Hoshi, Kumiko, "D. H. Lawrence’s Representations of Relativity: With Special Reference to the Cultural Climate of Modernity before Einstein" Tokyo Woman’s Christian University 2008

      35 Delany, Paul, "D. H. Lawrence’s Nightmare: The Writer and His Circle in the Years of the Great War" Basic 1978

      36 Burack, Charles Michael, "D. H. Lawrence’s Language of Sacred Experience: The Transfiguration of the Reader" Palgrave Macmillan 2005

      37 Schneider, Daniel J., "D. H. Lawrence: The Artist as Psychologist" UP of Kansas 1984

      38 Wallace, Jeff, "D. H. Lawrence, Science and the Posthuman" Palgrave Macmillan 2005

      39 Harrison, Andrew, "D. H. Lawrence and Italian Futurism: A Study of Influence" Rodopi 2003

      40 Cantor, G. N., "Conceptions of Ether: Studies in the History of Ether Theories 1740-1900" Cambridge UP 1981

      41 Lawrence, D. H., "Aaron’s Rod. 1922" Cambridge UP 1988

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