리얼리즘 인체 조각에 대한 연구 : 1960년 이후를 중심으로

다국어 초록 (Multilingual Abstract)

This thesis, through the study of realism human body sculpture, we grasp what is realism and analyze the meaning of realism in human body sculpture. Therefore, the aim was to judge and understand the nature of realism and the value of human sculpture in realism sculpture. In addition, research was conducted to mature and develop the subjective art world of this researcher.
Realism has been interpreted as a basic and important concept in human sculpture from ancient Greece to the present. Such realism is a concept of human instincts and consequences of imitation of reality, which is essential to the foundation of art practice. Similarly, the human body is a sanction of realism art, based on imitation of reality, which is the fundamental principle of realism, and embodies the moment of reality in which humans live.
Realism The concept of realism in human body sculpture was formed on the basis of Aristotle's theory of mimesis, and it has been used in a plural way, changing its meaning and extending over time, which makes it difficult to define clearly.
Historically, the concept meant simply presenting an idealized form through the imitation of real phenomena from ancient Greece until the realism of Courbet, and was interpreted as realism only by the shape of the human body that was realistically reproduced.
However, since Courbet's declaration of realism, the concept of realism has been redefined as a method of representation that focuses on realism as a method of representation that records objective facts about reality. In other words, the meaning of the actual relations that are actually shaped without the idealization of the reality becomes valuable.
Since then, social and natural sciences have transformed and formed new social relations. Thus, it is urged to solve the existential problems of humans caused by the ideological conflict between social conditions and human values, that is, the conflict of values between society and reality, suggesting the overall situation and reflecting the reality. Value was highlighted.
However, as the value of modernism, which abstraction prevails in the early 20th century, is noticed and dominates the art, the sculpture of realism loses its meaning. Only socialist realism, which retains the value of realism in social ideology, continues to be a significant turning point, and as a significant turning point in art history, postmodernism, or 1960s, realism sculptures of human beings restored their conception due to the change in the value of art, Experience and interpretation recreate the realism sculpture that directly reflects life.
The artist created a new value of realism sculpture as an art that presents a sculpture of human body that is opposed between the expression of subjective reality and the reproduction of objective reality, inducing a different aesthetic experience and inducing a change of reality.
As a result, realism is a great tool for capturing reality through artists, a means of developing art practice and human spirit, and a measure of humanity's existential values and the real world. Accordingly, human sculptures based on realism have the characteristics of reproducing reality in the individuality and self-realistic form of the artist by the sense of the artist.
Thus, the artist has created a real realism sculpture that reflects reality and intends to change our lives, from the meaning of the sculpture of the human body to evoke only the sense of reality through the realistic reproduction of the actual form.
Finally, based on the content of this paper, the researcher defined that 'realism is an art aesthetic that refers to the present by imitating reality based on everything that exists in the real world.' Therefore, the realism human body sculpture concluded that realism is the result of human body sculpture.

목차 (Table of Contents)

• I. 서 론 1
• 1. 연구 배경 및 목적 1
• 2. 연구 범위 및 방법 3
• Ⅱ. 리얼리즘 인체 조각의 이해 5
• 1. 이론적 배경 5
• 1) 리얼리즘의 개념 및 의의 5
• 2) 리얼리즘의 형성과 배경 10
• 3) 예술에서 인체의 의미와 가치 13
• 2. 리얼리즘 인체 조각의 흐름 17
• 1) 근대 이전 17
• 2) 1960년 이전 23
• 3) 1960년 이후 33
• III. 1960년 이후 작가 분석 40
• 1. 일상적 현실의 표현 - 조지 시걸 (George Segal) 40
• 2. 극사실적 재현의 표현 - 듀안 핸슨 (Duane Hanson) 47
• 3. 파편화 된 인체의 표현 - 로버트 고버 (Robert Gober) 53
• Ⅳ. 결론 58
• 참고문헌 63