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      J.S.Bach의 Toccata and Fugue in d minor BWV 565에 관한 연구

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      https://www.riss.kr/link?id=T13214770

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      다국어 초록 (Multilingual Abstract)

      Out of all of the musical masterpieces J.S. Bach(1685~1750) left behind, his organ pieces were the most popular. Among those pieces, “Toccata and Fugue in d minor BWV 565” is the most well-known and is the focus of my research. In order to deepen my research on “Toccata and Fugue in d minor BWV 565”, I looked into the life of Bach the composer, how he composed organ music, how he expressed it, and its effects and influences across the periods.
      In addition, I carried out my analysis of “Toccata and Fugue in d minor BWV 565” by reviewing the general characteristics of a toccata and a fugue. A toccata has a freewheeling and improvisatory style with full chords and scales. On the other hand, a fugue consists of imitations of repeated themes. Bach’s “Toccata and Fugue in d minor BWV 565” is a compilation of both styles.
      Among many of Bach’s masterpieces that portray his creative power, this composition stands out due to its free spirited and emotional style. Toccata and Fugue brings out the best of an organ’s characteristics by employing four toccatas and six fugues.
      The toccatas display repetitive melodic figures in subjects and episodes. Likewise, fugues consist of repetitions of subjects, answers, counter points and episodes. Furthermore, its linking parts also have repeating scales, sequences and pedal points which express impressive styles through beautiful melodies, tempo dynamics and overall harmony.
      This research covers the life of Bach, organ music, Bach’s musical characteristics across periods, the general characteristics of a toccata and a fugue, and an investigation of “Toccata and Fugue in d minor BWV 565” which gives us insights on how Bach tried to express his music. Finally, through harmonic analysis, we can conclude that Bach focused on musical expression rather than technical precision.
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      Out of all of the musical masterpieces J.S. Bach(1685~1750) left behind, his organ pieces were the most popular. Among those pieces, “Toccata and Fugue in d minor BWV 565” is the most well-known and is the focus of my research. In order to deepe...

      Out of all of the musical masterpieces J.S. Bach(1685~1750) left behind, his organ pieces were the most popular. Among those pieces, “Toccata and Fugue in d minor BWV 565” is the most well-known and is the focus of my research. In order to deepen my research on “Toccata and Fugue in d minor BWV 565”, I looked into the life of Bach the composer, how he composed organ music, how he expressed it, and its effects and influences across the periods.
      In addition, I carried out my analysis of “Toccata and Fugue in d minor BWV 565” by reviewing the general characteristics of a toccata and a fugue. A toccata has a freewheeling and improvisatory style with full chords and scales. On the other hand, a fugue consists of imitations of repeated themes. Bach’s “Toccata and Fugue in d minor BWV 565” is a compilation of both styles.
      Among many of Bach’s masterpieces that portray his creative power, this composition stands out due to its free spirited and emotional style. Toccata and Fugue brings out the best of an organ’s characteristics by employing four toccatas and six fugues.
      The toccatas display repetitive melodic figures in subjects and episodes. Likewise, fugues consist of repetitions of subjects, answers, counter points and episodes. Furthermore, its linking parts also have repeating scales, sequences and pedal points which express impressive styles through beautiful melodies, tempo dynamics and overall harmony.
      This research covers the life of Bach, organ music, Bach’s musical characteristics across periods, the general characteristics of a toccata and a fugue, and an investigation of “Toccata and Fugue in d minor BWV 565” which gives us insights on how Bach tried to express his music. Finally, through harmonic analysis, we can conclude that Bach focused on musical expression rather than technical precision.

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      목차 (Table of Contents)

      • Ⅰ. 서 론 1
      • 1. 연구목적 1
      • 2. 연구방법 3
      • Ⅱ. 본 론 4
      • 1. J.S.Bach의 생애 4
      • Ⅰ. 서 론 1
      • 1. 연구목적 1
      • 2. 연구방법 3
      • Ⅱ. 본 론 4
      • 1. J.S.Bach의 생애 4
      • 2. 바흐의 오르간 음악 7
      • 3. 바흐의 시기별 작품과 특징 11
      • 4. Toccata와 Fugue의 일반적인 특성 14
      • 1) Toccata 14
      • 2) Fugue 18
      • 5. J.S.Bach<Toccata and Fugue in d minor BWV 565>의 분석연구 23
      • 1) Toccata and Fugue in d minor BWV 565의 구성 23
      • 2) Toccata and Fugue in d minor BWV 565의 분석 24
      • (1) Toccata 24
      • (2) Fugue 33
      • Ⅲ. 결 론 58
      • 참고문헌 60
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