The purpose of this study is to introduce various examples of beat notation reflecting the rhythm of jangdan, and to present the current status and unification of time tables, focusing on unusual combined meter, unusual paired meter, and unusual unpai...
The purpose of this study is to introduce various examples of beat notation reflecting the rhythm of jangdan, and to present the current status and unification of time tables, focusing on unusual combined meter, unusual paired meter, and unusual unpaired meter.
Currently, in the representation of Korean traditional music as staff notation system, it has been generally unified by marking a note corresponding to a beat in the denominator and a clapping within a single bar in the numerator, that is, the total applause of the rhythm. In general, the single beat, for example, most of the usual beat time tables have been unified. On the other hand, Sijo jangdan with usual combined meters, eonmori jangdan with unusual paired meters, and gilgunakchilchae jangdan of nongak with unusual unpaired meters, do not reflect the structure of the Korean music rhythm structure and are marked in different forms.
Therefore, in order to reflect and unify the rhythm structure of the beat table of jangdans with usual combined meters, unusual paired meters, and unusual unpaired meters, an agreement for systematic notation will be needed along with the spread of academic awareness.