1 Klingsporn, Geoffrey, "“Icon of Real war: A Harvest of Death and American War Photography.” Velvet Light Trap: A" 45 : 4-19, 2010
2 Katz, D. Mark, "Witness to an Era: The Life and Photographs of Alexander Gardner" Rutledge Hill 1991
3 Traubel, Horace, "With Walt Whitman in Camden" Rowman and Littlefield 1996
4 Folsom, "Whitman and the Visual Democracy of Photography" 10 : 51-65, 1988
5 Folsom, "Walt Whitman’s Native Representations" Cambridge UP 1994
6 Cox, James M., "Walt Whitman, Mark Twain, and the Civil War" 69 (69): 185-204, 1961
7 Whitman, Walt, "Visit To Plumbe‘s Gallery’ July, 2 1846, in Literature and Photography: Interactions 1840-1990" U of New Mexico P 19-22, 1995
8 Sweet, Timothy, "Traces of War: Poetry, Photography, and the Crisis of the Union" Johns Hopkins UP 1990
9 Holmes, Oliver Wendell, "The Stereoscope and the Stereograph, in Photography in Print" Simon 100-114, 1981
10 Meehan, Sean Ross, "The Mirror with Memory: Nineteenth-century American autobiography and the photographic imagination" U of Iowa 2002
1 Klingsporn, Geoffrey, "“Icon of Real war: A Harvest of Death and American War Photography.” Velvet Light Trap: A" 45 : 4-19, 2010
2 Katz, D. Mark, "Witness to an Era: The Life and Photographs of Alexander Gardner" Rutledge Hill 1991
3 Traubel, Horace, "With Walt Whitman in Camden" Rowman and Littlefield 1996
4 Folsom, "Whitman and the Visual Democracy of Photography" 10 : 51-65, 1988
5 Folsom, "Walt Whitman’s Native Representations" Cambridge UP 1994
6 Cox, James M., "Walt Whitman, Mark Twain, and the Civil War" 69 (69): 185-204, 1961
7 Whitman, Walt, "Visit To Plumbe‘s Gallery’ July, 2 1846, in Literature and Photography: Interactions 1840-1990" U of New Mexico P 19-22, 1995
8 Sweet, Timothy, "Traces of War: Poetry, Photography, and the Crisis of the Union" Johns Hopkins UP 1990
9 Holmes, Oliver Wendell, "The Stereoscope and the Stereograph, in Photography in Print" Simon 100-114, 1981
10 Meehan, Sean Ross, "The Mirror with Memory: Nineteenth-century American autobiography and the photographic imagination" U of Iowa 2002
11 Rubin, Joseph Jay, "The Historic Whitman" Pennsylvania State UP 1973
12 Greenberg, Clement, "The Camera Glass Eye" 294-296, 1946
13 Nestor, Amy Ruth, "Straying Aside/Bodying Athwart—without the Lines of Traumatic History in Walt Whitman’s Specimen Days and W. E. B. Du Bois’ The Souls of Black Folk" U of New York at Buffalo 2005
14 Whitman, Walt, "Specimen Days and Collect" Dover 1995
15 Trachtenberg, Alan, "Reading American Photographs: Images as History, Mathew Brady to Walker Evans" Noonday-Hill 1989
16 Rugg, Linda Haverty, "Picturing Ourselves: Photography and Autobiography" U of Chicago P 1997
17 Mitchell, W. J. T., "Picture Theory: Essays on Verbal and Visual Representation" U of Chicago P 1994
18 Trachtenberg, Alan, "Photography: The Emergence of a Keyword, in Photography in Nineteenth-Century America" Abrams 16-47, 1991
19 Lee, Anthony W, "On Alexander Gardner’s Photographic Sketch Book of the Civil War" U of California P 2007
20 Folsom, "Notes on the Major Whitman Photographers" 4 (4): 63-71, 1986
21 Whitman, Walt, "Notebooks and Unpublished Prose Manuscripts" New York UP 1984
22 Whitman, Walt, "Leaves of Grass" Norton 1973
23 Gardner, Alexander, "Gardner’s Photographic Sketch Book of the Civil War" Dover 1959
24 Green-Lewis, Jennifer, "Framing the Victorians: Photography and the Culture of Realism" Cornell UP 1996
25 Whitman, Walt, "City Photographs, in Walt Whitman and the Civil Wa" A.S. Barnes 1963
26 "Brady’s Photographs of the War"
27 Whitman, Walt, "An American Primer" City Light 1970
28 Peterson, Anne E., "Alexander Gardner in Review" 34 (34): 356-367, 2010
29 Trachtenberg, Alan, "Albums of War: On Reading Civil War Photographs" 9 : 1-32, 1985