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      『톰 아저씨의 오두막』에 재현된 노예 및 여성 이미지 연구-엠블럼, 삽화, 조각의 예술 매체를 중심으로 = A Study of Visual Image of Slaves and Women in Uncle Tom`s Cabin through Emblem, Illustration, and Sculpture

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      https://www.riss.kr/link?id=A100283157

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      다국어 초록 (Multilingual Abstract)

      It is interesting that some connections can be found between literary images in Uncle Tom’s Cabin and visual images of emblem, illustration, and sculpture which are associated with angels, goddess, Jesus, and shackled male or female slaves. The visu...

      It is interesting that some connections can be found between literary images in Uncle Tom’s Cabin and visual images of emblem, illustration, and sculpture which are associated with angels, goddess, Jesus, and shackled male or female slaves. The visual images in which black slaves like Tom supplicate freedom or emancipation from the whites, were popularized in the early and mid-19th century, and the images strongly influenced the expansion of slave emancipation movement. Undergoing the abolitionist movement, intriguingly, the women began to realize that they were simply like white domestic slaves. Consequently, it turns out that the movement played an important bridging role in enabling the women to regain their voices in the subsequent women``s rights movement. For the purpose of this study, this paper is to deal with three ways. First, a history of the slavery emblem has been briefly reviewed, and then, an investigation has been made, using visual images like emblem and illustration in Uncle Tom’s Cabin, to know how Eva is represented as a religious and abolitionist symbol and how Tom is represented as a symbol of martyr and Jesus. Finally, a study of sculptures of Hiram Power’s and Howard Roberts’ has been made to reveal the relationship between women’s anti-slavery movement and women’s emancipation movement. Broadly speaking, this study is an intertextual and interdisciplinary research to investigate how literature and visual arts are interlinked and interconnected.

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      참고문헌 (Reference)

      1 에번스, 리처드, "페미니스트: 비교사적 시각에서 본 여성운동 1840~1920" 창작과 비평사 56-77, 1998

      2 O'Brien, Sheila Ruzycki, "“There is no arguing with pictures”: Stretching the Canvas of Gender in the Art Portraits, Picture-language, and the Original Illustrations in Uncle Tom's Cabin" 20 (20): 449-480, 2006

      3 Evans, Curtis, "“The Chief Glory of God [Is] in Self-Denying, Suffering Love!”: True Religion in Harriet Beecher Stowe’s Uncle Tom’s Cabin" 92 (92): 498-514, 2012

      4 Yellin. Jean Fagan, "Women & Sisters: The Antislavery Feminists in American Culture" Yale UP 1989

      5 Hill, Elizabeth K., "What Is an Emblem?" 29 (29): 261-265, 1970

      6 Morgan, Jo-Ann, "Uncle Tom’s Cabin as Visual Culture" U of Missouri P 2007

      7 Stowe. Harriet Beecher, "Uncle Tom’s Cabin" John Casseli 1852

      8 N. A., "The “America” of Hiram Powers" 1 (1): 55-56, 1856

      9 Guyatt, Mary, "The Wedgwood Slave Medallion: Values in Eighteen Century Design" 13 (13): 93-105, 2000

      10 Cooper, Anna Julia, "The Voice of Anna Julia Cooper: including a Voice from the South and Other Important Essays, papers, and Letters" Rowman & Littlefield 1998

      1 에번스, 리처드, "페미니스트: 비교사적 시각에서 본 여성운동 1840~1920" 창작과 비평사 56-77, 1998

      2 O'Brien, Sheila Ruzycki, "“There is no arguing with pictures”: Stretching the Canvas of Gender in the Art Portraits, Picture-language, and the Original Illustrations in Uncle Tom's Cabin" 20 (20): 449-480, 2006

      3 Evans, Curtis, "“The Chief Glory of God [Is] in Self-Denying, Suffering Love!”: True Religion in Harriet Beecher Stowe’s Uncle Tom’s Cabin" 92 (92): 498-514, 2012

      4 Yellin. Jean Fagan, "Women & Sisters: The Antislavery Feminists in American Culture" Yale UP 1989

      5 Hill, Elizabeth K., "What Is an Emblem?" 29 (29): 261-265, 1970

      6 Morgan, Jo-Ann, "Uncle Tom’s Cabin as Visual Culture" U of Missouri P 2007

      7 Stowe. Harriet Beecher, "Uncle Tom’s Cabin" John Casseli 1852

      8 N. A., "The “America” of Hiram Powers" 1 (1): 55-56, 1856

      9 Guyatt, Mary, "The Wedgwood Slave Medallion: Values in Eighteen Century Design" 13 (13): 93-105, 2000

      10 Cooper, Anna Julia, "The Voice of Anna Julia Cooper: including a Voice from the South and Other Important Essays, papers, and Letters" Rowman & Littlefield 1998

      11 Gilmore. Michael M., "The Cambridge Companion to Harriet Beecher Stowe" Cambridge UP 58-76, 2004

      12 Savage, Kirk, "Standing Soldiers, Kneeling Slaves: Race, War, and Monument in Nineteenth-Century America" Princeton UP 21-51, 1997

      13 Bath, Michael, "Speaking Pictures: English Emblem Books and Renaissance Culture" Longman 8-17, 1994

      14 "Society for Emblem Studies"

      15 McInnis, Maurie D., "Slaves Waiting for Sale: Abolitionist Art and the American Slave Trade" U of Chicago P 2011

      16 Tillet, Salamishah, "Sites of Slavery: Citizenship and Racial Democracy in the Post-Civil Rights Imagination" Duke UP 51-93, 2012

      17 Stowe. Harriet Beecher, "Letter to Gamaliel Bailey"

      18 Stanton, Elizabeth Cady, "History of Woman Suffrage I (1848-1861)" Charles Mann 63-87, 1887

      19 Nelson, Charmaine, "Hiram Powers’s America: Shackles, Slaves, and the Racial Limits of Nineteenth-Century National Identity" 34 (34): 167-183, 2004

      20 Brown. Gillian, "Harriet Beecher Stowe’s Uncle Tom’s Cabin" Routledge 77-95, 2004

      21 Freeman, Rosemary, "English Emblem Books" Octagon 1-7, 1966

      22 Yellin. Jean Fagan, "Caps and Chains: Hiram Powers' Statue of “Liberty”" 38 (38): 798-826, 1986

      23 Sánchez-Eppler, Karen, "Bodily Bonds: The Intersecting Rhetorics of Feminism and Abolition" 24 : 28-59, 1988

      24 Haug, Christine, "Beyond Hearth & Home Role of Women in Uncle Tom's Cabin"

      25 Goldner, Ellen J., "Arguing With Pictures: Race, Class, and the Formation of Popular Abolitionism through Uncle Tom's Cabin" 24 (24): 71-84, 2009

      26 "Abolitionism in the United Kingdom"

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