1 에번스, 리처드, "페미니스트: 비교사적 시각에서 본 여성운동 1840~1920" 창작과 비평사 56-77, 1998
2 O'Brien, Sheila Ruzycki, "“There is no arguing with pictures”: Stretching the Canvas of Gender in the Art Portraits, Picture-language, and the Original Illustrations in Uncle Tom's Cabin" 20 (20): 449-480, 2006
3 Evans, Curtis, "“The Chief Glory of God [Is] in Self-Denying, Suffering Love!”: True Religion in Harriet Beecher Stowe’s Uncle Tom’s Cabin" 92 (92): 498-514, 2012
4 Yellin. Jean Fagan, "Women & Sisters: The Antislavery Feminists in American Culture" Yale UP 1989
5 Hill, Elizabeth K., "What Is an Emblem?" 29 (29): 261-265, 1970
6 Morgan, Jo-Ann, "Uncle Tom’s Cabin as Visual Culture" U of Missouri P 2007
7 Stowe. Harriet Beecher, "Uncle Tom’s Cabin" John Casseli 1852
8 N. A., "The “America” of Hiram Powers" 1 (1): 55-56, 1856
9 Guyatt, Mary, "The Wedgwood Slave Medallion: Values in Eighteen Century Design" 13 (13): 93-105, 2000
10 Cooper, Anna Julia, "The Voice of Anna Julia Cooper: including a Voice from the South and Other Important Essays, papers, and Letters" Rowman & Littlefield 1998
1 에번스, 리처드, "페미니스트: 비교사적 시각에서 본 여성운동 1840~1920" 창작과 비평사 56-77, 1998
2 O'Brien, Sheila Ruzycki, "“There is no arguing with pictures”: Stretching the Canvas of Gender in the Art Portraits, Picture-language, and the Original Illustrations in Uncle Tom's Cabin" 20 (20): 449-480, 2006
3 Evans, Curtis, "“The Chief Glory of God [Is] in Self-Denying, Suffering Love!”: True Religion in Harriet Beecher Stowe’s Uncle Tom’s Cabin" 92 (92): 498-514, 2012
4 Yellin. Jean Fagan, "Women & Sisters: The Antislavery Feminists in American Culture" Yale UP 1989
5 Hill, Elizabeth K., "What Is an Emblem?" 29 (29): 261-265, 1970
6 Morgan, Jo-Ann, "Uncle Tom’s Cabin as Visual Culture" U of Missouri P 2007
7 Stowe. Harriet Beecher, "Uncle Tom’s Cabin" John Casseli 1852
8 N. A., "The “America” of Hiram Powers" 1 (1): 55-56, 1856
9 Guyatt, Mary, "The Wedgwood Slave Medallion: Values in Eighteen Century Design" 13 (13): 93-105, 2000
10 Cooper, Anna Julia, "The Voice of Anna Julia Cooper: including a Voice from the South and Other Important Essays, papers, and Letters" Rowman & Littlefield 1998
11 Gilmore. Michael M., "The Cambridge Companion to Harriet Beecher Stowe" Cambridge UP 58-76, 2004
12 Savage, Kirk, "Standing Soldiers, Kneeling Slaves: Race, War, and Monument in Nineteenth-Century America" Princeton UP 21-51, 1997
13 Bath, Michael, "Speaking Pictures: English Emblem Books and Renaissance Culture" Longman 8-17, 1994
14 "Society for Emblem Studies"
15 McInnis, Maurie D., "Slaves Waiting for Sale: Abolitionist Art and the American Slave Trade" U of Chicago P 2011
16 Tillet, Salamishah, "Sites of Slavery: Citizenship and Racial Democracy in the Post-Civil Rights Imagination" Duke UP 51-93, 2012
17 Stowe. Harriet Beecher, "Letter to Gamaliel Bailey"
18 Stanton, Elizabeth Cady, "History of Woman Suffrage I (1848-1861)" Charles Mann 63-87, 1887
19 Nelson, Charmaine, "Hiram Powers’s America: Shackles, Slaves, and the Racial Limits of Nineteenth-Century National Identity" 34 (34): 167-183, 2004
20 Brown. Gillian, "Harriet Beecher Stowe’s Uncle Tom’s Cabin" Routledge 77-95, 2004
21 Freeman, Rosemary, "English Emblem Books" Octagon 1-7, 1966
22 Yellin. Jean Fagan, "Caps and Chains: Hiram Powers' Statue of “Liberty”" 38 (38): 798-826, 1986
23 Sánchez-Eppler, Karen, "Bodily Bonds: The Intersecting Rhetorics of Feminism and Abolition" 24 : 28-59, 1988
24 Haug, Christine, "Beyond Hearth & Home Role of Women in Uncle Tom's Cabin"
25 Goldner, Ellen J., "Arguing With Pictures: Race, Class, and the Formation of Popular Abolitionism through Uncle Tom's Cabin" 24 (24): 71-84, 2009
26 "Abolitionism in the United Kingdom"