남성성과 여성성과 대립으로 본 헌화가 = Hunwha-ga, focused on coordination of feminity and masculinity

다국어 초록 (Multilingual Abstract)

This thesis is on the song "Hunwha-ga"(song of giving flower to woman named Suro) and attach story about Suro. In the song/story, there are one beautiful woman: Suro and three men; an old man, the dragon and her husband Soonjung. These three men have something in common with one. That, they adore her. But they love/adore/respect her in different way.
" old man"ave her the flower and song. It is very elegant way of affection. He represents god or god-like, so, Suro is so beautiful that even god also had affection for her. But that god showed himself not as a handsome, young guy but as a plain old man. This setting makes the song/story not too lascivious or sensual, "e dragon"arried her away to the deep blue sea by force. It is very brutal way of love. He represents an ordinary man who would stop at nothing to gain a beautiful woman. So he made himself open to severe criticism, he took her back eventually. "r husband Soonjung"ust kept still when a strange old man gave his wife a flower, or when the dragon kidnapped her. It is very passive way of love. He represents 'her' purity and chastity because his name 'Soonjung' exactly means that.
The point of the song/story is that the woman named Suro is so beautiful that god and the monster as well as an ordinary man cannot help loving her. Therefore, the song/story accentuated the feminity but made the masculinity weakened.

목차 (Table of Contents)

• 1. 문제의 제기
• 2. <水路婦人>條 설화문맥과 기존 연구의 검토
• 3. 세 남성성의 정체와 의미
• 3.1. 소를 끌고 온 老翁
• 3.1.1. 꽃을 꺾는 행위와 남성성의 드러냄
• 3.1.2. 소를 놓은 행위와 양성성의 포기
• 3.1.3. '노옹'인 까닭
• 3.2. 神物 용
• 3.3. 남편 순정공
• 4. 여성성 부각의 심층 - 미의 화신 수로부인
• 4.1. 수로부인의 정체
• 4.2. 여성성 부각의 요소들
• 4.2.1.설화의 구조적 측면에서
• 4.2.2. 아름다움 - 미의식이라는 측면에서
• 4.2.3. 삼국유사내 다른 이야기들과의 관계에서
• 5. 결론: 남성성과 여성성의 대립으로 본 헌화가