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      모제품 깔개에 표현된 "S" 기호에 관한 연구 = A Research on the Sign "S" Found on Woolen Rugs

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      https://www.riss.kr/link?id=A86946762

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      다국어 초록 (Multilingual Abstract)

      The signals presented on rugs and fabric, even if they are in the same form, have different symbolic meanings according to the regions in which they are used, produced and different ethnic groups live. This research assumed that the ``S`` presented on a certain rug has certain meaning but not a simple one. And investigated the form of expression, regional characteristic, feature of the time, meaning of use of ``S`` through examining literatures and samples which are related to the woolen rug produced between twelve and nineteen centuries in the Middle East. The research findings are as follows. First, the signs presented on domestic animals of nomads, presented by each tribe, are for showing ownership of the animals. In contrast, the ``S`` presented on rugs fabrics can be referred to a sort of brand mark, which is related to copy right, rather than ownership. Second, the expression form of ``S`` can be classified into three forms: graphing of vine of grape tree which refers to Christ, ``S`` presented on its own and presented between various patterns hidden in them. Continuous representations are shown in rugs of religious painting, which have been presented between the Middle and Gothic Ages. The single representation, which is presented repetitively or in a single form on particular section on the rug. And the hidden form is shown on rugs which have been produced after nineteen century and this can be found with circumspection as some patterns are presented negatively seems to be done intentionally. Third, the rugs which ``S`` is presented on have been produced in Armenian region or the one belonged to Armenia historically in which Armenia`s florescence. It is assumed that the ``S``, presented on the rugs, refers towhich is the first letter of ````, the god of Armenia, as a symbolization. Fourth, the ``S``, in this research, referred to dragon assuming based on Persian carpet and dragon of China interpreting generally. However, the ``S`` still refers to Christ for Armenian people that they tired to confirm their ethnic identity through their religion. Apart from the ``S``, there are many sorts of special sings presented on the woolen rug for this research. Therefore, this paper can be a very critical basis for further research which are to investigate the signals presented on fabric and their ethnic identity, the sort of weaving technique and characteristic.
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      The signals presented on rugs and fabric, even if they are in the same form, have different symbolic meanings according to the regions in which they are used, produced and different ethnic groups live. This research assumed that the ``S`` presented on...

      The signals presented on rugs and fabric, even if they are in the same form, have different symbolic meanings according to the regions in which they are used, produced and different ethnic groups live. This research assumed that the ``S`` presented on a certain rug has certain meaning but not a simple one. And investigated the form of expression, regional characteristic, feature of the time, meaning of use of ``S`` through examining literatures and samples which are related to the woolen rug produced between twelve and nineteen centuries in the Middle East. The research findings are as follows. First, the signs presented on domestic animals of nomads, presented by each tribe, are for showing ownership of the animals. In contrast, the ``S`` presented on rugs fabrics can be referred to a sort of brand mark, which is related to copy right, rather than ownership. Second, the expression form of ``S`` can be classified into three forms: graphing of vine of grape tree which refers to Christ, ``S`` presented on its own and presented between various patterns hidden in them. Continuous representations are shown in rugs of religious painting, which have been presented between the Middle and Gothic Ages. The single representation, which is presented repetitively or in a single form on particular section on the rug. And the hidden form is shown on rugs which have been produced after nineteen century and this can be found with circumspection as some patterns are presented negatively seems to be done intentionally. Third, the rugs which ``S`` is presented on have been produced in Armenian region or the one belonged to Armenia historically in which Armenia`s florescence. It is assumed that the ``S``, presented on the rugs, refers towhich is the first letter of ````, the god of Armenia, as a symbolization. Fourth, the ``S``, in this research, referred to dragon assuming based on Persian carpet and dragon of China interpreting generally. However, the ``S`` still refers to Christ for Armenian people that they tired to confirm their ethnic identity through their religion. Apart from the ``S``, there are many sorts of special sings presented on the woolen rug for this research. Therefore, this paper can be a very critical basis for further research which are to investigate the signals presented on fabric and their ethnic identity, the sort of weaving technique and characteristic.

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      참고문헌 (Reference)

      1 베스타 S. 커티스, "페르시아 신화" 범우사 2003

      2 이희철, "터키" 리수 2008

      3 존 로덴, "초기 그리스도교와 비잔틴미술" 한길아트 1998

      4 세계문자연구회, "세계의 문자" 범우사 1997

      5 A. 프란츤, "세계 교회사" 분도출판사 2001

      6 E.H. 곰브리치, "서양미술사" 悅話堂 1977

      7 정동찬, "살아있는 신화 바위그림" 혜안 1996

      8 라시드 앗 딘, "부족지" 사계절 2002

      9 미셀 푀이예, "그리스도교 상징사전" 보누스 2009

      10 蘇斗永, "記號學" 인간사랑 1991

      1 베스타 S. 커티스, "페르시아 신화" 범우사 2003

      2 이희철, "터키" 리수 2008

      3 존 로덴, "초기 그리스도교와 비잔틴미술" 한길아트 1998

      4 세계문자연구회, "세계의 문자" 범우사 1997

      5 A. 프란츤, "세계 교회사" 분도출판사 2001

      6 E.H. 곰브리치, "서양미술사" 悅話堂 1977

      7 정동찬, "살아있는 신화 바위그림" 혜안 1996

      8 라시드 앗 딘, "부족지" 사계절 2002

      9 미셀 푀이예, "그리스도교 상징사전" 보누스 2009

      10 蘇斗永, "記號學" 인간사랑 1991

      11 美術出版社, "西洋美術史" 美術出版社 1994

      12 윤양노, "古代 毛織物에 關한 硏究" 성신여자대학교 대학원 1994

      13 "http://www.hankyung.com/news/app/newsview.php?aid=201006226704i"

      14 "http://enc.daum.net/dic100/contents.do?query1=10XXX15860"

      15 T.A.캔너, "YMBOLS" 서울문화사 2006

      16 Stone, Peter F, "The Oriental Rug Lexicon" Thames and Hudson 1997

      17 Volkmar Ganzhorn, "The Oriental Carpet" Taschen 1991

      18 David Stronach, "Patterns of Pazyryk Carpet::Notes on the representational Role of Textiles in the First Millenium BC In The Oriental Carpet and Textile Studies, Vol. Ⅳ." OCTS Ltd 1993

      19 Gallery Books, "Mediaeval Ornament" 1991

      20 Alastair Hull, "Jose Luczyc-Wyhowska" T&H 1993

      21 Jon Thompson, "Carpets" Laurence king 1993

      22 Opie, James, "Approaching Rug Motif as a language In The Oriental Carpet and Textile Studies Vol. Ⅳ." OCTS Ltd 1993

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      연월일 이력구분 이력상세 등재구분
      2028 평가예정 재인증평가 신청대상 (재인증)
      2022-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2019-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2016-01-01 평가 등재학술지 선정 (계속평가) KCI등재
      2015-12-01 평가 등재후보로 하락 (기타) KCI등재후보
      2011-01-01 평가 등재 1차 FAIL (등재유지) KCI등재
      2009-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2006-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2005-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2003-07-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.62 0.62 0.67
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.63 0.55 0.793 0.08
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