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      https://www.riss.kr/link?id=A106969278

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      다국어 초록 (Multilingual Abstract)

      The issues, such as cultural identity and transformation, have been the crucial topics of the studies of contemporary Taiwanese art. The rule of the Japanese end in 1945 when Japan was defeated in the second Sino-Japanese War, which not only brought an end to that country’s colonial rule over Taiwan, but also ended the Taiwan fine arts movement as driven by the Japanese. The period after 1949 marked an enormous transformation in the arts of the island; this change was not an intrinsic one, but was rather the result of political transition. After the Nationalist government lost the Mainland and withdrew to Taiwan in 1949, anti-Japanese and anti-Communist sentiment prevailed in this island. The government’s objective such as eradicating the ideological reforms waged by the Japanese government exerted a great influence on the development of education and art in Taiwan. Culture and arts that were used to maintain the values, attitudes, and sense of reality from one generation to another and therefore were regarded as effective tools in influencing the people’s minds.
      The purpose of this paper is to investigate how the review committees of the Taiwan Provincial Fine Arts Exhibition, such as Huang Chun Pi and Fu Juan Fu, influenced the exhibition between 1950s and 1970s, and what kind of subject matters were most popular. This study will help us understand how an artist adjust himself to the new environment by employing particular subject matters or techniques, and give us a different perspective on the modern art history of Taiwan.
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      The issues, such as cultural identity and transformation, have been the crucial topics of the studies of contemporary Taiwanese art. The rule of the Japanese end in 1945 when Japan was defeated in the second Sino-Japanese War, which not only brought a...

      The issues, such as cultural identity and transformation, have been the crucial topics of the studies of contemporary Taiwanese art. The rule of the Japanese end in 1945 when Japan was defeated in the second Sino-Japanese War, which not only brought an end to that country’s colonial rule over Taiwan, but also ended the Taiwan fine arts movement as driven by the Japanese. The period after 1949 marked an enormous transformation in the arts of the island; this change was not an intrinsic one, but was rather the result of political transition. After the Nationalist government lost the Mainland and withdrew to Taiwan in 1949, anti-Japanese and anti-Communist sentiment prevailed in this island. The government’s objective such as eradicating the ideological reforms waged by the Japanese government exerted a great influence on the development of education and art in Taiwan. Culture and arts that were used to maintain the values, attitudes, and sense of reality from one generation to another and therefore were regarded as effective tools in influencing the people’s minds.
      The purpose of this paper is to investigate how the review committees of the Taiwan Provincial Fine Arts Exhibition, such as Huang Chun Pi and Fu Juan Fu, influenced the exhibition between 1950s and 1970s, and what kind of subject matters were most popular. This study will help us understand how an artist adjust himself to the new environment by employing particular subject matters or techniques, and give us a different perspective on the modern art history of Taiwan.

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      목차 (Table of Contents)

      • Ⅰ. 머리말
      • Ⅱ. 전시공간과 공공의 문제
      • Ⅲ. ‘역사화’의 부흥
      • Ⅳ. 지방색채에서 ‘산하부흥(山河復興)’으로
      • Ⅴ. 맺음말
      • Ⅰ. 머리말
      • Ⅱ. 전시공간과 공공의 문제
      • Ⅲ. ‘역사화’의 부흥
      • Ⅳ. 지방색채에서 ‘산하부흥(山河復興)’으로
      • Ⅴ. 맺음말
      • 참고문헌
      • ABSTRACT
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      참고문헌 (Reference)

      1 黃光男, "黃君璧繪畫風格 與其影響" 台北市立美術 館 1987

      2 楊隆生, "黃君璧的藝術生涯" 藝 術圖書公司 1991

      3 郭繼生, "當代臺灣繪畫文選1945-1990" 雄獅圖書 1991

      4 謝里法, "日據時代台灣美術運動史" 藝術家出版社 1992

      5 黃冬富, "台灣全省美展國畫部門之硏究" 復文圖書 1988

      6 臺灣省政府教育廳 策劃編輯, "全省美展四十年回顧展 專集" 臺灣省政府 1985

      7 陳德馨, "余承堯《長江萬里圖》與六、 七十年代的思鄉情懷" 11 : 2011

      8 行政院文化建設委員會, "何謂台灣?近代 台灣美術與文化認同論文集" 行政院文化建設委員會 1997

      9 黃才郎, "中華民國美術思潮研討會論文集" 台北市立美術館 1991

      10 Conant, Ellen P., "Nihonga: Transcending the past: Japanese-style Painting, 1868-1968" The Saint Louis Art Museum, The Japan Foundation 1995

      1 黃光男, "黃君璧繪畫風格 與其影響" 台北市立美術 館 1987

      2 楊隆生, "黃君璧的藝術生涯" 藝 術圖書公司 1991

      3 郭繼生, "當代臺灣繪畫文選1945-1990" 雄獅圖書 1991

      4 謝里法, "日據時代台灣美術運動史" 藝術家出版社 1992

      5 黃冬富, "台灣全省美展國畫部門之硏究" 復文圖書 1988

      6 臺灣省政府教育廳 策劃編輯, "全省美展四十年回顧展 專集" 臺灣省政府 1985

      7 陳德馨, "余承堯《長江萬里圖》與六、 七十年代的思鄉情懷" 11 : 2011

      8 行政院文化建設委員會, "何謂台灣?近代 台灣美術與文化認同論文集" 行政院文化建設委員會 1997

      9 黃才郎, "中華民國美術思潮研討會論文集" 台北市立美術館 1991

      10 Conant, Ellen P., "Nihonga: Transcending the past: Japanese-style Painting, 1868-1968" The Saint Louis Art Museum, The Japan Foundation 1995

      11 Kuo, Jason C., "Modernity in Asian Art" Wild Peony Ltd. 105-115, 1993

      12 Yen, Chuan-yin, "Modernity in Asian Art" Wild Poeny 1993

      13 Lai, Tse-han, "A Tragic Behinning: The Taiwan Uprising of February 28, 1947" Stanford University Press 1991

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2027 평가예정 재인증평가 신청대상 (재인증)
      2021-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2018-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2015-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2011-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2009-03-23 학회명변경 한글명 : (재)성강문화재단 한국미술연구소 -> 한국미술연구소
      영문명 : Sung Kang Foundation -> Center for Art Studies
      KCI등재
      2008-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2007-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2005-06-29 학회명변경 한글명 : (재)성강문화재단 -> (재)성강문화재단 한국미술연구소
      영문명 : Sungn Gang Culture Foundation -> Sung Kang Foundation
      KCI등재후보
      2005-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.84 0.84 0.81
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.72 0.61 0.836 0
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