This paper is intended to introduce new work "Wonbyeol-yeo-sahyanggara" to the scholarly world. "Wonbyeol-yeo-sahyanggara" is a gasa that sings of painting one's hometown in Manchuria and of moving to Manchuria after leaving Pyeonghae Sa-dong, Uljin-g...
This paper is intended to introduce new work "Wonbyeol-yeo-sahyanggara" to the scholarly world. "Wonbyeol-yeo-sahyanggara" is a gasa that sings of painting one's hometown in Manchuria and of moving to Manchuria after leaving Pyeonghae Sa-dong, Uljin-gun, Gyeongsangbuk-do. The author of this work is presumed to be Kwon, Song-dae (1888-1933), who left a gasa "Wonbyeolgara" composed at some time in 1916~1917. This work is an adaptation of "Wonbyeol-yeo-sahyanggara", introduced in this paper, which was written in March 1913 by the lunar calendar.
The values of "Wonbyeol-yeo-sahyanggara" is as follows. By comparing "Wonbyeol-yeo-sahyanggara" and "Wonbyeolgarara", it is possible to more delicately grasp the changes in a woman's historical perception, self-awareness, and women's perception of moving to Manchuria and supporting the activities of the independence army. Memories are always re-sensitized over time and with experience. Therefore, comparing the two works will confirm the changes in the author's historical perception, self-awareness, and women's perception that occurred over the three years.