가상 박물관의 기원과 공간 형식에 관한 연구 = An Enquiry into the Origins and the Spatial Forms of the Virtual Museum

다국어 초록 (Multilingual Abstract)

On 1926 Frederick J. Kiesler prophesized “Through the dials of your teleset you will share in the ownership of the World’s great art treasures.” Nowadays his idea has come true in the virtual museums. Many millions or billions of virtual museum users copy and store Mona Lisa on the interactive computer environments, and transmit it other users to transform with other copies. It can circle the globe just per second.
Widely known, the virtual museum appeared in the digital environment which is dissolved a dominant ideology of physical museum-art/daily life, original/copy, artist/audience. Historically the museum ideology has been the target of radical theorists and artists, but those attempts never succeed. Because they don’t make their own space to and have their appropriate spatial practice. The key idea is ‘space’. For the first time, space becomes a media type in the museum history. Just as other media types like audio, video, internet, the virtual museum can now be instantly transmitted, stored, and retrieved, reformatted, and interacted with. From this aspect, a virtual museum can be defined as social space to realize the possibility of rapid access and interactive communication on anonymous condition. This is to show why most movements toward a new museum returned to white cubes. After all, the virtual museum means more than fascination about the novelty of digital technology. It redefines the established notion of the museum.

목차 (Table of Contents)

• Ⅰ. 서론
• Ⅱ. 가상 박물관의 기원
• Ⅲ. 가상 박물관의 개념 및 지형도
• Ⅳ. 가상 박물관의 공간 형식
• Ⅳ. 결론
• 참고문헌
• Abstract