The initial work as the novelist of Yang Sok-il is “Taxi frenzied uproar music”(1981). “The Canal”(1980) which is collected there is at the original form-like position in the birth of the full-length novel such as “End of the family chart”...
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다국어 초록 (Multilingual Abstract)
The initial work as the novelist of Yang Sok-il is “Taxi frenzied uproar music”(1981). “The Canal”(1980) which is collected there is at the original form-like position in the birth of the full-length novel such as “End of the family chart”...
The initial work as the novelist of Yang Sok-il is “Taxi frenzied uproar music”(1981). “The Canal”(1980) which is collected there is at the original form-like position in the birth of the full-length novel such as “End of the family chart”(1989), “Lullaby in the uterus”(1992), “Bone and Blood”(1998). But the work which did not attract attention so much by the shadow of the taxi driver thing and the masterpiece inventing one after another. I take up “The Canal” in this report and consider a physical sense of Yang Sok-il and a characteristic in the spatial representation. Therefore at first I pay attention to ‘canal’ as the topos of the literature of Korean resident in Japan and investigate a similarity and the difference in eyes for ‘canal’ of other writers. The literary starting point of Yang Sok-il is poetry. I analyze it through the attitude against the ‘language’ and the ‘body’ of characters how desire in his story is articulated in the process which Yang Sok-il converts into a novel language from poetic language. In addition, when it represent space called ‘canal’, I consider how to come to expression. This work is not only a literary characteristic of Yang Sok-il appear in the “The Canal,” a short story, will be in the process of understanding the theory of the body of Yang Sok-il is expressed as ‘Asian Body’ thereafter.
목차 (Table of Contents)
참고문헌 (Reference)
1 元秀一, "「運河」 猪飼野物語─済州からきた女たち" 草風書舘 12-, 1987
2 마르쿠스 슈뢰르, "간, 장소, 경계─공간의 사회학 이론 정립을 위하여" 에코리부르 315-316, 2010
3 梁石日, "運河, In 在日(文学全集 第7巻)" 梁石日 勉誠出版 67-89, 2006
4 玄月, "運河" 222-223, 2003
5 イ․ヨンスク, "虚無から夢へ─ 狂躁曲 をめぐって" 90-93, 2000
6 宗秋月, "華火─平野運河" 64-73, 1990
7 金時鐘, "映像がかかえる言葉, In 曺智鉉写真集 猪飼野" 新幹社 52-, 2003
8 梁石日, "快楽と救済" 日本放送出版協会 17-, 1998
9 "川治水緑地"
10 "大阪機械工具商の昨日․今日․明日"
1 元秀一, "「運河」 猪飼野物語─済州からきた女たち" 草風書舘 12-, 1987
2 마르쿠스 슈뢰르, "간, 장소, 경계─공간의 사회학 이론 정립을 위하여" 에코리부르 315-316, 2010
3 梁石日, "運河, In 在日(文学全集 第7巻)" 梁石日 勉誠出版 67-89, 2006
4 玄月, "運河" 222-223, 2003
5 イ․ヨンスク, "虚無から夢へ─ 狂躁曲 をめぐって" 90-93, 2000
6 宗秋月, "華火─平野運河" 64-73, 1990
7 金時鐘, "映像がかかえる言葉, In 曺智鉉写真集 猪飼野" 新幹社 52-, 2003
8 梁石日, "快楽と救済" 日本放送出版協会 17-, 1998
9 "川治水緑地"
10 "大阪機械工具商の昨日․今日․明日"
11 梁石日, "夢魔の彼方へ" ビレッジセンター 45-50, 1996
12 梁石日, "在日朝鮮人文学の現状, In アジア的身体" 平凡社 35-, 1999
13 "函館市史 デジタル版"
14 守中高明, "ボーダーライン─"アジア的身体」のための破片"" 191-192, 2000
15 梁石日, "アジア的身体について, In アジア的身体" 平凡社ライブラリー 12-25, 1999
16 仲正昌樹, "アジア的身体と中上健次" 83-, 2001
시베리아 오로치족 곰 의례의 양상과 원시적 사고에 대한 연구
학술지 이력
연월일 | 이력구분 | 이력상세 | 등재구분 |
---|---|---|---|
2026 | 평가예정 | 재인증평가 신청대상 (재인증) | |
2020-01-01 | 평가 | 등재학술지 유지 (재인증) | |
2017-01-01 | 평가 | 등재학술지 유지 (계속평가) | |
2015-03-17 | 학회명변경 | 영문명 : 미등록 -> The Association of North-East Asian Cultures | |
2013-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2010-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2007-01-01 | 평가 | 등재학술지 선정 (등재후보2차) | |
2006-01-01 | 평가 | 등재후보학술지 유지 (계속평가) | |
2004-07-01 | 평가 | 등재후보학술지 선정 (신규평가) |
학술지 인용정보
기준연도 | WOS-KCI 통합IF(2년) | KCIF(2년) | KCIF(3년) |
---|---|---|---|
2016 | 0.46 | 0.46 | 0.43 |
KCIF(4년) | KCIF(5년) | 중심성지수(3년) | 즉시성지수 |
0.41 | 0.37 | 0.629 | 0.09 |