<너는> : 영화 프로덕션 노트 = You are : Film production notes

국문 초록 (Abstract)

이 작품은 연출자 본인이 동의대학교 대학원 영화·영상콘텐츠학과와 프랑스 국립 귀스타브 에펠 대학 (구 파리-에스트 대학) 웹문화기술대학원 간 석사과정 복수학위 취득을 위해 연출한 다큐 에세이 영화이다.
이 다큐 에세이 영화에서 나는 사람들이 나를 어떻게 인식하고 또 나는 나 자신을 어떻게 인식하고 있는지 이해하려고 시도했다. 이 영화를 통해서 나는 사진 소설이자 사진만으로 구성된 영화인 크리스 마르케르의 『환송대』처럼 ‘포토-노블 다큐멘터리’라는 형식을 실험해볼 수 있었다. 이 영화는 나 자신이 누구인지에 대한 성찰을 가능하게 하는 개인적 다큐멘터리이 기도 하다. 나를 단지 내가 아니라 전인적으로 분석하고 판단할 수 있도록 하기 위해 ‘너’라는 2인칭 시점을 사용했다.
또한, 사진 촬영을 취미로 삼고 있는 나는 이 영화를 통해 새로운 유형의 다큐멘터리를 테스트하는 것 외에도 사진을 영상화하고 편집하는 새로운 분야의 실험을 할 수 있었다. 사운드 측면에서는 일상의 소리를 삽입함으로써 영화의 청각적 차원을 형상화했다. 이 영화를 만드는 일은 내가 아직 완전하게 숙련하지는 못했지만 이해하고 알고 싶은 분야를 시도하는 것이었다.
이 작품은 다큐 에세이 형식에 새로운 기법을 시도하고 이러한 새로운 기법으로 내가 무엇을 창조해낼 수 있는지를 시험할 수 있는 기회였다. 이 영화는 내 자신이 어떻게 인식되고 있는지 이해하기 위한 일종의 회고전이다.

다국어 초록 (Multilingual Abstract)

This documentary is the final production and conclusion of my double degree between the Culture and Web Professions program at Gustave Eiffel University in France and Department of Cinema & Audiovisual Contents of Graduate School at Dong-eui University.
In this documentary, I tried to understand how people perceived me and how I perceived myself. This documentary is an opportunity for me to test a new genre of documentary: the photo-novel documentary. A documentary made only with photos like Chris Marker's photo-novel . It is also a personal documentary because it allows me to take stock of who I am. This explains the use of "TU" which allows me to judge myself as a whole person and not just as "me".
In addition to testing a new type of documentary, this one allows me to experiment in the field of photography taking a picture and editing it. Especially since photography is a hobby. I also wanted to introduce everyday sounds in my documentary. A field that I do not master but that I want to understand and know.
This work is for me the opportunity to try new techniques on a documentary and also to see what I am able to produce with these new techniques. This documentary is a kind of retrospective to understand how I am perceived.

목차 (Table of Contents)

• COVER PAGE······················································································· 1
• 1. FILM INFORMATION········································································· 2
• 2. LOGLINE··························································································· 3
• 3.SYNOPSIS························································································· 3
• 4. NOTE OF INTENTION······································································ 4
• 5. MAIN CHARACTERS····································································· 8
• 6. FILMOGRAPHY OF DIRECTOR···················································· 8
• 7. FILM STILLS·················································································· 8
• Abstract································································································· 10