C. Debussy의 Preludes 제 1권에 나타난 음악적 특징과 분석 연구 : No. 8, 9, 12 를 중심으로 = A Study on C. Debussy’s musical character and analysis of –Préludes book 1 focusing on No. 8, 9, 12-

다국어 초록 (Multilingual Abstract)

This thesis explores the Impressionist musical characteristics embodied in three selected pieces from Claude Debussy's Préludes, Book I: La fille aux cheveux de lin, La serenade interrompue and Minstrels.
As a seminal figure in 19th-and 20th-century music Debussy's innovative departure from traditional harmonic and formal systems epitomizes his Impressionist style, emphasizing atmospheric and tonal color. The research includes a detailed analysis of his compositional techniques, such as harmonic experimentation, melodic construction, rhythmical flexibility, and use of modes and pentatonic scales.
These analyses aim to uncover Debussy's artistic intent and offer performers interpretive insights to enhance the understanding and presentation of these works. By situating these pieces within the broader context of Impressionist music and Debussy’s oeuvre this study contributes to a deeper appreciation of their aesthetic and historical significance. Through this approach, the thesis endeavors to support musicians and audiences in engaging with Debussy's music more intuitively and meaningfully.

목차 (Table of Contents)

• Ⅰ. 서 론
• 1. 연구의 목적과 의의 ······························································································1
• 2. 연구의 범위와 방법 ······························································································2
• Ⅱ. 본 론
• 1. 인상주의 음악적 특징 ··························································································3
• 2. 드뷔시의 생애와 피아노 작품
• 1) 드뷔시 생애 ········································································································5
• 2) 드뷔시 피아노 작품 ··························································································8
• 3. 드뷔시의 작곡기법 ······························································································12
• 1) 형식
• 2) 화성
• 3) 리듬
• 4) 음계
• 4. 드뷔시 Préludes의 기원과 발전 ·······································································22
• 5. 드뷔시의 Préludes 제 1권의 작품분석
• 1) No.8 La fille aux cheveux de lin‘아마빛 머리의 소녀’의 곡 분석 ··25
• 2) No.9 La sérénade interrompue‘끊어진 세레나데’의 곡 분석 ··········32
• 3) No.12 Minstrels‘민스트럴’의 곡 분석 ····················································41
• Ⅲ. 결 론 ··················································································································49
• 참고문헌 ·················································································································51
• Abstract ····················································································································54