상징적 형식에 의한 공간의 매개에 관하여

다국어 초록 (Multilingual Abstract)

Symbol is not simply to create a lock-in to a rudimentary concept. It has several different meanings, as well as makes possible other expressions to be done. In this regard, the symbol is a very misunderstood and undervalued. Such characteristic of the symbol is the same in the case of urban and architectural space. Symbol is especially important in being able to shape the intangible urban space. This article is chased the problems of symbol and proposed the concept of symbolic format, looking through Aldo Rossi and David Chipperfield’s architecture.

목차 (Table of Contents)

• Abstract
• 1. 서론
• 2. 상징의 매개성
• 3. 두 가지 상징적 형식
• 4. 결론
• 참고문헌

참고문헌 (Reference)

1 카를 G. 융, "인간과 상징" 열린책들 2009

2 맹정현, "라깡의 재탄생" 창작과비평사 2002

3 로시, 알도, "도시의 건축" 동녘 2006

4 로시, 알도, "과학적 자서전" 소오건축 2006

5 르페브르, 앙리, "공간의 생산" 에코리브르 2011

6 Chipperfield, David, "Neues Museum, Berlin" Walther Konig 2010

7 Scully, Vincent Joseph, "Modern Architecture" George Braziller 2003

8 "El Croquis , No. 87, 1997"

9 "El Croquis , No. 120, 2004"

10 Sudjic, Deyan, "David Chipperfield: Form Matters" Walther Konig 2010

11 Chipperfield, David, "David Chipperfield: Architectural Works 1990-2002" Birkhäuser 2003

12 Arnell, Peter, "Aldo Rossi: Buildings and Projects" Rizzoli 1997