조슈아 레이놀즈의 『미술담론 Discourses on Art』다시 읽기

다국어 초록 (Multilingual Abstract)

Sir Joshua Reynolds's Discouses on Art constitute one of the most eloquent expositions of Neo-classical theory of art, Delivered originally as lectures to the students at the Royal Academy, the texts present in elegant language the art theory of the previous three hundred years and suggest attitudes prevalent in the nineteenth century. Reynolds's overall subject is the proper education of the artist, He is concerned with the key issues relating to the problem: the purpose of art, the nature of the creative process, the role of imitation and imagination in the creation of the artwork, the importance of hard work and ceaseless study of the Old Masters, etc, He deals with these questions with such a breadth and lucidity as to won the immediate admiration of his contemporaries and the book has continued to hold the attention of students of art history and criticism ever since. No other piece of writing on art by an Englishman has enjoyed such sustained respect, This essay is an attempt to introduce the texts to Korean students of Western art , locating them within the framework of the academic setting for which there were intended, and of the contemporary reception and responses. In addition, it seeks to argue that Reynolds's theory adopted the terms and concepts of the discourse historians now describe as civic humanism. According to this account, the republic of the fine arts was seen to be structured as a political republic; the most dignified function to which painting could aspire was the promotion of the public virtues; and the genres of painting were ranked in accordance with their tendency to promote them. Since only free citizens of the political republic could embody these virtues, the highest genre, history painting was mainly addresses to them, serving ultimately the interest of this landed aristocratic class.

목차 (Table of Contents)

• Ⅰ. 들어가는 말
• Ⅱ. 『미술담론』의 성격
• Ⅲ. 『미술담론』의 성격
• Ⅳ. 『미술담론』을 둘러싼 당대의 반응
• Ⅴ. 시민적 인문주의 회화론
• Ⅵ. 나가는 말
• 참고문헌
• Abstract
• 질의

참고문헌 (Reference)

1 Mitchell,Charles, "Three Phases of Reynolds’s Method" 80 (80): 35-40, 1942

2 Barrell,John, "The Political Theory of Painting from Reynolds to Hazlitt" Yale University Press 1986

3 Pocock,J.G.A, "The Machiavellian Moment: Florentice Republican Thought and the Atlantic Tradition, new edn" Princeton University Press 2003

4 Hayes,John, "The Letters of Thomas Gainsborough" Yale University Press 2001

5 Ingamells, John, "The Letters of Sir Joshua Reynolds" Yale University Press 2000

6 Hoock,Holger, "The King’s Artists: The Royal Academy of Arts and the Politics of British Culture 1760-1840" Oxford University Press 2003

7 Uphaus,Robert, "The Ideology of Reynolds’s Discourses on Art" 12 (12): 59-73, 1978

8 Thompson,Elbert, "The Discourses of Sir Joshua Reynolds" 32 (32): 339-366, 1917

9 Postle,Martin, "Sir Joshua Reynolds: The Subject Pictures" Cambridge University Press 1995

10 Wendorf,Richard, "Sir Joshua Reynolds: The Painter in Society" Harvard University Press 1996

11 Mannings,David, "Sir Joshua Reynolds: A Complete Catalogue of His Paintings" Yale University Press 2000

12 Gombrich,E.H., "Reynolds’s Theory and Practice of Imitation" 80 (80): 40-45, 1942

13 Hipple,Walter, "General and Particular in the Discourses of Sir Joshua Reynolds:A Study in Method" 11 (11): 231-247, 1953

14 Bojls, Elisabeth, "Disinterestedness and Denial of the Particular: Locke, Adam Smith, and the Subject of Aesthetics, in Eighteenth-Century Aesthetics and the Reconstitution of Art" Cambridge University Press 16-51, 1993

15 Reynolds,Joshua, "Discourses on Art, ed. Robert Wark" Yale University Press 1797

16 Wind,Edgar, "Borrowed Attitudes’ in Reynolds and Hogarth" 2 (2): 182-185, 1938

17 Williams, Robert, "Art Theory: An Historical Introduction, 2nd edn" Wiley- Blackwell 2009

18 Mannings,David, "An Art-Historical Approach to Reynolds’s Discourses" 16 (16): 354-366, 1976

19 Burke,Edmund, "A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful, in Oxford: Basil Blackwell, 1987 Crake, Matthew, Art in Europe 1700-1830" Oxford University Press 1759

20 Bevilacqua,Vincent, ""Ut Rhetorica Pictura":Sir Joshua Reynolds’s Rhetorical Conception of Art’" 34 (34): 59-78, 1970