The Oxford handbook of cinematic listening

목차 (Table of Contents)

• CONTENTS
• List of Contributors = xi
• About the Companion Website = xiii
• The Possibilities of Cinematic Listening : An Introduction / Carlo Cenciarelli = 1
• PART I GENEALOGIES AND BEGINNINGS
• 1 "Deeds of Music" in Bourgeois Opera (What the Listener Sees ...) / Peter Franklin = 27
• 2 Hearing the Shadows at the Chat Noirs Pre-cinematic Theatre / Emilio Sala = 42
• 3 The Courtships of Ada and Len : Mediated Musicals and Vocal Caricature Before the Cinema / Jacob Smith = 68
• 4 The "Trickality" of Listening in Early Musical Trick Films / Julie Brown = 90
• 5 Cinematic Listening and the Early Talkie / James Buhler = 118
• PART II LOCATIONS AND RELOCATIONS
• 6 Historical Sound-Film Presentation and the Closed-Curtain Roadshow Overture / Ben Winters = 139
• 7 Tasteful Networks of Attention : Language, Listening, Meaning, and Art House Exhibition / Jocelyn Szczepaniak-Gilllece = 156
• 8 "The Atmosphere Was Entirely Good Humoured" : The Cinema as a Venue for Live Music in Britain in the 1950s and 1960s / Simon Frith = 171
• 9 Out of the Frame : Live-Score Film Screenings and the Cinematic Experience / Jeremy Barham = 188
• 10 Leveraging a Long and Tuneful History : Perspectival Manipulation, Surround Sound, and Dolby Atmos / Meredith C. Ward = 211
• PART III REPRESENTATIONS AND REPRESENTATIONS
• 11 Making Sense of Noise and Silence in La Captive / Richard Dyer = 241
• 12 Hearing Hearing? Reflections on the Kubrickian Soundtrack / David J. Code = 252
• 13 Countercultural Listening in Malicks Badlands (1973) / Julie Hubbert = 271
• 14 Music Lovers. Listening in (and to) Composer Biopics / Guido Heldt = 293
• 15 Hi-Yo, Rossini : Hearing Pre-existing Music as Post-existing Music / Jonathan Godsall = 317
• 16 "You Sorta Listen with Your Eyes" : How Audiences Talk about Film Music / Martin Barker = 336
• PART IV THE LISTENING BODY
• 17 Fist to Face : Corporeal Listening and the Cinematic Punch / Lisa Coulthard = 355
• 18 The Erotics of Cinematic Listening / Danijela Kulezic-Wilson = 368
• 19 Sensing Time and Space through the Soundtracks of Interstellar and Arrival / John Richardson ; Anna-Elena Paakkola ; Sanna Qvick = 385
• 20 Listening-Feeling-Becoming: Cinema Surveillance / Miguel Mera = 407
• 21 Sonic Elongation and Sonic Aporia : Two Modes of Disrupted Listening in Film / Holly Rogers = 427
• 22 The Trailer Ear : Constructions of Loudness in Cinematic Previews / James Deaville = 450
• PART V LISTENING AGAIN
• 23 Pop Music, Processing Fluency, and Pleasure : Film Songs as Both Hype and Memento / Jeff Smith = 469
• 24 A Movie for Speakers : Queen's Flash Gordon and the Unified Soundtrack Album / Paul N. Reinsch = 489
• 25 "If You Know Arabic, Indian Songs Are Easy For You" : Hindi Film Songs in Tamale, Northern Ghana / Katie Young = 508
• 26 Hearing and Teaching Soundtracks as a Mother and a Daughter : A Personal, Feminist, Pedagogical Approach to Flux / Elsie Walker = 529
• 27 Hearing Film Music Topics Outside the Movie Theatre : Listening Cinematically to Pastorals / Janet Bourne = 549
• 28 Hearing Secondary Explosions : The Naudet Brothers' 9 / 11 and Audiovisual (A)synchronization in Twenty-First-Century Media / Randolph Jordan = 575
• PART VI ACROSS MEDIA
• 29 Evolving Storylines and Patterns of Listening : The Case of Invasion at the Dawn of the Binge Age (2005-2006) / Robynn J. Stilwell = 597
• 30 Projections of Image on Sound : Reassessing the Relation between Music Video and Cinema / Mathias Bonde Korsgaard = 619
• 31 Listen Again : Music Video's Cinematic Soundscapes / Laurel Westrup = 639
• 32 Summon the Cinematic? Audio Mediation and Filmic Immersion in the Case of Remote Taipei / Ya-Feng Mon = 655
• 33 iPod Listening as an I-voice : Solitary Listeners and Imagined Interlocutors across Cinema and Personal Stereos / Carlo Cenciarelli = 669
• 34 Fantasias on a Theme by Walt Disney : Playful Listening and Video Games / Tim Summers = 690
• 35 Old(er) Media and New Musical Affordances in Virtual Reality Experiences / Michiel Kamp = 712
• Index = 737