방송영상저작물의 저작권 귀속에 관한 새로운 고찰

국문 초록 (Abstract)

본고에서는 콘텐츠대국을 향한 방송영상저작물의 제작 및 유통법제 정비의 일환으로서 방송영상저작물의 저작권귀속과 관련하여 외국의 입법례와 우리 저작권법상의 관련 규정을 살펴보면서 우리 입법의 문제점과 개선방안을 방송저작물 산업의 발전을 위한 정책적 고려와 외국 입법례에서 얻은 시사점을 반영하여 제시하여 보고자 한다.

다국어 초록 (Multilingual Abstract)

Under the Korean copyright act, broadcast works are not protected as one of the types of works, but are protected as cinematographic works in case satisfying the requirements of cinematographic works. The Korean Copyright Act has no explicit provision regarding the author of cinematographic works, but has special provisions concerning cinematographic works, that provide that if a person, who has agreed with a producer of a cinematographic work to cooperate in the production of a cinematographic work, obtains the copyright for such cinematographic work, it shall be presumed that the rights necessary for the use of such cinematographic work are transferred to the producer of such cinematographic work, unless otherwise stipulated. Therefore, authorship of cinematographic works or legal nature of the rights necessary for the use of such cinematographic work transferred to the producer of such cinematographic work is unclear. In addition, present provisions concerning cinematographic works in Korea are insufficient to protect authors or performers and others in performances, who have agreed with a producer of a cinematographic work to cooperate in the production of a cinematographic work.
My aim in this article is to search adequate legislative improvements for authorship or ownership of broadcasting cinematographic works. In deciding authors of broadcasting cinematographic works, it is important to maintain proper balance between the need for producers to secure the necessary business certainty for the distribution and exploitation of broadcasting cinematographic works and the protection of authors’ or performers’ rights. For this aim, firstly, I will address definition, types and legal features of broadcasting cinematographic works. Secondly, I review the legislations of other countries such as the US, EU, Japan and China. Thirdly, based on the review of foreign legislations, I address related provisions under Korean copyright law and review problems of those provisions and, furthermore, propose legislative improvements on ownership of cinematographic works.

목차 (Table of Contents)

• 〈국문초록〉
• Ⅰ. 서론
• Ⅱ. 방송영상저작물의 개념과 법적 성질
• Ⅲ. 방송영상저작물의 저작권에 관한 제외국의 입법례
• Ⅳ. 우리나라 저작권법상 방송영상저작물의 저작권귀속의 문제점과 개선방안
• Ⅴ. 결론
• 참고문헌
• 〈Abstract〉

참고문헌 (Reference)

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