The purpose of this study is to critically revisit on discourses of ‘apartment dystopia’ in Korea through Park Wan-seo's novels. The term ‘apartment dystopia’ refers to the general perception of apartments as inhuman space. This critical disc...
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https://www.riss.kr/link?id=A108775961
유인혁 (서울시립대학교 도시인문학연구소)
2023
Korean
아파트 디스토피아 ; 아파트 ; 박완서 ; 서있는 여자 ; 그대 아직도 꿈꾸고 있는가 ; 거주하기 ; 비장소 ; 장소상실 ; 장소성 ; apartment dystopia ; apartment ; Park Wan-seo ; Standing Woman ; Are You Still Dreaming ; dwelling ; non-place ; placelessness ; place
KCI등재
학술저널
1-43(43쪽)
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
The purpose of this study is to critically revisit on discourses of ‘apartment dystopia’ in Korea through Park Wan-seo's novels. The term ‘apartment dystopia’ refers to the general perception of apartments as inhuman space. This critical disc...
The purpose of this study is to critically revisit on discourses of ‘apartment dystopia’ in Korea through Park Wan-seo's novels. The term ‘apartment dystopia’ refers to the general perception of apartments as inhuman space. This critical discourse had the aspect of reinforcing the power of ‘the Apartment Republic’ rather than weakening it. This is because the powerful representation diminished the imagination of alternative lifestyle.
However, Park does not simply depict characters who are oppressed by apartments, but also appropriate those negative attributes. In Standing Woman the placelessness of apartment's became beneficial conditions for women trying to escape a sexist community. Meanwhile, in Are You Still Dreaming, the apartment was a real estate rather than a place of authentic life. However, apartments served as an essential resource for people seeking economic independence. Here, the characters in Park's novels do not just passively adapt to the given environment, but can be seen as subjects who change the meaning and function of living space through ‘dwelling’.
In summary, in Park’s novels, apartments were not just inhumane or oppressive spaces, but also spaces where negotiations with the majority took place. Here we can find the possibility of narrative overcoming it, not just reproducing apartment dystopia.
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