‘제시적 연기’를 활용한 뮤지컬 연기법 – 브레히트의 서사극 이론을 중심으로 - = Musical Acting Method Using Presentational Acting - Focused on Brecht’s Epic Theater Theory -

다국어 초록 (Multilingual Abstract)

Musical is a composite art excellently intersecting elements of representational drama and presentational form of songs. Despite these stylistic features, currently, there is no way to provide an accurate methodology for 'musical acting' by musical education in Korea. Although, there are various ways of acting have been introduced in Korea, system acting method by Stanislavski is the most currently prevalent as well as there is no practical active training skills based on the other methods.
In particular, Stanislavski's realistic acting method cannot properly portray 'song acting' in musical theatre. In this study, Brecht's epic theater theory on ‘Presentational Acting' will be applied to musicals to illustrate the methodology of teaching musical acting. Bertolt Brecht actively used music in the plays to express his philosophy through it. He hoped that the audience would be able to understand the play more objectively through "Verfremdungseffekt," using songs and descriptive characters. He proposed the presentational acting skills to the actor. Even though use of music and reason of presentational acting skill by Brecht is different with the way of musical basically, it is able to verify for a potential how musical can be represented efficiently to audience when epic theater by Brecht is applied for musical acting as well. Throughout presentational acting skill, it is expected that it will help current musical actors and students who majored in musical acting when they study and analyze it for musical acting.

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