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      인문사회과학영역 : 한국창작춤 마음꽃의 표현기법 분석 = Humanities and Social Sciences : Analysis of the Expressional Method of Korean Original Dance, Maeumkkot

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      https://www.riss.kr/link?id=A100014674

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      다국어 초록 (Multilingual Abstract)

      The term ``Korean Original Dance`` has developed into a genre creating a new wave through new perception and interpretation of Korean traditional culture since the emergence of Koreanology in 1970s. Since then, Korean Original Dance, up to this day, has converged into different esthetic areas and been accepted as the artistic spirit of consilience by forming new and creative art works in 1980s and growing to be a field with more diverse art works through auteurisme in which dancers had their personal esthetic system in 1990s. In light of this, this study aims at studying Hak Sun Lim`s identity as a dancer by analyzing expressional methods of ``Maeumkkot``, through which the study tries to systemize the dance choreography theoretically by studying the features of Korean Original Dance. The study chose a major text from the notes of choreography of Maeumkkot and the researchers` experience in performing the dance and analyzed the dance in the view of theoretical systems of icon and code. The expressional system in Maeumkkot is completed through theme movements, group formation, and time constraint elements. The theme movements elicit the theme of the work, sewing image and the three-dimensional moving formation created by the group formation show Soonyi`s sufferings, through which the dance helps viewers feel the emotional climax of Korean woman`s perseverance. The lithographic slide, which is a kind of small tool or a stage setting, creates the time and the place of the work. In particular, the variation that the slides show is interlinked with the content of the dance as a symbol of approaching the theme of the work, forming Soonyi`s beautifully esthetic sense of heart. The dance always has symbolism of minimal dancing movements, and three-dimensional image of dance formation that seems just as if we see sculptures. The code, which is the value of perseverance Korean woman has, emerges as an icon of value-laden information in performing Maeumkkot. The combination of the code and the icon means that visual forms produce visual ideology.
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      The term ``Korean Original Dance`` has developed into a genre creating a new wave through new perception and interpretation of Korean traditional culture since the emergence of Koreanology in 1970s. Since then, Korean Original Dance, up to this day, h...

      The term ``Korean Original Dance`` has developed into a genre creating a new wave through new perception and interpretation of Korean traditional culture since the emergence of Koreanology in 1970s. Since then, Korean Original Dance, up to this day, has converged into different esthetic areas and been accepted as the artistic spirit of consilience by forming new and creative art works in 1980s and growing to be a field with more diverse art works through auteurisme in which dancers had their personal esthetic system in 1990s. In light of this, this study aims at studying Hak Sun Lim`s identity as a dancer by analyzing expressional methods of ``Maeumkkot``, through which the study tries to systemize the dance choreography theoretically by studying the features of Korean Original Dance. The study chose a major text from the notes of choreography of Maeumkkot and the researchers` experience in performing the dance and analyzed the dance in the view of theoretical systems of icon and code. The expressional system in Maeumkkot is completed through theme movements, group formation, and time constraint elements. The theme movements elicit the theme of the work, sewing image and the three-dimensional moving formation created by the group formation show Soonyi`s sufferings, through which the dance helps viewers feel the emotional climax of Korean woman`s perseverance. The lithographic slide, which is a kind of small tool or a stage setting, creates the time and the place of the work. In particular, the variation that the slides show is interlinked with the content of the dance as a symbol of approaching the theme of the work, forming Soonyi`s beautifully esthetic sense of heart. The dance always has symbolism of minimal dancing movements, and three-dimensional image of dance formation that seems just as if we see sculptures. The code, which is the value of perseverance Korean woman has, emerges as an icon of value-laden information in performing Maeumkkot. The combination of the code and the icon means that visual forms produce visual ideology.

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      참고문헌 (Reference)

      1 이경림, "한국창작춤에 나타난 포스트모더니즘에 관한 연구" 25 (25): 61-83, 2007

      2 김지원, "춤은 말한다" 서울대학교 출판부 2010

      3 임학선, "여유와 극복의 춤새김질" 현대미학사 1999

      4 임태승, "아이콘과 코드" 미술문화 2006

      5 반주은, "신표현주의 무용의 표현기법에 관한 고찰" 9 (9): 89-101, 1998

      6 김미영, "무용의 구성요소에 관한 현상학적 분석" 한양대학교 대학원 2008

      7 임학선, "마음꽃 안무노트"

      8 "네이버백과사전"

      1 이경림, "한국창작춤에 나타난 포스트모더니즘에 관한 연구" 25 (25): 61-83, 2007

      2 김지원, "춤은 말한다" 서울대학교 출판부 2010

      3 임학선, "여유와 극복의 춤새김질" 현대미학사 1999

      4 임태승, "아이콘과 코드" 미술문화 2006

      5 반주은, "신표현주의 무용의 표현기법에 관한 고찰" 9 (9): 89-101, 1998

      6 김미영, "무용의 구성요소에 관한 현상학적 분석" 한양대학교 대학원 2008

      7 임학선, "마음꽃 안무노트"

      8 "네이버백과사전"

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2027 평가예정 재인증평가 신청대상 (재인증)
      2021-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2018-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2015-01-01 평가 등재학술지 선정 (계속평가) KCI등재
      2014-03-07 학술지명변경 외국어명 : Korea Journal of Korea Dance -> The Journal of Korean Dance KCI등재후보
      2013-08-27 학회명변경 영문명 : Korean Dance Research Association -> The Society of Korean Dance Studies KCI등재후보
      2013-06-11 학회명변경 한글명 : 한국무용연구회 -> 한국무용연구학회
      영문명 : The Society Of Korean Dance Studies -> Korean Dance Research Association
      KCI등재후보
      2013-01-01 평가 등재후보학술지 유지 (기타) KCI등재후보
      2012-01-01 평가 등재후보학술지 유지 (기타) KCI등재후보
      2010-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.57 0.57 0.65
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.68 0.7 0.789 0.06
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