19세기 『기수가』에 나타난 담론의 양상과 그 기능 = A Study on the discourse and the Women-living in Kisuga(기수가)

다국어 초록 (Multilingual Abstract)

This thesis attempts to examine the debate and the living culture of Kisuga(기수가) in 19 centuries. Kisuga(기수가) is constituted by nine works. These works are Kisuga(기슈가), Dapkisuga(답기슈가), Weyooga(위유가), Haejoga(됴가), Pankisuga(반기슈가), Zasoga(소가), Kisoga(긔소가), Kyesungwoguineo(게승우귀녀), Kwonhoga(권호가).
The literary nature of Kisuga(기수가) can be explained through understanding their serial composition. The sister of her husband created Kisuga(기슈가), Weyooga(위유가), Haejoga(됴가), Kisoga(긔소가). The wife of her brother created Dapkisuga(답기슈가), Pankisuga(반기슈가), Zasoga(소가). The woman's mother - in - law created Kyesungwoguineo(게승우귀녀), Kwonhoga(권호가).
These works has been to introduce in 1989. However these has not the research of the theory of work up to now. Therefore I tried to explain the debate in the sister of her husband and the wife of her brother and the living culture in Kisuga(기수가). This work shows us the many diverse debate and the valid guides to the life. From 1867 to now these works have succeed up to the writer of women in the sister and the wife of Hwayangdong(화양동).
In conclusion, I investigated that Kisuga(기수가) has the new world through the debate and the women-living culture compared with other works of Kasa(가사) in 19 centuries. In order to study Kisuga(기수가) it is desirable to widen an appreciative eye for our literature and to deepen the till now study continuously.

참고문헌 (Reference)

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