조자용의 민화운동 연구 = Study on Minhwa(Korean folk paintings) movement of Zo, Za Yong

다국어 초록 (Multilingual Abstract)

Zo, Za Yong(趙子庸, 1926-2000) is a Minhwa(Korean folk paintings) activist who
devoted his entire life to establishing Korean identity through Minhwa. He discovered
humor, pleasure, and ideals of liberty and equality from the nature and thoughts of
Koreans and prepared grounds to support the Korean Cultural Arts Movement. Having
realized that Minhwa is a beautiful genre of paintings that can impress the world even
though it refers to a type of Korean traditional paintings drawn with the very Korean
sensitivity, he collected and studied Minhwa in those days when Korea was culturally
backward, revealed the originality, and led not only the popularization but globalization
of the Korean paintings. This can be seen as a step forward with a hope of creatively
developing the Korean paintings. His Minhwa Movement was connected to the Folk
Art Movement for the Korean public with aspirations for liberty and equality, and
finally drove them to take part in the Folk Crafts Movement globally.

목차 (Table of Contents)

• Ⅰ. 서론 ······························································································· 1
• Ⅱ. 현대건축의 전통성 모색과 민화로의 전환 ································ 7
• 1. 현대 건축가의 전통 인식 ····································································7
• 1) 미국유학 출신의 건축가 ············································································8
• 2) 현대건축의 도입 ·······················································································13
• 3) 한옥 미국대사관저와 일지암 ···································································21
• 2. 전통건축에서 민화로 전환 ······························································27
• 1) 범어사 일주문 ·························································································27
• 2) 문화재답사와 유물수집 ············································································29
• 3) 전통건축을 통해서 만난 민화 ···························································31
• Ⅲ. 민화 운동의 시작과 전개 ························································35
• 1. 민화운동 개념 ·····················································································35
• 1) 야나기 무네요시의 민예운동 ···································································37
• 2) 미국의 Folk Art 운동 ···············································································42
• 2. 최초의 민화박물관 개관 ····································································50
• 1) 에밀레박물관 개관 ···················································································50
• 2) 조자용의 대표적인 민화 소장품 ·····························································57
• 3. 민학회 창립 ························································································75
• 4. 한국민중박물관협회 창립 ··································································81
• 5. 민화의 대중화와 세계화 ····································································92
• 1) 민화의 대중화 ···························································································92
• 2) 민화의 세계화 ·························································································97
• Ⅳ. 민화연구의 성과 ·······································································105
• 1. 민화의 개념과 범주 ·········································································105
• 1) 넓은 의미의 민화 ···················································································106
• 2) 저서를 통해 본 조자용의 민화관 ·························································113
• 2. 한국회화의 원형탐구 ······································································120
• 1) 조자용의 한국회화에 대한 인식 ···························································121
• 2) 조자용의 한국회화 분류 ········································································126
• 3) 생활화로서의 민화 ··················································································129
• 4) 민화의 회화적 특성 ················································································137
• 3. 민화에 나타난 한국인의 민족성 ·····················································145
• 4. 동시대 민화관의 비교 ······································································151
• 5. 조자용이 존 카터 코벨에 미친 영향 ··············································159
• Ⅴ. 민화와 삼신사상 ·······································································166
• 1. 종교화로서의 민화 ········································································166
• 1) 민화의 정신적 배경 ················································································167
• 2) 삼신미술로서의 민화 ··············································································169
• 3) 헌마을운동과 복마을운동 ······································································175
• 2. 한국미술 속의 삼신 ················································································184
• 3. 삼신사상의 특징 ···············································································189
• 1) 삼신사 건립 ·····························································································189
• 2) 삼신학회 설립 ·························································································192
• Ⅵ. 결론 : 민화운동가, 조자용 ······················································198
• 참고 문헌 ·····································································································204
• <부록>
• 조자용 연보 ··································································································219
• 조자용 주시록(酒示錄) ················································································224
• 民文化운동가 趙子庸선생｜허영환 ·························································226
• 서산대사와 공우(公羽) 조자용(趙子庸)｜구활 ··········································233
• 도판 목록 ·····································································································238
• 사진 목록 ·····································································································240
• 참고사진 목록 ······························································································243
• 도판 ···············································································································246
• 사진 ···············································································································257
• 참고사진 ·······································································································274
• Abstract ··········································································································289

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