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      A Study on Reviewing Dance Pedagogy in Creative Dance for Non-professional Student

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      https://www.riss.kr/link?id=A105905899

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      다국어 초록 (Multilingual Abstract)

      This study illuminates how to teach creative dance for non-professional students. According to the findings from this literature and research, an evolution in teaching methods is needed to create a balance between traditional teaching methods and flexible teaching methods in the dance classroom. An instructor must also be able to utilize these teachings realistically in class. Becoming a supportive teacher by using positive language in a creative class is one of the most important ways that a great number of students can be inspired and motivated. A teacher’s flexibility in utilizing various teaching methods is also an important quality that the learning environment in a creative dance class should begin to include. This study indicates that teaching creative dance for non-professional students must go beyond traditional and unitary teaching methods and instead an instructor should learn to be geared toward utilizing a number of teaching strategies at each appropriate situation for each student.
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      This study illuminates how to teach creative dance for non-professional students. According to the findings from this literature and research, an evolution in teaching methods is needed to create a balance between traditional teaching methods and flex...

      This study illuminates how to teach creative dance for non-professional students. According to the findings from this literature and research, an evolution in teaching methods is needed to create a balance between traditional teaching methods and flexible teaching methods in the dance classroom. An instructor must also be able to utilize these teachings realistically in class. Becoming a supportive teacher by using positive language in a creative class is one of the most important ways that a great number of students can be inspired and motivated. A teacher’s flexibility in utilizing various teaching methods is also an important quality that the learning environment in a creative dance class should begin to include. This study indicates that teaching creative dance for non-professional students must go beyond traditional and unitary teaching methods and instead an instructor should learn to be geared toward utilizing a number of teaching strategies at each appropriate situation for each student.

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      참고문헌 (Reference)

      1 Atencio, M., "‘Ballet it’s too whitey‘ : discursive hierarchies of high school dance spaces and the constitution of embodied feminine subjectivities" 21 (21): 31-46, 2009

      2 BenZion, G., "communication in classical ballet pedagogy" 83 (83): 5-6, 2012

      3 Cortese, A., "Working memory for ballet moves and spatial locations in professional ballet dancers" 24 (24): 266-286, 2010

      4 Hagood, T. K., "Values and voice in dance education: The merit of fostering tradition, experiment, diversity, and change in our pedagogy" 108 (108): 33-37, 2006

      5 Perry, G., "This story wants to be danced: Creative writing, dance, convergence and confluence" 4 (4): 135-140, 2007

      6 Ingrid Pramling Samuelsson, "The art of teaching children the arts: music, dance and poetry with children aged 2–8 years old" Informa UK Limited 17 (17): 119-135, 2009

      7 Lakes, R., "The Messages behind the Methods: The Authoritarian Pedagogical Legacy in Western Concert Dance Technique Training and Rehearsals" 106 (106): 3-, 2005

      8 Penniment, K. J., "Perfectionism and learning experiences in dance class as risk factors for eating disorders in dancers" 20 (20): 13-22, 2012

      9 Leijen, Ä., "Pedagogy before technology : what should an ICT intervention facilitate in practical dance classes?" 13 (13): 219-231, 2008

      10 Radell, S., "My body and its reflection : a case study of eight dance students and the mirror in the ballet classroom" 15 (15): 161-178, 2014

      1 Atencio, M., "‘Ballet it’s too whitey‘ : discursive hierarchies of high school dance spaces and the constitution of embodied feminine subjectivities" 21 (21): 31-46, 2009

      2 BenZion, G., "communication in classical ballet pedagogy" 83 (83): 5-6, 2012

      3 Cortese, A., "Working memory for ballet moves and spatial locations in professional ballet dancers" 24 (24): 266-286, 2010

      4 Hagood, T. K., "Values and voice in dance education: The merit of fostering tradition, experiment, diversity, and change in our pedagogy" 108 (108): 33-37, 2006

      5 Perry, G., "This story wants to be danced: Creative writing, dance, convergence and confluence" 4 (4): 135-140, 2007

      6 Ingrid Pramling Samuelsson, "The art of teaching children the arts: music, dance and poetry with children aged 2–8 years old" Informa UK Limited 17 (17): 119-135, 2009

      7 Lakes, R., "The Messages behind the Methods: The Authoritarian Pedagogical Legacy in Western Concert Dance Technique Training and Rehearsals" 106 (106): 3-, 2005

      8 Penniment, K. J., "Perfectionism and learning experiences in dance class as risk factors for eating disorders in dancers" 20 (20): 13-22, 2012

      9 Leijen, Ä., "Pedagogy before technology : what should an ICT intervention facilitate in practical dance classes?" 13 (13): 219-231, 2008

      10 Radell, S., "My body and its reflection : a case study of eight dance students and the mirror in the ballet classroom" 15 (15): 161-178, 2014

      11 Whittier, C., "Laban movement analysis approach to classical ballet pedagogy" 6 (6): 124-132, 2006

      12 Carroll, Noel, "Kinesthetic understanding and appreciation in dance" 71 (71): 177-186, 2013

      13 Schwartz, P., "Creativity and dance: Implications for pedagogy and policy" 95 (95): 8-, 1993

      14 Pickard, A., "Ballet body belief: perceptions of an ideal ballet body from young ballet dancers" 14 (14): 3-19, 2013

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2027 평가예정 재인증평가 신청대상 (재인증)
      2021-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2018-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2015-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2014-10-22 학회명변경 영문명 : 미등록 -> The Korean Society for Dance Studies KCI등재
      2011-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2010-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2009-01-01 평가 등재후보 1차 FAIL (등재후보2차) KCI등재후보
      2008-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2007-01-01 평가 등재후보학술지 유지 (등재후보2차) KCI등재후보
      2006-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2004-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.51 0.51 0.53
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.51 0.52 0.698 0.29
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