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      1976년 톈안먼 광장의 기록 - 『톈안먼시초(천안문시초(天安門詩抄))』(1978)의 탄생과정 연구 = The Record of the 1976 Tian’anmen Square: A Study on the Birth Process of The Tian’anmen Poems(1978)

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      https://www.riss.kr/link?id=A107093221

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      The Tian’anmen Poems was originated from the Tian’anmen Poetry Movement, which was the movement that the countless people who filled Tian’anmen Square before and after the Qingming Festival in 1976 were expressed their cherish memory on Zhou Enl...

      The Tian’anmen Poems was originated from the Tian’anmen Poetry Movement, which was the movement that the countless people who filled Tian’anmen Square before and after the Qingming Festival in 1976 were expressed their cherish memory on Zhou Enlai and anger of ‘Gang of Four’ on many wall posters. Thus, The Tian’anmen Poems has been read and studied with political weight and implications from the beginning.
      However, from the perspective of foreign researchers who can maintain an objective distance geographically and periodically, it is believed that the meaning of the study of The Tian’anmen Poems is to examine the process of its birth, and this paper focused on the following contents.
      Firstly, the previous studies published in China were introduced by period and their characteristics were briefly analyzed. The main research achievements related to the Tian’anmen Poetry Movement since 2000 have been able to broaden the horizon of research by boldly raising issues with skepticism, freeing from the attitude of blind admiration and praise. It can be pointed out that it has become possible to promote the quality of growth of the related researches.
      Secondly, we investigated the generation and development process of the Tian’anmen Poetry Movement, and through this, we can see how much hardship has suffered by numerous authors, mortals, and collectors who participated in the Tian’anmen Poetry Movement.
      Thirdly, the process of The Tian’anmen Revolutionary Poems, which was printed in duplicate in 1977, was published in the unofficial publication The Revolutionary Poems, the first printed version of the ‘Tong Huaizhou’ editorial team version and ‘The seventh Ministry of machinery industry’ editorial team version.
      Fourthly, by dividing the appearance of The Tian’anmen Poems as an official publication into “changed status according to the changes of the times” and “characteristic of the preface as a legitimate publication”, We had an opportunity to recognize the special political landscape of China once again.

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