조선 전기 서거정의 회화 관련 기록 = A Study of the Records on the Paintings by Seo Geo-jeong in Early Joseon

다국어 초록 (Multilingual Abstract)

It was during early Joseon in the 15th and 16th century that the Joseon dynasty established and developed the ideology, theme, basic style and institutional basis for the art of Joseon. It was also in this period that the tendency of collecting and appreciating antiques and art works that started during the mid Goryeo Period began to develop dramatically. Literati artists in this period established aesthetic principles while the government established and expanded the Dohwawon (Academy of Paintings), training and producing distinguished court painters in a systematic manner. The artists established new themes and styles in different genres including Banggo(Immitative) Landscapes which sought after beauty from old masterpieces and Silgyeong(Actual View) Landscapes which valued the true-view landscapes, contributing to the establishment of the Joseon’s art tradition.
It is not easy to understand and restructure the real situation of the art world in this period because few art works from this period are remaining today. Most of the few works known to have come from the period are either anonymous or putative, causing controversies regarding whether they are genuine. It is necessary therefore to find the works of this period which had been flown out the country through many different channels and research the old documents related with them, comparing and analysing the works from the East Asian point of view. It is in this context that the records in the collected writings of the literati elites who played a key role in the production and consumption of the paintings of their time are particularly important for the restoration and in-depth understanding of the art history of mid Joseon. These records are valuable primary sources of information required for the study of the art in this period as these contain the ideas, theories, criticisms, aesthetic trends, creativity, distribution of works, titles and themes, subject matters, and the artists’ life, philosophy and friendship.
The literary collections of early Joseon known so far are 222 titles in total, and there are 2,312 art-related passages contained in them. As part of the effort to give a comprehensive look at the art of mid Joseon, I will focus on the records on paintings contained in Sagajip(The Collected Writings of Saga) by Seo Geo-jeong(1420-1488). Seo Geo-jeong is a great writer representing the literary world of the mid 15th century. Also renowned connoisseur of his time and enthusiastic collector of paintings and calligraphic works, the literati artist left a lot of poems and commentaries on art of his time, helping understand the art history of early Joseon.

목차 (Table of Contents)

• Ⅰ. 머리말
• Ⅱ. 서거정의 회화 관련 기록
• Ⅲ. 맺음말
• 참고문헌
• ABSTRACT

참고문헌 (Reference)

1 홍선표, "한국의 전통회화" 이화여자대학교출판부 2009

2 홍선표, "조선후기 풍속화 발달의 이념적 배경, In 풍속화" 중앙일보사 1985

3 배종민, "조선초 畵員 崔涇의 御眞제작과 당상관 제수" 호남사학회 (25) : 69-104, 2005

4 이수경, "조선시대 효자도-행실도류 효자도를 중심으로" 한국미술사학회 242 : 2004

5 홍선표, "조선시대 회화사론" 문예출판사 1999

6 홍선표, "조선 초기의 회화관" 한국정신문화연구원 1984

7 "성종실록"

8 靑木正兒, "題畵文學の發展, In 支那文學藝術考" 弘文堂 1942

9 陳丕華, "題畵寶笈" 中華書畵出版社 1978

10 徐居正, "題仁齋詩藁後, In 晉山世稿 권3"

11 宮崎法子, "花鳥·山水畵を讀み解く-中國繪畫の意味" 角川書店 2003

12 中砂明德, "江南:中國文雅の源流" 講談社 2002

13 下店靜市, "東洋畵畵題の考察, In 中國繪畫史硏究 河店靜市著作集6" 講談社 1985

14 陳邦彦, "御定歷代題畵詩類" 臺灣商務書印館 1983

15 徐居正, "四佳集"

16 최우석, "唐詩 중의 ‘江南’ 意象 初探" 중국학연구소 (26) : 97-118, 2009

17 홍선표, "古美術 취미의 탄생, In 그림에게 물은 사대부의 생활과 풍류" 두산동아 2007

18 오세옥, "《사가집》해제, In 한국문집총간해제집 1" 경인문화사 2003

19 홍선표, "<夢遊桃源圖>의 창작세계: 선경의 재현과 고전산수화의 확립" 한국미술연구소 (31) : 29-54, 2010