The study examines the complex relationship between words and images in William Blake’s illustrated book, Songs of Innocence and Experience. Since the 1950s, Blake’s illustrated books have been considered “composit art” by Blake scholars like ...
http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
다국어 초록 (Multilingual Abstract)
The study examines the complex relationship between words and images in William Blake’s illustrated book, Songs of Innocence and Experience. Since the 1950s, Blake’s illustrated books have been considered “composit art” by Blake scholars like ...
The study examines the complex relationship between words and images in William Blake’s illustrated book, Songs of Innocence and Experience. Since the 1950s, Blake’s illustrated books have been considered “composit art” by Blake scholars like Northrop Frye, Jean Hagstrum and W. J. T. Mitchell. Most recently, however, influenced by Poststructuralism, some Blake scholars have begun to insist on observing the illustrated books as an “open and disintegrable text.” In examining “The Lamb,” “The Tyger,” “Infant Joy” and “The Fly” of Songs of Innocence and Experience, this paper argues that this illustrated book can be seen from both perspectives, as “composit art” and an “open and disintegrable text.” These are two contradictory characteristics of this book, and the inconsistent relationship between words and images can be an essential artistic framework of this book.
참고문헌 (Reference)
1 Gleckner, Robert F., "‘The Lamb’ and ‘The Tyger’ ― How Far with Blake?" 51 (51): 536-543, 1962
2 Phillips, Michael, "William Blake: The Creation of the Songs from Manuscript to Illuminated Printing" Princeton University Press 2000
3 Hagstrum, Jean, "William Blake: Poet and Painter: An Introduction to the Illuminated Verse. viii, In William Blake, William Hamilton and the Materials of Graphic Meaning" 52 (52): 833-872, 1964
4 Adams, Hazard, "William Blake: A Reading of the Shorter Poems" University of Washington Press 1963
5 Essick, Robert N., "William Blake, William Hamilton and the Materials of Graphic Meaning" 52 (52): 833-872, 1985
6 Adams, Hazard, "William Blake on His Poetry and Painting: A Study of a Descriptive Catalogue, Other Prose Writings and Jerusalem" McFarland 2011
7 Bentley, Gerald Eades, "William Blake in the Desolate Market" McGill-Queen’s University Press 2014
8 Kerrigan, William, "The Sacred Complex" Harvard University Press 1983
9 Gilchrist, Alexander, "The Life of William Blake" John Lane 1907
10 Goode, Mike, "The Joy of Looking: What Blake’s Pictures Want" 119 (119): 1-36, 2012
1 Gleckner, Robert F., "‘The Lamb’ and ‘The Tyger’ ― How Far with Blake?" 51 (51): 536-543, 1962
2 Phillips, Michael, "William Blake: The Creation of the Songs from Manuscript to Illuminated Printing" Princeton University Press 2000
3 Hagstrum, Jean, "William Blake: Poet and Painter: An Introduction to the Illuminated Verse. viii, In William Blake, William Hamilton and the Materials of Graphic Meaning" 52 (52): 833-872, 1964
4 Adams, Hazard, "William Blake: A Reading of the Shorter Poems" University of Washington Press 1963
5 Essick, Robert N., "William Blake, William Hamilton and the Materials of Graphic Meaning" 52 (52): 833-872, 1985
6 Adams, Hazard, "William Blake on His Poetry and Painting: A Study of a Descriptive Catalogue, Other Prose Writings and Jerusalem" McFarland 2011
7 Bentley, Gerald Eades, "William Blake in the Desolate Market" McGill-Queen’s University Press 2014
8 Kerrigan, William, "The Sacred Complex" Harvard University Press 1983
9 Gilchrist, Alexander, "The Life of William Blake" John Lane 1907
10 Goode, Mike, "The Joy of Looking: What Blake’s Pictures Want" 119 (119): 1-36, 2012
11 Bindman, David, "The Cambridge Companion to William Blake, edited by Morris Eaves" Cambridge University Press 85-109, 2003
12 Makdisi, Saree, "The Cambridge Companion to William Blake" Cambridge University Press 110-132, 2003
13 Hilton, Nelson, "The Cambridge Companion to William Blake" Cambridge University Press 191-209, 2003
14 Blake, William, "Selected Poems of William Blake" Wordsworth 2000
15 Eliot, Thomas Stearns, "Selected Essays" Harcourt, Brace and Company 1932
16 Mitchell, William John Thomas, "Poetic and Pictorial Imagination in Blake’s The Book of Urizen" 3 (3): 83-107, 1969
17 Gray, Thomas, "Ode on the Spring"
18 Frye, Northrop, "Fearful Symmetry: A Study of William Blake" Princeton University Press 1947
19 Morris, G. S., "Blake’s ‘The Fly.’" 65 (65): 16-18, 2006
20 Blake, William, "Blake’s Water-Colours for the Poems of Thomas Gray: With Complete Texts" Dover 2000
21 Simpson, Matt, "Blake’s Songs of Innocence and Experience" 4 (4): 22-27, 1992
22 Kim, Jin-kyu, "A Study of the Redemption in William Blake’s Lambeth Prophecies" 8 : 27-64, 1991
Mapping the Dissonance of World Literature: (Mis)representations in Gweilo
『윈더미어 부인의 부채』에 나타난 타락한 여성의 전형성과 전복성
학술지 이력
연월일 | 이력구분 | 이력상세 | 등재구분 |
---|---|---|---|
2024 | 평가예정 | 재인증평가 신청대상 (재인증) | |
2021-01-01 | 평가 | 등재학술지 선정 (계속평가) | |
2020-12-01 | 평가 | 등재후보로 하락 (재인증) | |
2017-01-01 | 평가 | 등재학술지 유지 (계속평가) | |
2013-01-01 | 평가 | 등재 1차 FAIL (등재유지) | |
2010-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2008-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2005-01-01 | 평가 | 등재학술지 선정 (등재후보2차) | |
2004-01-01 | 평가 | 등재후보 1차 PASS (등재후보1차) | |
2002-07-01 | 평가 | 등재후보학술지 선정 (신규평가) |
학술지 인용정보
기준연도 | WOS-KCI 통합IF(2년) | KCIF(2년) | KCIF(3년) |
---|---|---|---|
2016 | 0.39 | 0.39 | 0.39 |
KCIF(4년) | KCIF(5년) | 중심성지수(3년) | 즉시성지수 |
0.37 | 0.35 | 0.712 | 0.09 |