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      記事의 양식적 특성과 작품 세계 = Formal Characteristics and Work Idea of Gi·sa(記事)

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      https://www.riss.kr/link?id=A104007597

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      다국어 초록 (Multilingual Abstract)

      Gi·sa is a descriptive form recording facts and events. Academic world has not paid attention to it as a subject worth continual research because its quantity is relatively small, content scope is too wide and genre has complex attribute.
      This paper, considering such conditions, examined the definitions of Gi·sa then its formal characteristics mainly from undisclosed works. Followings are several facts revealed by this study.
      Gi·sa is a descriptive form a writer use when he wants find out the fact of an event closely and hand down it to posterity. So, its main elements are the time and place the event happened and the identities of major agents and informants. The focus of description is to clarify the right and wrong of event, rather than the teachings of event or estimation on the concerned persons.
      The contents of Gi·sa are events or anecdotes which are not adequate for biography(傳) and Ya·dam(野談). Some Gi·sa(es) would describe the life big experiences of a man. They expressed well the joys and sorrows of life with fact description only, without literary description or embellishments. It can be said the literary value of Gi·sa consists in such fact.
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      Gi·sa is a descriptive form recording facts and events. Academic world has not paid attention to it as a subject worth continual research because its quantity is relatively small, content scope is too wide and genre has complex attribute. This paper,...

      Gi·sa is a descriptive form recording facts and events. Academic world has not paid attention to it as a subject worth continual research because its quantity is relatively small, content scope is too wide and genre has complex attribute.
      This paper, considering such conditions, examined the definitions of Gi·sa then its formal characteristics mainly from undisclosed works. Followings are several facts revealed by this study.
      Gi·sa is a descriptive form a writer use when he wants find out the fact of an event closely and hand down it to posterity. So, its main elements are the time and place the event happened and the identities of major agents and informants. The focus of description is to clarify the right and wrong of event, rather than the teachings of event or estimation on the concerned persons.
      The contents of Gi·sa are events or anecdotes which are not adequate for biography(傳) and Ya·dam(野談). Some Gi·sa(es) would describe the life big experiences of a man. They expressed well the joys and sorrows of life with fact description only, without literary description or embellishments. It can be said the literary value of Gi·sa consists in such fact.

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      다국어 초록 (Multilingual Abstract)

      Gi·sa is a descriptive form recording facts and events. Academic world has not paid attention to it as a subject worth continual research because its quantity is relatively small, content scope is too wide and genre has complex attribute.
      This paper, considering such conditions, examined the definitions of Gi·sa then its formal characteristics mainly from undisclosed works. Followings are several facts revealed by this study.
      Gi·sa is a descriptive form a writer use when he wants find out the fact of an event closely and hand down it to posterity. So, its main elements are the time and place the event happened and the identities of major agents and informants. The focus of description is to clarify the right and wrong of event, rather than the teachings of event or estimation on the concerned persons.
      The contents of Gi·sa are events or anecdotes which are not adequate for biography(傳) and Ya·dam(野談). Some Gi·sa(es) would describe the life big experiences of a man. They expressed well the joys and sorrows of life with fact description only, without literary description or embellishments. It can be said the literary value of Gi·sa consists in such fact.
      번역하기

      Gi·sa is a descriptive form recording facts and events. Academic world has not paid attention to it as a subject worth continual research because its quantity is relatively small, content scope is too wide and genre has complex attribute. This paper...

      Gi·sa is a descriptive form recording facts and events. Academic world has not paid attention to it as a subject worth continual research because its quantity is relatively small, content scope is too wide and genre has complex attribute.
      This paper, considering such conditions, examined the definitions of Gi·sa then its formal characteristics mainly from undisclosed works. Followings are several facts revealed by this study.
      Gi·sa is a descriptive form a writer use when he wants find out the fact of an event closely and hand down it to posterity. So, its main elements are the time and place the event happened and the identities of major agents and informants. The focus of description is to clarify the right and wrong of event, rather than the teachings of event or estimation on the concerned persons.
      The contents of Gi·sa are events or anecdotes which are not adequate for biography(傳) and Ya·dam(野談). Some Gi·sa(es) would describe the life big experiences of a man. They expressed well the joys and sorrows of life with fact description only, without literary description or embellishments. It can be said the literary value of Gi·sa consists in such fact.

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      참고문헌 (Reference)

      1 鄭煥局, "조선후기 人物記事의 전개와 그 성격" 한국한문학회 29 : 291-320, 2002

      2 조창록, "조선후기 ‘記事’ 연구" 성균관대학교 1993

      3 이희목, "이건창 문학 연구" 성균관대학교 대동문화연구원 2005

      4 안병걸, "왕달애비이야기 : 패가망신을 염려하면서" 한국고전번역원 고전칼럼 2009

      5 이경미, "연경재 성해응의 記事 연구" 경북대학교 1998

      6 손혜리, "연경재 성해응 산문의 연구" 성균관대학교 2004

      7 이경미, "연경재 성해응 기사의 소설적 국면" 동방한문학회 16 : 1999

      8 진재교, "알아주지 않은 삶" 태학사 2005

      9 이가원, "석북문학연구" 탐구당 1969

      10 정환국, "병자호란시 江華관련 실기류 및 몽유록에 대한 일 고찰" 한국한문학회 23 : 1999

      1 鄭煥局, "조선후기 人物記事의 전개와 그 성격" 한국한문학회 29 : 291-320, 2002

      2 조창록, "조선후기 ‘記事’ 연구" 성균관대학교 1993

      3 이희목, "이건창 문학 연구" 성균관대학교 대동문화연구원 2005

      4 안병걸, "왕달애비이야기 : 패가망신을 염려하면서" 한국고전번역원 고전칼럼 2009

      5 이경미, "연경재 성해응의 記事 연구" 경북대학교 1998

      6 손혜리, "연경재 성해응 산문의 연구" 성균관대학교 2004

      7 이경미, "연경재 성해응 기사의 소설적 국면" 동방한문학회 16 : 1999

      8 진재교, "알아주지 않은 삶" 태학사 2005

      9 이가원, "석북문학연구" 탐구당 1969

      10 정환국, "병자호란시 江華관련 실기류 및 몽유록에 대한 일 고찰" 한국한문학회 23 : 1999

      11 심노숭, "눈물이란 무엇인가" 태학사 2001

      12 유득공, "누가 알아주랴" 태학사 2005

      13 임완혁, "구연전통과 서사" 태학사 2008

      14 金平默, "重菴集" 2003

      15 안동대학교 퇴계학연구소, "退溪學資料叢書" 2003

      16 조창록, "記事의 특징과 전개 in: 한국한문학의 이론-산문" 보고사 2007

      17 金構, "觀復齋遺稿" 2007

      18 兪漢雋, "自著" 2000

      19 尹愭, "無名子集" 2000

      20 吳曾祺, "涵芬樓古今文鈔簡篇" 臺灣商務印書館

      21 徐師曾, "文體明辯" 보경문화사 1984

      22 金振邦, "文章體裁辭典" 東北師範大學出版社 1986

      23 金楺, "儉齋集" 2007

      24 김혜숙, "傳ㆍ書事ㆍ野談의 대비적 고찰 in:한국한문학의 이론 -산문" 보고사 2007

      25 김혜숙, "傳ㆍ書事ㆍ野談의 대비적 고찰 in: 새터강한영교수고희기념논문집" 아세아문화사 1983

      26 張榮輝, "中國文體通論" 高職叢書出版社

      27 金履安, "三山齋集" 1999

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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.36 0.36 0.35
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.37 0.36 0.746 0.11
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