舞踊的 側面에서 본 한국 曲線美 硏究 = A study of the beauty of curveline of Korean dancing

다국어 초록 (Multilingual Abstract)

As a result of extracting the curvilinear beauty through analyzing the structure fo the typical dancing motion of a Buddist Dance among our folk dances which have been expressed and symbolized the emotion and rhythm of the Korean people's own, this paper has reached to conclusion as following in order to grasp accurately the characteristics of the curvilinear beauty which consists the main current of the korean people's emotion.
When we consider the success or failure of the work, in point of expression and composition of Dance, depends on a appropriate using of line the Buddist Dance high-lights the peculiar characters of the work clearly as well as speaks for the characteristics of our own Dance because the line of the Buddist Dance appears as an elegant and beautiful curved line when it is connected between a movement and movement.
And this curved line has properties of movement and freedom which can be developed infinitely and expressive compression and extension is embodied in connecting of the line, so we can see the matured expressive compression and extension is embodied in connecting of the line, so we can see the matured expression and can feel the highest perfection of expressive beauty. The details that we should not pass over in this paper is that the abdominal breathing plays an important role in descripting of dancing motion of Buddist Dance and in extracting of curvilinear beauty.
Accordingly the breathing controlling capacity is required strongly not only for the balance of a (Buddist Monk's)long sleeved robe and the lower part of the body but also for a proper performance of its dancing motion.
And we can notice the transmigrationism(Samsara) through out of the rhythm of the Nature as well. The beautiful curved line which has maturity and flexibility is derived from the state of Truth which is based on Oriental vicissitude ideas of life rather than from the experienced state.
Therefore we can realize the fact that the Dancing is not limited to the body but much higher world of sprit exists in it.
Like this, as a special quality of Dancing with a long sleeved robe Buddiest Dance produces the unique dancing motion and the beautiful spatial beauty (curvilinear beauty).
In brief, the characteristics of this curved line begin with five. fundamental sources as follows,
first, the consciousness of harmony with the Nature.
second, the consciousness of Zen from both spiritual and religious aspect.
third, the consciousness of adhesion for the established tradition.
fourth, the consciousness of pursuit for unreality.
fifth, the consciousness of pursuit for visual pleasure.
As stated above we can appreciate the perfect corvilinear will of our people through the other fields of Art as well as our own dance.
And the pliable curved line has been set up the foundation of our people's pride and sensibility constantly. Moreover it has established as a Korean line which is concentrated a national personality.
Consquently this paper would be helpful to grasp and represent our own spirit and formality of the Arts and also have the meaning of harmony with modern civilization along with our curvilinear beauty.

목차 (Table of Contents)

• Ⅰ. 서론
• Ⅱ. 전통무용에 나타난 曲線美 分析 승무 춤사위를 통해 본 曲線美
• 1) 승무의 이론적 배경
• 2) 승무의 특성
• 3) 춤동작 분석
• 4) 춤사위를 통해 본 曲線美
• Ⅲ. 전통무용의 무대공간과 曲線美
• Ⅳ. 한국 曲線美의 內在的 특징
• Ⅴ. 동양문화권내의 한국 曲線의 특징
• Ⅵ. 결론