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      사라지는 경계와 새로운 지형도 -<비우티풀 Biutiful>의 바르셀로나 Barcelona 연구- = Disappearing Boundaries and a New Topograph -Barcelona in Alejandro Gonzalez Inarritu’s Biutiful-

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      https://www.riss.kr/link?id=A99823075

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      다국어 초록 (Multilingual Abstract)

      Inarritu`s film captures always the interconnectedness, which unavoidably draw us together, informing our sense of humanity in perpetual conflict with the superficial alienation of “the other.” His work communicate something fundamental to this re...

      Inarritu`s film captures always the interconnectedness, which unavoidably draw us together, informing our sense of humanity in perpetual conflict with the superficial alienation of “the other.” His work communicate something fundamental to this recognition of postmodern global reality. All of this makes Inarritu`s film particularly intuitive and immediate to contemporary global audiences. His films are powerfully informed and immediate, essential art in this age of postmodern confusion. In Biutiful, the latest film of Inarritu, Barcelona, city cosmopolitan connotes cultural and social complexity which results in confusion and conflict and moral compromise. As the largest metropolitan city on the Mediterranean Sea, Barcelona has a rich cultural heritage and is an important cultural center. In Biutiful, we find the Catalan capital such as a transnational and paradoxical location. In addition, Barcelona is recognizable as the film`s co protagonist, along with main character. This multicultural city shows the moral uncertainties and political complexities by focusing on immigrant and marginalized characters. Biutiful is aware of extreme complexity of the social structure of the global city of the porosity of its internal borderlands. Biutiful takes place in grimy and crowded parts of Barcelona that are a world away from a monumentally architectural and touristic city. If the notable or recognizable public spaces of Barcelona appear in the film, they are significantly portrayed as sites of conflict. Barcelona become a city without boundaries in Biutiful. The dualistic contrast between the city centers and the peripheries, even the death and the life disappear. Uxbal and the other important immigrant characters, through their powerful presence transform the city they inhabit into a chaotic place. This distinctive cityscape reveals real aspects and dimensions of Barcelona. Inarritu`s Barcelona is polyphonic and hybrid city. Biutiful construct a city defined by its capacity to create new identity.

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      참고문헌 (Reference)

      1 Iñárritu, Alejandro González, "À propos de Biutiful"

      2 Feigelson, Kristian, "Villes cinématographiques : Ciné-lieux" Presses Sorbonne Nouvelle 2007

      3 Perraton, Charles, "Un nouvel art de voir la ville et de faire du cinéma : Du cinéma et des restes urbains" Editions L’Harmattan 2003

      4 Russo, Eduardo A., "The Film Edge: Contemporary filmmaking in Latin America" Teseo 2010

      5 Wood, Jason, "The Faber Book of Meican Cinema" Faber and Faber 2006

      6 Ford, Larry, "Sunshine and shadow : Lighting and color in the depiction of cities on film, In Place, Power, Situation and Spectacle : A Geography of film" Rowman & Littlefield 1994

      7 Mora, Carl J., "Mexican Cinema: Reflections of a Society, 1896-2004" Mcfarland 2004

      8 Kenworthy, Christopher, "Master Shots Volume 2: Shooting Great Dialogue Scenes" Michael Weise Productions 2011

      9 Murat, Pierre, "La fureur de survivre"

      10 Grassilli, Mariagiulia, "Festes, ferias and hip-hop: images of multiculturalism in Barcelona, The Mediterranean Passage" Liverpool University Press 2001

      1 Iñárritu, Alejandro González, "À propos de Biutiful"

      2 Feigelson, Kristian, "Villes cinématographiques : Ciné-lieux" Presses Sorbonne Nouvelle 2007

      3 Perraton, Charles, "Un nouvel art de voir la ville et de faire du cinéma : Du cinéma et des restes urbains" Editions L’Harmattan 2003

      4 Russo, Eduardo A., "The Film Edge: Contemporary filmmaking in Latin America" Teseo 2010

      5 Wood, Jason, "The Faber Book of Meican Cinema" Faber and Faber 2006

      6 Ford, Larry, "Sunshine and shadow : Lighting and color in the depiction of cities on film, In Place, Power, Situation and Spectacle : A Geography of film" Rowman & Littlefield 1994

      7 Mora, Carl J., "Mexican Cinema: Reflections of a Society, 1896-2004" Mcfarland 2004

      8 Kenworthy, Christopher, "Master Shots Volume 2: Shooting Great Dialogue Scenes" Michael Weise Productions 2011

      9 Murat, Pierre, "La fureur de survivre"

      10 Grassilli, Mariagiulia, "Festes, ferias and hip-hop: images of multiculturalism in Barcelona, The Mediterranean Passage" Liverpool University Press 2001

      11 Aubé, Françoise, "Désirs aveugles, fantômes futurs" (477) : 2000

      12 Larraz, Emmanuel, "Barcelone ville d’accueil dans le cinéma de Lorenç Soler" Artois Presses Université 2005

      13 Smith, Paul Julian, "Amores Perros (BFI Modern Classics)" British Film Institute 2008

      14 Deleyto, Celestino, "Alejandro Gonzalez Inarritu (Contemporary Film Directors)" University of Illinois Press 2010

      15 Schwarz, Susanne, "Affecting the audience through motion pictures: The cinematography of ‘Amores Perros’" GRIN Verlag 2009

      16 Fraser, Benjamin, "A Biutiful city : Alejandro González Iñárritu’s filmic critique of the ‘Barcelona model’" 9 (9): 2012

      17 Iñárritu, Alejandro González, ", 148min"

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2027 평가예정 재인증평가 신청대상 (재인증)
      2021-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2018-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2016-02-12 학술지명변경 외국어명 : 미등록 -> Journal of Mediterranean Area Studies KCI등재
      2015-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2011-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2009-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2008-04-17 학회명변경 한글명 : 지중해연구소 -> 지중해지역원
      영문명 : Institute for Mediterranean Studies -> 상동
      KCI등재
      2006-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2005-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2003-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.47 0.47 0.48
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.39 0.37 0.935 0.16
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