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      신흥사기점의 도자기 생산특징과 전승양상 = Characteristics of Pottery Production at Sinheung Porcelain Factory: An Inherited Tradition

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      다국어 초록 (Multilingual Abstract)

      The Sinheung porcelain factory produced white porcelain and black porcelain at the same time in the late Joseon Dynasty, and this tradition has been maintained to this day. Such a pottery tradition is difficult to find, not just in the Gangwon-do Province but also nationwide.
      The factory’s record of ceramic production was compiled in 1916 in Samchukunji, Sinheung-ri also produced a lot of porcelain. Through this, it can be seen that fraudulent production was already prevalent in the Sinheung porcelain factory before 1916.
      The characteristics of the Sinheung factory’s ceramic production can be summarized as follows: first, it produced white porcelain and black porcelain at the same time. This is usually difficult due to the different materials involved, such as soil and glaze. Generally, one kiln produces a field of pottery. The Sinheung factory overcame this and produced ceramics in two fields. Second, ceramics were produced by classifying grades. The best-made bowl was called “Won-gi,” the commonly used bowl was “Sang-gi,” and the bowl made of lower-grade ceramics was “Ha-gi.” All three classes of products were completed with pottery after being baked in a kiln. When the kiln cooled, the objects were taken out and the defective ones were eliminated. These may have included bowls whose glaze had not melted well or broken due to the excessive temperature in the kiln. This selection process was called “Pagi” and the rejects were destroyed in a dedicated place called “Pagi-Jang.” This is considered to be a characteristic of the Sinheung porcelain factory, which is difficult to find in other regions.
      Third, when making black porcelain, locally produced red ochre was used as the raw material for the glaze. This production process has been followed from the Goryeo and Joseon periods until the present moment; however, its importance has not been sufficiently recognized and studied by researchers. Therefore, this study summarizes the context of black porcelain production at the Sinheung porcelain factory by revealing the conditions under which red ochre, a raw material used for manufacturing the glaze, which has not been known.
      In other words, the factory was able to produce the two types of porcelain based on the regional specificity and environment, which facilitated the supply and demand of raw materials necessary for ceramic production such as clay and red ochre.
      The continuation of this porcelain production tradition has been made possible by family inheritance and commitment to its original quality standards. The Sinheung porcelain factory was started by Kwak Bong-jae (unknown date of birth and death) in the late Joseon Dynasty and was bequeathed to his son Kwak In-ok (1877-1964), who then passed it on to his eldest and second sons, Kwak Yong-up (1911-1992) and Kwak Yong-woon (1914-2008). At the third generation, however, the tradition of pottery production suffered as plastic and nickel-silver bowls became popular.
      As a result, Kwak Yong-woon was not succeeded by his son in the factory’s administration, which was transferred to one of his collaborators, Shin Won-soo, so that the tradition could continue. Shin Won-soo had the necessary abilities to produce ceramics and committed to preserve the original production techniques, tools, and raw material collection procedures at the Sinheung porcelain factory.
      The ceramic production tradition of the Sinheung Porcelain factory was inherited by direct descendants from the 1st to 3rd generations, and was passed on to other people with the ability to produce ceramics from the 3rd to 4th generations.
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      The Sinheung porcelain factory produced white porcelain and black porcelain at the same time in the late Joseon Dynasty, and this tradition has been maintained to this day. Such a pottery tradition is difficult to find, not just in the Gangwon-do Prov...

      The Sinheung porcelain factory produced white porcelain and black porcelain at the same time in the late Joseon Dynasty, and this tradition has been maintained to this day. Such a pottery tradition is difficult to find, not just in the Gangwon-do Province but also nationwide.
      The factory’s record of ceramic production was compiled in 1916 in Samchukunji, Sinheung-ri also produced a lot of porcelain. Through this, it can be seen that fraudulent production was already prevalent in the Sinheung porcelain factory before 1916.
      The characteristics of the Sinheung factory’s ceramic production can be summarized as follows: first, it produced white porcelain and black porcelain at the same time. This is usually difficult due to the different materials involved, such as soil and glaze. Generally, one kiln produces a field of pottery. The Sinheung factory overcame this and produced ceramics in two fields. Second, ceramics were produced by classifying grades. The best-made bowl was called “Won-gi,” the commonly used bowl was “Sang-gi,” and the bowl made of lower-grade ceramics was “Ha-gi.” All three classes of products were completed with pottery after being baked in a kiln. When the kiln cooled, the objects were taken out and the defective ones were eliminated. These may have included bowls whose glaze had not melted well or broken due to the excessive temperature in the kiln. This selection process was called “Pagi” and the rejects were destroyed in a dedicated place called “Pagi-Jang.” This is considered to be a characteristic of the Sinheung porcelain factory, which is difficult to find in other regions.
      Third, when making black porcelain, locally produced red ochre was used as the raw material for the glaze. This production process has been followed from the Goryeo and Joseon periods until the present moment; however, its importance has not been sufficiently recognized and studied by researchers. Therefore, this study summarizes the context of black porcelain production at the Sinheung porcelain factory by revealing the conditions under which red ochre, a raw material used for manufacturing the glaze, which has not been known.
      In other words, the factory was able to produce the two types of porcelain based on the regional specificity and environment, which facilitated the supply and demand of raw materials necessary for ceramic production such as clay and red ochre.
      The continuation of this porcelain production tradition has been made possible by family inheritance and commitment to its original quality standards. The Sinheung porcelain factory was started by Kwak Bong-jae (unknown date of birth and death) in the late Joseon Dynasty and was bequeathed to his son Kwak In-ok (1877-1964), who then passed it on to his eldest and second sons, Kwak Yong-up (1911-1992) and Kwak Yong-woon (1914-2008). At the third generation, however, the tradition of pottery production suffered as plastic and nickel-silver bowls became popular.
      As a result, Kwak Yong-woon was not succeeded by his son in the factory’s administration, which was transferred to one of his collaborators, Shin Won-soo, so that the tradition could continue. Shin Won-soo had the necessary abilities to produce ceramics and committed to preserve the original production techniques, tools, and raw material collection procedures at the Sinheung porcelain factory.
      The ceramic production tradition of the Sinheung Porcelain factory was inherited by direct descendants from the 1st to 3rd generations, and was passed on to other people with the ability to produce ceramics from the 3rd to 4th generations.

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      참고문헌 (Reference)

      1 호림박물관, "호림, 문화재의 숲을 거닐다" 눌와 73-, 2012

      2 김혜정, "한양도성 출토 15~16세기 청화백자의조형적 특징과 성격" 한국미술사교육학회 31 : 42-75, 2016

      3 김태홍, "조선시대 중·후기 흑유자기의 기형변화" 호서고고학회 (29) : 182-209, 2013

      4 박정민, "조선 전기 명문백자 연구" 명지대학교 대학원 2014

      5 재단법인도자기엑스포, "자연을 닮은 그릇, 옹기"

      6 임도빈, "자연을 닮은 그릇 옹기"

      7 고준휘, "양산 가야진사유적 출토 陶磁祭器의 현황과 성격" 동악미술사학회 (17) : 463-495, 2015

      8 윤용이, "아름다운 우리 도자기" 학고재 194-, 1997

      9 박정민, "북한지역 분청자 가마터 조사 현황과 성격" 국립광주박물관 1 : 189-192, 2018

      10 한정화, "부안 유천리 12호 고려청자가마터 발굴 성과전"

      1 호림박물관, "호림, 문화재의 숲을 거닐다" 눌와 73-, 2012

      2 김혜정, "한양도성 출토 15~16세기 청화백자의조형적 특징과 성격" 한국미술사교육학회 31 : 42-75, 2016

      3 김태홍, "조선시대 중·후기 흑유자기의 기형변화" 호서고고학회 (29) : 182-209, 2013

      4 박정민, "조선 전기 명문백자 연구" 명지대학교 대학원 2014

      5 재단법인도자기엑스포, "자연을 닮은 그릇, 옹기"

      6 임도빈, "자연을 닮은 그릇 옹기"

      7 고준휘, "양산 가야진사유적 출토 陶磁祭器의 현황과 성격" 동악미술사학회 (17) : 463-495, 2015

      8 윤용이, "아름다운 우리 도자기" 학고재 194-, 1997

      9 박정민, "북한지역 분청자 가마터 조사 현황과 성격" 국립광주박물관 1 : 189-192, 2018

      10 한정화, "부안 유천리 12호 고려청자가마터 발굴 성과전"

      11 경기도자박물관, "번천리8호 선동리2호 요지 일원" 한국도자재단경기도자박물관 50-, 2013

      12 관동대학교박물관, "문화유적분포지도-동해시" 학연문화사 37-130, 2004

      13 박진호 ; 유혜선 ; 정용재, "라만분광현미경을 이용한 흑유자 유약 내 철산화물의 변화 양상 연구 -신안선 출수 흑유자를 중심으로-" 한국문화재보존과학회 35 (35): 117-129, 2019

      14 김병욱, "동해지역의 옹기문화" 강원도문화원연합회 23 : 58-, 2013

      15 이복규, "도자원료" 미진사 62-92, 1991

      16 정동훈, "도자예술용어사전" 월간세라믹스 101-111, 1996

      17 동아대학교박물관, "도자기"

      18 심의승, "국역 삼척군지" 삼척시립박물관 193-, 2009

      19 조선관요박물관, "광주 송정동 5․6호 백자가마터" 광주, 조선관요박물관 75-, 2008

      20 고민정 ; 김규호, "경기도 포천시 길명리 가마터 출토 흑유자기와 백자에 대한 특성분석" 한국문화재보존과학회 22 : 43-60, 2008

      21 강원일보사, "강원화보"

      22 강원일보사, "강원화보"

      23 고유섭, "高裕燮全集3" 동방문화사 191-, 1993

      24 淺川巧, "朝鮮陶磁名考" 경인문화사 110-, 1991

      25 윤용이, "朝鮮 粉靑瓷의 理解" 圓光大學校 行政大學院 27-34, 1998

      26 삼척군, "三陟郡誌" 강원일보사출판국 689-, 1985

      27 "『영조실록』 82권"

      28 "『세종실록』 153권, 地理志, 江原道, 江陵大都護府"

      29 "『세종실록』 153권, 地理志, 江原道, 三陟都護府"

      30 "『성종실록』 277권"

      31 서유리, "「용인 양지면에서 수습된 백자제기의 제작 시기와 특징」, 『백자제기, 禮와藝가 만나다』"

      32 김병욱, "「동해지역 전통도자의 특징」, 『제4회 전통가마도예작품전』"

      33 동산도기박물관, "(고려․조선시대) 흑유와 석간주"

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      2027 평가예정 재인증평가 신청대상 (재인증)
      2021-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2018-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2015-01-01 평가 등재학술지 유지 (등재유지) KCI등재
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      2006-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2005-05-29 학술지명변경 한글명 : 東아시아古代學 -> 동아시아고대학 KCI등재후보
      2005-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2003-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.33 0.33 0.3
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
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