한국 도자사에 나타난 꽃문양의 미감(美感) 연구 -국보(國寶) 도자기를 중심으로- = A Study on Aesthetics of “Flower Pattern” in Korean Ceramic History -Focusing on Korean National Treasures-

다국어 초록 (Multilingual Abstract)

Today, flower art in Korea focuses more on technical improvements rather than overall sense of aesthetics emphasized in oriental culture while actively adopting western-centered aesthetic view in flower design. However, in traditionally, the design utilizing flowers have been established in Koreans life, reflecting political, religious and societal sense of beauty and surpassing the sense of time and space. Goryeo celadon, grayish-blue-powdered celadon and Joseon white celadon are the representative heritages that we can face frequently which incorporate flower pattern with the sense of aesthetics of the time. Through the article, the author wants to emphasize that the piece as not individual belonging but valuable masterpiece which conveys universal emotional aspect of the contemporaries of that time by recognizing flower patterned ceramic being not merely the decorative object but also the art representing the sense of aesthetics of the time. This study analyzes 25 ceramics/celadon conveying flower pattern, among 40 pieces of ceramics designated as national treasure through universal sense of aesthetics. Korean ceramics went through transitions from Goryeo celadon, onto grayish-blue-powdered celadon to white celadon and onto blue and white porcelain according to the change of pattern. With the flow of ceramic art, the type of flower pattern decorating the ceramic has also been changed; which indicates the different sense of aesthetics by the time. In Goryeo celadon, lotus pattern the Buddhist symbol and the peony pattern the symbol of splendid royal authority are used; while in grayish-blue-powdered celadon the stamped technique conveying the sense of working classes is used with the lotus and peony patterns succeeded from Goryeo celadon. In Joseon white celadon, the utopia of Neo-Confucianism is expressed through the white aesthetics, while Japanese apricot flower and Chrysanthemum pattern being used reflecting the patriotism and loyalty toward the nation and royal authority. I hope the foundation to find the universal identity of Korean flower art is established, and the understanding of pattern design in Korean ceramic history is furthered through this study.

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