조선시대 강원도 지역의 목판 인쇄 문화 연구

최경훈 강원사학회 2020 江原史學 Vol.0 No.34

This research is to examine the characteristics of woodblock printing culture in Gangwon Province in Joseon dynasty. And the results of this study are as followings. First, totally 183 kinds of woodblock publication were confirmed in 16 cities of Gangwon province during the Joseon dynasty. Wonju, the site of the local government office of the Gangwon province, and Gangneung published 80 kinds of books, played a central role in local publishing. More than ten kinds of books were published in Hoeyang, Yangyang, and Goseong, where there are many temples, 9 kinds of books each in Jeongseon, Samcheok and Ganseong, 8 kind of books in Cheolwon, and the others. the Buddhist Scriptures Second, the background for the publication of 124 kinds of books was investigated including 38 kinds of personal publication by local officials, 30 kinds of public publication to carry out the royal order, 52 kinds of publication by temples, and 4 kinds of publication by the local private organization. The publication of books by local private organization was not actively carried out, and showed a tendency to rely on external influences. Third, there are not increasing trend in the latter half of the Joseon Dynasty compared with the first half of the Joseon Dynasty contrary to the general trend. Nine villages, including Wonju, saw a slight decrease in the late Joseon period compared to the early Joseon period. The reasons are that overall trend of temple publication has been decreasing since the 18th century, the publication by king's order or local officials highly influenced the local publication, and that the role of private book publication by local private organization was not active unlike other regions such as Gyeongsang province. Forth, the woodblock was kept in a government office, the Confucian temple and school(鄕校), Confucian academy(書院), or Buddhist temple, according to the background for the publication. And the woodblock was also able to move the another place in the case of personal publication by local officials. 이 논문은 그동안 소홀히 다루어졌던 조선시대 강원도 지역 간행의 서적 조사를통하여 강원도의 목판 인쇄 문화가 가지는 특징을 고찰한 연구이며, 연구의 결과는아래와 같다. 첫째, 강원도 지역에서는 16개 고을에서 모두 183종의 목판 간행이 확인되었다. 감영(원주)과 강릉이 80종으로 간행 비중이 높아 지역 출판의 중심 역할을 하였다. 사찰이 있던 회양·양양(금강산), 고성(설악산)과 한양과 가까운 춘천에서 10종 이상의 서적이 간행되었고, 정선·삼척·간성에서 각 9종, 철원이 8종이며, 그 외에는간행이 저조하였다. 둘째, 서적 간행의 유형은 124종의 서적에서 확인된다. 부임 수령의 사적 간행이38종, 왕명 수행에 의한 간행이 30종, 민간 간행으로 사찰 간행이 52종, 지역 민간단체에 의한 간행은 4종으로 나타나 민간 서적 간행은 사찰을 제외하면 저조한모습을 보였다. 셋째, 조선 후기의 서적 간행은 조선 전기와 비교하여 증가 추세를 보이지 않았다. 원주를 포함하여 9개 고을에서 전기보다 후기에 다소 감소하는 현상을 보였다. 그이유는 사찰 간행의 전반적 추이가 18세기부터 감소하는 흐름을 보인 점, 왕명이나부임 수령의 사적 간행이 높은 비중을 차지하여 그 영향을 많이 받은 점, 그리고경상·충청 등 다른 지역과 달리 서원·사우를 중심으로 한 민간의 서적 간행 역할이 활발하지 못했던 점에서 원인을 찾을 수 있다. 넷째, 책판의 보관은 원주와 강릉, 철원 등에서 42종이 확인된다. 官版과 같은공적 간행 책판은 관아와 향교에, 수령의 사적 간행 책판은 원주의 구룡사, 영원사등 사찰, 강릉의 송담서원, 오봉서원 등의 서원에 보관하여 다른 지역과 같은 보편적인 현상을 보였다. 사적 간행 책판은 수령의 의지에 따라 이동하기도 하여 사적인 소유물로 인식되는 면이 있었다.

광복 후 불교계의 출판 - 광복 후에서 1970년대까지 -

김경집 대각사상연구원 2006 大覺思想 Vol.9 No.-

The Korean Buddhism cultivated the splendid culture in the realm of the Buddhism publication business in the past. There are, however, no publication records which are equivalent to those of the past Buddhism publications in a modern society. Especially, the Korean Buddhism publication started from inadequate circumstances after Korea's liberation day. Due to the inadequate supply equipments for the Korean Buddhism publication as well as no demand for Buddhism books resulting from the Buddhists' fortune-seeking religious customs at that time, the Korean Buddhism publication resulted in the lowest output in the years of 1940 and 1950. After Korea's liberation day, there were big changes for the Korean Buddhism realm in the years of 1940. The one was to make Christianity as a preferential religion in Korea during the U.S. Military regime period. The other was a deep conflict between the left and the right in political ideology at the times. The Korean Buddhism lost an opportunity for developing its own cultural level due to both the Korean war and the inner conflicts among the Korean Buddhism realm in the years of 1950. Throughout the years of 1960 and 1970, however, Korean Buddhism publication business have equipped with rather a stable system by replenishing and enhancing its own publication inadequacy and capacity which meet the needs of the times, respectively. With that point of view, it was the years of 1960 that formed a current shape of Buddhism publication in Korea. During the times, a researcher majored in the Buddhism study began to be appeared one after another, and there were high motivations to publish books for the Buddhism and to translate the Buddhism sutra written in Chinese letter into those in terms of Korean letter. The translation work had been proceeded with an individual level before the times. But the individual level of translation work systematized into the institutional level of translation work in the Buddhism sutra translation center of the Dongguk University during the times. The Buddhism sutra translation center of the Dongguk University has been carrying on with the expert education & cultivation mission as well as publishing its own sutra translation works. After taking into the aforementioned change, there was a variety in the realm of the Korean Buddhism publication business during the years of 1970. Many publishers were founded and attempted various schemes in the Korean Buddhism publication record at the times. The followings were special features of the Korean Buddhism publication during the years of 1970. First, both the qualitative variety and the quantitative outputs began to increase in the realm of the Korean Buddhism publication business together with the transformation of the Buddhist thought at the times. For example, an anthology on Korean priests of high virtue who marked big foot prints on Korean history was published, and we can find out the efforts that tried to redeem their own identity. Second, there was a publication of professional book that includes the profound analysis of the Buddhism study. This publication work contributed in the research development of the Buddhism study. Finally, there were frequent publications of the general books that would increase the understandings of the Buddhism for the public. We can find out that the recent Korean Buddhism has taken a main role that can suggest our spiritual guide departing from the simple fortune-seeking religious mind attitude. This accomplishment can be attributed to the Buddhism publications of the years of 1970.

통도사성보박물관 소장 운흥사판 『佛說大報父母恩重經』의 판각배경과 의의

김형태,최연주 불교미술사학회 2025 불교미술사학 Vol.40 No.-

울산 천성산 운흥사는 17세기 후반부터 18세기 전반까지 불서의 판각과 간행이 활발하게 이루어졌던 사찰로 잘 알려져 있다. 울산 운흥사에서 판각된 목판에대해서는 그동안 여러 시각에서 연구가 되었지만, 개별 경판에 초점을 맞추는 연구는 전무한 실정이다. 이에 본고에서는 1668년 운흥사에서 가장 먼저 판각된 『불설대보부모은중경』(이하 『부모은중경』(언해)의 현황과 특징, 판각 배경에 대해 살펴보았다. 통도사성보박물관에 소장된 운흥사판 『부모은중경』(언해)는 그동안 16판 32장으로 파악되었으며, 그 중 21·22장, 25·26장 두 판은 중복판으로 분류되었다. 그러나 목판의 형태, 변란 및 어미 등 판식의 구성 등을 통해 볼 때, 기존 중복판으로 분류되었던 2판 4장은 1648년 통도사에서 판각된 부모은중경(언해)이며, 사찰에서 보관 중 운흥사판에 이입된 것으로 추정된다. 또한, 21·22장, 25·26장의 어미 안에 ‘仅’, ‘甘’이란 글자는 1648년 통도사판 부모은중경(언해) 의 판각에 참여했던 각수 의감(義監)의 이름을 새긴 것으로 볼 수 있다. 한편, 운흥사본과 통도사본을 비교해본 결과 판식의 구성, 원문의 내용, 변상도의 표현 등이 매우 유사함을 확인할 수 있다. 이를 통해 운흥사본은 통도사본을 저본으로 판각된 것으로 볼 수 있다. 17세기 후반부터 18세기 전반까지 활발히 전개된 운흥사의 불서 개판은 연희와 학훈 두 승려에 의해 시작되었으며, 부모은중경(언해)이 가장 먼저 판각되었다. 부모의 명복을 기원하고, 자신의 공덕을 쌓고자 시작되었으며, 당시 가장 대중적이고 선호되던 부모은중경(언해)와 묘법화경을 함께 간행함으로써 불사에 참여할 대중을 모으고, 나아가 지역사회에서 운흥사의 저변을 확대시켰다. 연희와 학훈은 덕유산에서 판목을 구하고, 개령 고방사에 공방을 설치해 판각을 시작하였다. 고방사가 위치한 개령은 고려시대부터 여러 불서가 간행되었으며, 지역의 불전 간행 조직 체계가 지속적으로 운영 및 계승되던 지역이다. 따라서 연희와 학훈은 개령면의 전적 간행 조직 체계를 활용하기 위해 고방사에 공방을 설치해 실무를 진행한 것으로 볼 수 있다. 『부모은중경』(언해)에 필요한 등재본의 필사는 발문을 쓴 사운(思運)이 담당하였다. 그리고 스스로 서원을 내어 『부모은중경』(언해)의 판각 실무를 담당한 각수는 계신(戒信)이다. 부모은중경(언해)와 묘법연화경을 판각하는 동안 필요한 각종 공양비용은 학훈이 주도했다. 이 외에도 판각에는 운흥사의 승려, 지역민들이 함께 참여하였다. 운흥사의 불전 간행과 관련해 각종 업무의 분담 체계를 고려해 볼 때 승속이 참여하면서 재정적 부분은 각계각층의 사람들이 마련하였으며, 판각과 관련된 행정조직은 운흥사의 조직체계를 적극 활용했다. 이러한 불전 간행 조직 체계는 17세기 전후에 운흥사에서 간행된 각종 불전의 지ㆍ발문에서 확인된다는 사실을 미루어 볼 때 부모은중경의 간행 조직 체계가 곧 운흥사의 불전 간행 조직 체계였음을 말해 준다. Unheungsa Temple on Cheonseong Mountain in Ulsan is well known as a site where the carving and publication of Buddhist texts (beopseos) flourished from the late 17th to the early 18th century. While various studies have been conducted on the woodblocks carved at Unheungsa Temple, research focusing specifically on individual sutra woodblocks has been notably lacking. Therefore, this paper examines the current state, characteristics, and historical background of the Bulseol Daebo Bumo Eunjung-gyeong , which was the first text carved at Unheungsa in 1668. Among the woodblocks of the Bumo Eunjung-gyeong from Unheungsa Temple, currently housed at the Tongdosa Seongbo Museum, four plates previously classified as duplicates can be identified as part of the 1648 edition carved at Tongdosa Temple. Furthermore, a comparison of the two editions suggests that the Unheungsa version was carved based on the Tongdosa edition as its source text. The active production of Buddhist scriptures at Unheungsa Temple from the late 17th to the early 18th century was initiated by two monks, Yeonhui and Hakhun. By jointly publishing the BumoEunjung-gyeong and the Myobeop Hwajeong-gyeon -two of the most popular and widely favored texts at the time- they succeeded in rallying public participation in the Buddhist project and further expanded Unheungsa's influence within the local community. Considering the division of responsibilities in the publication of Buddhist scriptures at Unheungsa Temple, it appears that both monastic and lay participants were involved: financial support was primarily led by the ruling class, while administrative tasks related to woodblock carving made active use of Unheungsa’s internal organizational structure. Given that this publication system is evident in the colophons and prefaces of various Buddhist texts published at Unheungsa around the 17th century, it can be inferred that the organizational structure used for the publication of the Bumo Eunjung-gyeong essentially represented the broader system employed by Unheungsa for its Buddhist scripture publications.

Publication of Buddhist Literary Texts: The Publication and Popularization of Mantra Collections and Buddhist Ritual Texts in the Late Chosŏn Dynasty

남희숙 서강대학교 종교연구소 2012 Journal of Korean Religions Vol.3 No.1

It is commonly maintained by scholars of Chosŏn era Buddhism that the Chosŏn Dynasty’s enforcement of the sungyu ŏkpul 崇儒抑佛 (“promote Confucianism, reject Buddhism”) policy resulted in a Buddhism that was barely able to maintain itself on the periphery of society. However, even amidst this policy of official exclusion, Korean Buddhism of the period continued to develop internally and to put down deeper roots among the commoner classes, in contrast to its strong ties to the aristocratic classes during the Three Kingdoms and Koryŏ eras. This paper examines this transformation of the character of Chosŏn Buddhism through the phenomenon of scripture publication. A study of the quantities and types of Buddhist writings published during this period makes it possible to both ascertain the general trend of Buddhist publications and to speculate on the ideological currents, belief trends and social and religious demands of the period.s

16·17세기 경전 간행의 양상과 변상도의 특징

박도화 ( Park Do-wha ) 한국불교사학회 한국불교사연구소 2018 한국불교사연구 Vol.14 No.-

This article analyzes the characteristics of the Byeonsangdo(Illustrations inserted in the Sutras), which was included in the Buddhist scriptures of the 16th and 17th centuries of the Joseon Dynasty. The 16th and 17th centuries are categorized as the first and second half-year of the Joseon Dynasty, with the Imjin War. Therefore many changes weren made in various aspects of Joseon society, and very different characteristics were determinded during these times. However, from the perspective of a publication in Joseon Dynasty the 16th and 17th centuries share the highest number of Buddhist books published by temples. During the 16th and 17th centuries, the main body of Buddhist publications was temples of the whole country, whereas the 15th century's was mainly the royal family. In the 16th century many Buddhist books including scriptures were published as necessary for the education of monks, because it was restored the Buddhist Dual system of Zen and the non-Zen sects and the Doseungje(monk's identification system) was restored during the King Myeongjong. And in the 17th century, the publication of Buddhist books was also active as part of restoration activities after the war. There are various types of Buddhist books published during this period, including Mahayana Scriptures, Ritual Books and of the Zen sect. Most of these books were published intended to pray for the souls of the dead and rebirth in paradise. Most icons of the Byeonsangdo in 16th and 17th centuries has been engraved again the Buddhist icons printed in the 15th century. Also combine different icons in a Byeonsangdo, and new icons were created. The 16th and 17th centuries are the peak periods of Buddhist publication in Joseon Dynasty.

14세기 여 원 불교 교류와 檜巖寺 간행 불서

강호선 한국사연구회 2024 한국사연구 Vol.- No.206

원간섭기 원에서 활동하던 고려인들은 원 불교계의 중요한 단월이었다. 그 가운데는 충선왕을 비롯하여 공녀 출신으로 원 순제의 황후가 된 기황후(奇皇后), 자정원(資政院)에서 황실과 관련된 불사를 담당한 고려 출신 환관들의 활동이 컸다. 이들은 원에서 사찰을 운영하거나 후원했고, 대장경 인출이나 불서 판각 등을 주관하였다. 또한 원에서 유학하던 고려 출신 승려들과도 깊은 유대를 맺었다. 이러한 시대 배경 속에서 원에서 고려사람들에 의해 간행된 불서가 고려에 들어와 중간되어 한국에서 유통되었다. 여말선초 회암사에서 간행된 불서들이 대표적인 사례로 이러한 불서의 간행과 유통은 원간섭기 고려와 원의 불교교 교류와 당시의 불교 사상의 분위기를 알 수 있다. 원 순제가 대도에 지은 순제의 원찰 수경사(壽慶寺)에서는 기황후의 발원으로 대장경을 인출하였고, 강금강(姜金剛)은 이곳에서 인천안목 과 장승법수 등을 간행하였다. 이 때 불서의 서문이나 발문은 구양현이나 위소 등 원의 유명한 문인들이 작성하였다. 구양현 등은 이색(李穡) 뿐만 아니라 옥전달온(玉田達蘊), 굉연(宏演) 등 원에서 활동하던 고려 선승들과 교류하였는데, 이러한 인적 관계가 원에서 고려사람들이 불서를 간행할 때 원의 문인들이 참여하게 된 배경이 되었다. 원간섭기의 교류는 유·불을 넘나들며 이루어졌고, 현존하는 불서들은 사서에는 보이지 않는 인적 관계망을 보여주는 자료이기도 하다. 한편, 원에서 고려인에 의해 간행된 불서 중에는 인천안목 을 비롯하여 고려말 조선초 회암사에서 다시 판각되어 인쇄된 불서들이 현전하며, 이 중에는 조선초 왕사로 임명된 무학자초가 간행한 불서들이 주목된다. 회암사는 왕자 자초의 불서 간행이 이루어진 절로, 청규와 관련된, 중국 오산사찰의 영향을 받은 절이라는 점에서 고려와 원의 불교교와 깊은 관계가 있다. 당시 회암사에 있던 대장전, 지장료, 중료는 청규에 따라 운영되던 회암사의 모습을 보여주는 곳으로, 이 건물들에는 회암사에서 간행한 선적의 목판과 인쇄본이 보관되고, 또 회암사의 선승들이 불서를 읽던 공간이었다. During the Yuan intervention, the Goryeo people became influential patrons of Yuan Buddhism. Key figures included King Chungseon(忠宣王), Empress Ki(奇皇后), and eunuchs who managed Buddhist services at the Zizhengyuan(資政院). They played a crucial role in supporting and operating Buddhist temples, facilitating the printing of the Tripitaka, and carving Buddhist texts onto woodblocks. Their efforts also fostered strong connections with Goryeo monks in Yuan, promoting a rich exchange of religious and cultural practices. This exchange led to the introduction of Buddhist texts from Yuan to Goryeo, and their circulation in both Goryeo and the Joseon Dynasty. Hoeamsa Temple, a Seon Buddhist temple, reflects this influence through dedicated spaces for storing and studying Buddhist scriptures, including the Daejeonjeon(大藏殿), Jeondan-rim(栴檀林), and Joongryo(衆寮). Texts published or carved by Goryeo individuals in Yuan, such as Kang Geumgang(姜金剛), were later reprinted and re-carved at Hoeamsa Temple. Among these were works like the In-cheon-an-mok(人天眼目) which printed by Muhak Jacho(無學自超), a royal preceptor in early Joseon, highlighting the enduring impact of the Goryeo-Yuan Buddhist exchange.

15세기 朝鮮王室의 崇佛과 廣平大君一家의 佛典刊行

김자현(Kim, Ja hyun) 보조사상연구원 2021 보조사상 Vol.59 No.-

본 논문은 15세기 조선 왕실의 숭불 경향을 불전 간행과 관련 있는 인물들의 행적과 관련 사료들을 통해 살펴보고, 그 중 왕실의 일원인 廣平大君夫人 申氏를 중심으로 행해진 광평대군일가의 佛事와 불전 간행 양상을 현전하는 유물들을 중심으로 살펴보았다. 왕실일가에 의해 이루어진 숭불에 관한 기록과 실존하는 유물들은 개국초부터 대외적으로 숭유억불정책을 표방했던 왕실에서 여전히 대내적으로는 불교를 숭앙했던 정황들을 보여주는 실증적인 증거이며, 이를 통해 당시의 신앙 양상과 경향들을 파악할 수 있다는 점에서 매우 중요하다. 특히 그 중에서도 광평대군일가의 願堂인 見性庵을 중심으로 이루어진 숭불 활동과 불전의 간행은 단편적으로나마 왕실의 일원들이 私家에서 행하였던 불사의 정황을 상세하게 파악할 수 있다는 점에서 매우 의미있는 자료라 할 수 있다. This paper illuminates the royal family’s worship of Buddhism in fifteenth-century Joseon through examination of the activities of people related to the publication of Buddhist scriptures and the related documents. It pays a particular attention to the sponsorship of Buddhism including publication of Buddhist scriptures by the family of Grand Prince Gwangpyeoneg, especially the wife of the prince from the Shin clan. The records on the royal family’s worship of Buddhism and relevant extant relics are valuable sources revealing that the Joseon royal family worshiped Buddhism while officially suppressing it in favor of Confucianism from the foundation of the dynasty. They also help understanding the trend of Buddhist worship at the time. In particular, the sponsorship of Buddhism by the family of Grand Prince Gwangpyeong, including the construction of its family temple Gyeongseongam Hermitage and the holding of rites and publication of Buddhist scriptures there, sheds light on the details of private sponsorship of Buddhism by the members of the Joseon royal family.

조선시대 강원도 간행 목판본의 현황과 특징 - 간행 주체를 중심으로 -

최경훈 강원사학회 2023 강원사학 Vol.- No.41

이 논문은 조선시대 강원도 지역 서적 간행의 특징에 대하여 간행 주체를 중심으로 고찰한 연구이며, 연구 결과는 아래와 같다. 첫째, 강원도 지역은 조선 초기는 중앙정부의 주요 판각처 역할을 수행하여 경상도, 전라도에 이어 3대 판각처의 위상을 가졌다. 그러나 16세기 중반 이후 다른 지역에서 활발한 간행이 이루어진 것과 달리 정체되는 모습을 보였다. 이는 지역기반이 아닌 외부에 의한 출판 위주에서 그 원인을 찾을 수 있다. 사찰의 불서간행도 전체의 3.5% 비중으로 다른 지역에 비하여 저조한 모습을 보였다. 둘째, 강원도 지역에서는 모두 212종의 목판본 간행이 확인되었다. 간행 주체별로보면, 왕명 수행이 36종, 지방관 간행이 54종, 민간 간행이 76종, 분류 미상이 46종이다. 민간 간행은 사찰 간행이 68종으로 대부분을 차지하여 사찰 이외의 서적 간행은활발하지 못했다. 분류 미상 서적은 대체로 통치와 서적 보급 차원의 관아 간행으로분류되어 212종 가운데 136종(64.1%)이 관아 간행이다. 셋째, 강원도 지역 서적 간행은 감영 주도 관아 중심의 서적 간행 우위, 감사주도의 서적 간행, 지방관의 높은 사적 간행 비중, 특정 지방관의 서적 간행 주도, 간행 주체·성격에 따른 책판의 보관과 이동이라는 지방 서적 간행 현상의 보편성과함께, 사찰 편중의 민간 서적 간행이라는 특수성을 가진다고 할 수 있다. 강원도 지역 서적 간행은 16세기 중반 이후로 다른 지역에 비하여 저조한 모습을 보였다. 이는 국왕, 지방관 등 외부 요인에 의한 간행이 축적되면서 서원으로 대표되는 지역 구성원의 내부적 서적 간행 동기와 여건 조성 단계까지 나아가지 못한 점에서 원인을 찾을 수 있다. 강원도 지역의 구성원은 지역 내부가 아닌 외부에서 필요한 서적을 조달해도 될 정도로 수요층이 넓지 못했던 것으로 보인다. This paper is a study that examines the characteristics of local book publication in Gangwon-do during the Joseon Dynasty, focusing on the group of publishers, and the results of the study are as follows. First, in the early Joseon Dynasty, Gangwon-do was the major woodblock book publishing area of the central government and had the status of three major woodblock book publishing areas along with Gyeongsang-do and Jeolla-do. However, unlike the active publication in other regions after the mid-16th century, it showed stagnation. The cause of this downturn can be found in publishing by external motives, not based on region. The publication of Buddhist books of temples also accounted for 3.5% of the total, which was lower than that of other regions. Second, In Gangwon-do, a total of 212 types of woodblock print books were investigated. By the group of publishers, there are 36 types of publications under the king's order, 54 types of publications by the head of local governments, 76 types of private publications, and 46 types of unknown classifications. As for private publication, 68 types of temple publication accounted for the majority, so books other than temples were not actively published. Unclassified books are generally classified as books for governance or books for disseminating knowledge to the private sector, so 136 out of 212 books can be seen as published by government offices. Third, Gangwon-do has the universality of publishing local books in the Joseon Dynasty: government-centered book publishing led by provincial administration, observationist-led book publishing, high personal publishing proportion of local officials, leading book publishing by specific local officials, and storing and moving woodblocks according to the publisher and theme of books. Along with such universality, it can be said that the publication of books by the private sector is too biased toward temples. The publication of books in Gangwon-do has been inferior to other regions since the mid-16th century. This can be attributed to the fact that the experience of publication by external factors such as kings and local officials has not progressed to the stage of creating internal books and conditions for local members represented by Confucian academy(書院).

한국 현대기 1963-68년 고려대장경의 인경과 특징

박용진 동아시아불교문화학회 2022 동아시아불교문화 Vol.- No.54

The printing of the Tripitaka Koreana in 1968 is distinctive in that 13 copies were printed and distributed at home and abroad as the last print of the Tripitaka Koreana. The purpose of the printing project in 1968 was developed as a national project to promote Korean Buddhism and national culture to the world along with the missionary Activities and research of Buddhism. On February 16, 1963, the Chief Priest of Haeinsa applied for permission to the Ministry of Education with the basic plan to print 6 sets of the Tripitaka Koreana for 5 years from March 1963 to November 1967 for Buddhist education, Missionary Activities, and Buddhist studies. The Ministry of Education rejected it as it was not a national project, and Haeinsa re-applied after meeting the requirements for a national project. Printing was permitted on September 26, 1963. Under the leadership of Haeinsa, the Daejanggyeong Publishing Committee was formed, and Dongguk University President Cho Myung-gi became the publishing committee chairman, and Kim Du-ho and Park Sang-yeon supervised and implemented the printing business. The Tripitaka Koreana, printed in 1968, is 10 sets in 8 institutions at home and abroad. The Tripitaka Koreana consists of 6,555 volumes of 1,530 kinds, 236 volumes of 16 kinds of the the Boyupan(supplement edition), and 413 volumes of 109 kinds of the Saganpan(temple publication edition). There are a total of 1,450 books, including 1,291 books of the Tripitaka Koreana, 50 books in the Boyupan, and 109 books in the Saganpan. In 1968, among the 18 woodblocks estimated to have disappeared in 1915, 15 woodblocks from 1915, 2 woodblocks from the Daejang-dogam, and 1 woodblock from the early Joseon Dynasty were used. It is characteristic that the Daejang-dogam woodblocks engraved from the Goryeo Dynasty, which were severely damaged, and the woodblock engraved from 1937 were not used. Also, as a result of checking 48 missing parts, they were supplemented in 1915 and 1937, but not in 1968. The printing of the Tripitaka Koreana in 1968 has great value and significance in that it contributed to domestic and foreign academics and research by printing 13 sets of the Tripitaka Koreana, the Boyupan, and the entire Saganpan.

백용성스님의 三藏譯會 설립과 허가취득

현종,한보광 대각사상연구원 2006 大覺思想 Vol.9 No.-

This dissertation investigates the Samjang Translation Association during the Japanese Colonial Period. The Samjang Translation Association was established by Yong-Sung Sunim who was a pioneer in the Korean Buddhism publication business at the times. This dissertation mainly focuses on the Samjang Translation Association Establishment, its permission acquisition procedure, and its signification. Especially, this dissertation reviews the establishment motives of the Samjang Translation Association, which are composed of the faith motive, the religious motive, the social motive, and the ethnic motive at that times. Also, this dissertation studies the hardship in the course of establishing Samjang Translation Association and the role of the Samjang Translation Association at that times. Finally, the dissertation researches the acquisition of the Samjang Translation Association permission time and its signification. It attempts to estimate the acquisition year of the Samjang Translation Association permission at best even if this is not a definitive task. This attempt is considered to be an important task for restoring the history, and it would be studied elaborately.