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이숙희,김만수,김복영 한국환경농학회 1987 한국환경농학회지 Vol.6 No.1
水稻의 營養狀態와 Ozone가스 被害와의 關係를 究明하기 爲하여 眞珠벼를 供試하여 窒素, 燐酸, 加里, 標準肥에 各各 50%增肥 및 50%減肥하여 Ozone가스 0.3ppm을 3時間接觸後에 葉被害率, malondialdehyde, peroxidase의 電氣泳動 및 無機成分含量變化을 調査한 結果는 다음과 같다. 1. 窒素增施 및 加里減肥로 Ozone가스의 被害가 增加된다. 2. Ozone가스 被害率에서 malondialdehyde의 含量이 增加된다. 3. K₂O/N比가 낮을수록 葉被害가 增加한다. 4. Ozone가스 被害로 葉中 窒素, 燐酸, 加里含量이 減少하는 傾向이다. 5. Peroxidase를 電氣泳動한 結果 施肥量에 따른 band의 差異는 發見하지 못하였으나 Ozone가스 接觸으로 2, 3, 4번째 band에서 變化가 있었다. This study was carried out to investigate the effect of ozone gas on paddy rice at the different nutrition levels. Jinjubyeo variety of rice plant was exposed to 0.3 ppm ozone gas for 3 hours. It was cultivated at three different application levels, optimum, -50%, and +50% of optimum of nitrogen, phosphorus, and potassium, respectively. After ozone gas fumigation, percentage of damaged leaf, malondialdehyde contents, activity of peroxidase, and nutrient contents of rice plant were observed. The results obtained are as follows. 1) Percentage of damaged leaf was increased at the both additional 50% application of nitrogen and 50% reduction of potassium. 2) Malondialdehyde contents of leaves were increased with the ozone gas exposure. 3) Percentage of damaged leaf was increased at the lower level of K₂O/N ratio in leaves. 4) Nitrogen, phosphorus, and potassium contents in rice leaves were decreased with the ozone gas exposure. 5) The peroxidase bands on gel in electrophoresis were changed by the ozone gas exposure.
On Locative and Directional Phrases in Korean
이숙희,황선혜 한국생성문법학회 2009 생성문법연구 Vol.19 No.1
In this paper, we argue that locative markers -ey and -eyse in Korean are postposition but not case markers, presenting three morphosyntactic arguments in terms of semantic value, case drop, and cooccurrence with a topic marker. Then, examining locative and directional postpostional phrases with -ey or -eyse, we propose that some of those PPs have an AxPart (Axial Part) in the sense of Svenonius (2006). We provide their structures of with(out) AxPart and the evidences showing that the AxParts are distinguished from ordinary nouns. Our final discussion is transferred to argumental status of -ey and -eyse phrases. The 'do-so' replacement test proves that, while PPs headed by -ey are argumental in both locative and directional constructions, PPs headed by -eyse behave differently according to the verb. In locative constructions the -eyse phrases are arguments of state verbs and adjuncts of event verbs; and in directed motion constructions they are source-meaning adjuncts.
이숙희,신효식,이선정 한국가정과교육학회 2005 한국가정과교육학회지 Vol.17 No.2
This Study has an aim to offer the basic materials to teach the establishment and practice of Hyo consciousness to teenagers after finding the degree of accomplishment about their filial piety as the changes of related variables for the subject of this study, the Middle school boys and girls.The results of this research were followings.1. The objects of research's Hyo consciousness and filial piety was totally high. 2. The teenagers' Hyo consciousness was showed significant difference according to adolescent's sex, school's place, parents' job, the level of parents' education, income level, religion, family composition, and the place people who were educated Hyo live.3. The teenagers' filial piety was showed significant difference according to adolescent's sex, mother's job, the level of father's education, religion, and the place people who were educated Hyo live.4. The teenagers' filial piety was showed significant difference according to Hyo consciousness.5. In the relative influence of changes of having influence on filial piety, the better relative changes for filial piety were expressed as sex, religion, the place people who were educated Hyo a lot live, and Hyo consciousness. That is, the more they had Hyo consciousness the more they practiced filial piety, and girl students was expressed higher than boy students in practicing. 본 연구는 관련 변인에 따른 중학생의 효 의식과 효행의 수행정도를 파악하여 올바른 효 의식 정립과 효의 실천을 지도하는데 기초자료를 제공하는 것을 목적으로 한다.광주광역시과 전남 읍면 지역 중학생 412명을 대상으로 하여 얻어진 결과를 요약하면 다음과 같다.첫째, 중학생의 효 의식과 효행은 전반적으로 높게 나타났다. 둘째, 관련변인에 따른 효 의식과 효행에 있어서 효 의식은 성별, 학교 소재지, 모직업, 부교육정도, 월평균 수입, 종교, 가족구성, 효 교육 매체 등에 따라 유의한 차이가 나타났다. 즉 남학생인 경우, 시 지역에 거주하는 경우, 모직업이 사무종사자인 경우, 부의 교육정도가 대졸 이상인 경우, 가정의 월평균 소득이 300만원 이상인 경우, 종교가 천주교인 경우, 핵가족인 경우, 부모와 교사에게서 효 교육을 받은 경우에 효 의식이 높았다.또한 효행은 성별, 모직업, 부교육정도, 종교, 효 교육 매체 등에 따라 유의한 차이가 나타났는데 남학생인 경우, 모직업이 전문가인 경우, 부의 교육정도가 대졸 이상인 경우, 유교 등 기타 종교를 가진 경우에 효행이 높았고 메스컴을 통해 주로 효교육을 받은 경우가 부모와 교사에게서 교육을 받은 경우보다 낮은 효행을 보였다. 셋째, 효 의식이 높은 집단의 효행이 높게 나타났다.넷째, 중학생의 효행에 미치는 변인들의 영향력은 효 의식, 성별 순으로 나타났다. 즉 효 의식이 높을수록 효행 실천이 높았고, 성별에서는 여학생보다 남학생의 효행 실천이 높은 것으로 나타났다.
이숙희 한국국악학회 2022 한국음악연구 Vol.71 No.-
Sokak(俗樂) 7 Jis(指) of Daegeum(大笒) are introduced in 12 Yulbaesokho(12律配俗呼) in Volume 1 of Akhakguebeom and Sanhyeong of Daegeum(Volume 7). Their 7 keys(宮) are different between them with the former presenting them as Go(姑)/Jung(仲)/Rim(林)/Nam(南)/Eung(應)/Hwang(黃)/Tae(太) and the latter presenting them as Hyeop(夾)ㆍGo(姑)/Jung(仲)ㆍYu(蕤)/Rim(林)/I(夷)ㆍNam(南)/Mu(無)ㆍEung(應)/Hwang(黃)/Dae(大)ㆍTae(太). In other words, the 7 keys(宮) are different despite the same Sokak 7 Jis of Daegum. This study set out to investigate the 7 keys(宮) of Sokak 7 Jis of Daegeum in these two types in Akhakguebeom by comparing 12 Yulbaesokhos and Daegum(Volume 7) in the fingering technique and Pyeongjo(平調) and Gyemyeonjo(界面調), which correspond to the 7 keys(宮) of Sokak 7 Jis in Daegeum(Volume 7) Sanhyeong(散形) and 60 Jodos(調圖), in component notes. The findings were as follows: First, the study analyzed 12 Yulbaesokhos and Daegeum(Volume 7) Sanhyeong to compare them in the Daegeum fingering technique and found that 12 Yulbaesokhos were relatively accurate with the technique, accurately distinguishing Jeonseong(全聲), Banseong(半聲), and Cheongjungcheong(淸中淸) of the 7 keys(宮) in Sokak 7 Jis and presenting Hwangjong as the standard note to distinguish octaves. On the other hand, Daegeum(Volume 7) Sanhyeong did not distinguish Banseong and Cheongjungcheong in pitch marks and presented both Hwangjong and the 7 keys(宮) of Sokak 7 Jis as the standard note to distinguish octaves, which shows the incompleteness of Daegeum(Volume 7) Sanhyeong and is attributed to the lack or error of theories about the 7 keys(宮) of Sokak 7 Jis those days. Second, both 12 Yulbaesokhos and Daegeum(Volume 7) understood that the 7 note(Gung) of Yukji(六指) was Hwang(黃, 下5) instead of Hwang(潢, 宮) and that the 7 note(Gung) of Chilji(七指) meant Tae(太, 下5) instead of Tae(汰, 宮). Third, the comparison results of the Daegeum fingering technique indicate that the 7 keys(宮) of Sokak 7 Jis in 12 Yulbaesokhos were Go/Jung/Rim/Nam/Eung/Hwang/Tae. Those of Daegeum(Volume 7) Sanhyeong did not match them. There were no grounds for the accomplishment of 12 Yul 7 Jihyeong(12律 7指形) in Daegeum(Volume 7) Sanhyeong. Finally, the study compared Daegeum(Volume 7) Sanhyeong with the component notes of Pyeongjo and Gyemyeonjo, which correspond to the 7 keys(宮) of Sokak 7 Jis of 60 Jodos, and found that they did not match in component notes in some cases. These comparison results did not match the 7 keys(宮) of Sokak 7 Jis in 12 Yulbaesokhos, either. These results are attributed to the error of Daegeum(Volume 7) Sanhyeong. Daegeum(Volume 7) Sanhyeong has some issues with the marks of pitches and standard notes to distinguish octaves. The comparison results based on the fingering technique and the component notes of tones show that the incompleteness of Daegeum(Volume 7) Sanhyeong is demonstrated by the parts where they did not match and the theoretical disagreement of 7 keys(宮) of Sokak 7 Jis in Daegeum(Volume 7). Their incompleteness is due to the lack and error of theories about the 7 keys(宮) of Sokak 7 Jis those days. In short, 12 Yulbaesokho presented the 7 keys of Daegeum Sokak 7 Jis as Go/Jung/Rim/Nam/Eung/Hwang/Tae in Akhakguebeom, but Daegeum(Volume 7) did not specify the 7 keys(Gungs) of Sokak 7 Jis, which means that it cannot be seen as 7 Yul 7 Jihyeong(7律 7指形) or 12 Yus and 7 Jihyeong. 악학궤범 에서 대금의 속악 칠지는 권1의 12율배속호와 대금(권7) 산형의 두 곳에 제시되어 있다. 다만 12율배속호에는 속악 칠지가 姑/仲/林/南/應/潢/汰로 되어 있는 데 비해, 대금(권7) 산형에는 夾姑/仲蕤/林/夷南/無應/潢/汏汰로 되어 있다. 즉 동일한 대금 속악 칠지인데도 서로 다르게 되어 있다. 만약 두 기록이 모두 옳다면 서로 정합해야 한다고 보고, 먼저 12율배속호와 대금(권7)의 안공법을 비교하고, 다음에는 대금(권7) 산형과 60조도에서 속악 칠지에 해당하는 평조와 계면조의 구성음을 비교했으며, 그 결과는 다음과 같다. 첫째 대금의 안공법을 비교하기 위해 먼저 12율배속호와 대금(권7)의 산형을 분석한 결과, 12율배속호에는 속악 칠지의 전성, 반성, 청중청이 정확하게 구분되어 있고, 옥타브 구분 기준음이 황종으로 되어 있으며, 오음약보가 한 음만을 지시하고 있는 등 비교적 정확했다. 이에 비해 대금(권7) 산형에는 반성과 청중청의 음고 표시가 구분되어 있지 않았고, 옥타브 구분 기준음이 황종인 경우와 속악 칠조의 궁(key)인 경우의 두 종류가 있었다. 이것은 대금(권7) 산형의 불완전성을 나타내는 것이며, 당시 속악 칠지 관련 이론의 미비 혹은 오류에 기인한다고 보았다. 둘째, 12율배속호와 대금(권7)의 육지는 潢(궁)이 아니라 黃(하5)이며, 칠지는 汰(궁)이 아니라 太(하5)라고 보았으며, 이것은 악조총의의 속악의 초성은 협종이라는 설명과 배치되는 것이라고 보았다. 셋째, 대금의 안공법을 비교한 결과, 대금(권7)과 12율배속호의 속악 칠지는 일치하지 않았으며, 대금(권7) 산형에서 12율 7지형이 성립될 수 있는 근거를 찾지 못했다. 넷째, 대금(권7) 산형과 60조도의 속악 칠조 궁(key)에 해당하는 평조와 계면조의 구성음을 비교한 결과, 평조와 계면조의 구성음과 오음약보가 지시하는 음이 일치하지 않는 경우가 있었고, 평조와 계면조의 궁(key)도 12율배속호와 일치하지 않았다. 이와같은 결과는 대금(권7) 산형의 오류에 기인한다고 보았다. 12율배속호와 대금(권7)의 대금 속악 칠지는 그 성격이 서로 다르다. 12율배속호의 7율 7지형 속악 칠지는 육지와 칠지에 문제가 있지만, 오음약보와 이에 따른 안공법에 문제가 없고, 옥타브 표시가 정확하며, 가야금ㆍ향비파의 속악 칠지와 일치하는 점 등의 측면에서 대금(권7) 보다 상대적으로 정확하다고 할 수 있다. 반면 대금(권7)의 12율 7지형 속악 칠지는 산형의 불완전성과 이론적 오류 외에도 안공법과 악조 구성음 비교 결과 서로 정합하지 않았다. 악학궤범 의 속악 칠지 이론은 대금을 기반으로 하고 있다고 알려져 있는데, 대금(권7) 산형의 12율 7지형은 속악 칠지 이론의 근거를 제시하지 못한다고 할 수 있다.
Goal PPs and Their Eventuality
이숙희 한국생성문법학회 2011 생성문법연구 Vol.21 No.1
I argue in this paper that Korean directional SVC_s license telic accomplishment interpretation, which is derived by the interaction of V1,directional V2, and a goal PP. The goal PP functions as a secondary resultative predicate and contributes to bounded reading of the whole sentence, whether its head is -ey or -(u)lo. Discussing telic behavior of directional SVCs with an -(u)lo PP, I claim that their (a)telicity is not straightforwardly judged by the presence of the -(u)lo PP. The -(u)lo PP can denote either an unbounded directional path or a bounded goal path, which is determined by the combinatory work of [PP-V1-V2]usually with a semantic or pragmatic contribution of other lexical items. I also discuss aspectual properties and structural differences of directional SVC_s, based on Ramchand's (2009) first-phase event structure syntax.
The Position of KP and Phrasal Modifiers in Korean Locative PPs
이숙희 한국생성문법학회 2014 생성문법연구 Vol.24 No.1
In this paper I clarify how KP is syntactico-semantically related toAxPart and where KP is structurally located in Korean locative PPs. Looking into possibility of genitive case realization of K as -uy and ofadjectival modification between KP and AxPart, I insist that KP isfirst-merged with AxPart in its complement position. In the complementposition, no phonological realization of K as any kind is allowed. Itsphonological manifestation as -eyse only happens when AxPart ismodified by a directional adverbial or a measure expression. The reasonis because KP is in the specifier position of AxPartP, where the specificsemantic effect 'source' is given. KP movement to [Spec, AxPartP] istriggered by the strong edge feature of AxPart. If AxPart has a strongedge feature, KP obligatorily moves to [Spec, AxPartP], crossing adirectional adverbial or a measure phrase. With AxPart having no strongedge feature, KP stays in its complement position with no realization ofK as -eyse, since the position is not given any specific semantic effect.
이숙희 국립국악원 2023 국악원논문집 Vol.48 No.-
본고는 『악학궤범』의 속악 이론을 올바르게 정립하는데 목적을 두고 『악학궤범』의 거문고와 대금 산형을 중심으로 『악학궤범』의 속악의 초성에 대해 살펴보았다. 속악의 초성은 오음약보의 정성이 무엇이냐에 따라 결정된다고 보았다. 오음약보의 정성은 궁(오음약보)으로 되어있는 『세조실록』형과 하5로 되어있는 『악학궤범』형의 두 종류로 나타났다. 거문고 산형에서는 일지, 이지, 사지, 칠지 모두 오음약보의 정성은 궁(오음약보)으로 나타났다. 다만 거문고 산형에서 일지와 이지 산형에는 하3이 최저음으로 되어있기 때문에 하5가 오음약보의 정성이 될 수 없는 구조였다. 거문고 허현의 조현음도 오음약보 정성을 결정하는 주요한 기준인데, 낙시조에는 궁(오음약보), 우조에는 하5로 되어 있어, 서로 일치하지 않았다. 거문고 산형의 속악 칠지와 오음약보의 정성과의 관계를 기준으로 할 때, 속악의 초성은 협종(夾)으로 나타났다. 『악학궤범』의 대금 산형에는 속악 칠지가 모두 제시되어 있지만, 속악 칠지에 적용된 오음약보의 체계가 통일성이 없는 문제가 있었고, 육지와 칠지는 오음약보의 정성이 궁(오음약보)일 경우 악조 성립에 필요한 음역이 확보되지 않는 문제가 있었다. 이와같은 문제로 인하여 육지와 칠지에 적용된 오음약보의 정성도 하5여야 한다고 보았다. 따라서 대금 산형의 오음약보의 정성은 하5이며, 오음약보의 정성 하5를 기준으로 했을 때, 속악의 초성은 황종(黃)으로 나타났다. 이상과 같이 오음약보의 정성이 궁(오음약보)과 하5의 두 가지 형태가 있었고, 악기에 따라 속악 칠지에 오음약보의 정성이 다르게 적용된 까닭에 속악의 초성도 협종(夾)과 황종(黃)의 두 종류로 나타났다. 『악학궤범』에서 속악의 초성은 협종이라고 한 것, 오음약보의 정성은 하5라고 한 것, 오음약보의 정성은 허현의 조현음과 일치한다고 한 것이 맞는 경우도 있지만, 그렇지 않은 경우도 있는 것은 『악학궤범』 속악 이론 체계의 문제점으로 보았다. This paper examines choseong (lit. the first note; used as the lowest note) of sogak, which refers to hyangak (indigenous Korean court music), recorded in Akhakgwebeom (a book on music compiling royal protocols and music scores in Joseon Dynasty) focusing on sanhyeong (explanatory diagrams illustrating the relation of pitch and where to play) of the two instruments, geomungo and daegeum. It aims to correctly establish the theory of sogak in Akhakgwebeom. The proposition of “the choseong of sogak is hyeopjong” in Akhakgwaebeom is based on the Chinese sogak theory and it refers to the lowest sound in sogak chilji (seven keys of sogak). It is believed that choseong of sogak isdetermined by jeongseong (正聲), a tone that indicates the first note in a melodic mode, in the notation system oeumyakbo. The jeongseong of oeumyakbo was divided into two types: the sejosillok type expressed in gung(as in oeumyakbo) and the akhakgwaebeom type expressed in ha 5. In the geomungo sanhyeong, the jeongseong of all ilji (hyeopjong, goseon), iji (jungnyeo, yubin), saji (ichik, namnyeo), and chilji (daeryeo, taeju) was expressed as gung. Since ha 3 was the lowest note in the sanhyeong of ilji and iji, however, ha 5 could not be the jeongseong of the oeumyakbo. The tuning of geomungo heohyeon (sound of playing open strings) is also a major criterion for determining the jeongseong of oeumyakbo, but since in the melodic mode naksijo and ujo it is set in gung and ha 5, respectively, they did not match each other. Based on the relationship between the sogak chilji of geomungo sanhyeong and the jeongseong, the choseong of sogak appeared to be hyeopjong (夾). In the daegeum sanhyeong of Akhakgwebeom, all sogak chilji are presented, but there was a problem that the oeumyakbo system applied to sogak chilji is inconsistent. Furthermore, in the case of yukji (hwangjong) and chilji, when the jeongseong of oeumyakbo is gung, there was a problem that the range necessary for the establishment of a melodic mode could not be secured. Due to these problems, it is thought that the jeongseong of oeumyakbo applied to yukji and chilji should be ha 5. Therefore, the jeongseong in the daegeum sanhyeong is ha 5, and thus, the choseong of sogak appeared to be hwangjong (黃) based on the jeongseong of oeumyakbo, or ha 5. As mentioned above, the jeongseong of oeumyakbo was divided into two forms: gung and ha 5. Because the jeongseong of oeumyakbo was applied differently depending on the musical instrument, the choseong of sogak appeared in two types, hyeopjong and hwangjong. This phenomenon is not only a problem with the sogak chilji and the oeumyakbo system itself, but also a problem in that the characteristics of the range of each instrument and the relationship between the sogak chilji and the oeumyakbo are not properly established.
이숙희 한국노인간호학회 2014 노인간호학회지 Vol.16 No.1
Purpose: The purpose of this study was to investigate the attitudes of nursing students toward elderly people. Methods: The study participants were 286 nursing students from a nursing college who consented to participatein this study. A form containing demographic characteristics of participants and Kogan's Attitudes toward OldPeople Scale (KAOPS) were used to gather the required data. The data were analyzed using descriptive statistics,t-test and ANOVA. Results: Nursing students in this study reported neutral attitudes (121.52±12.63) comparedto positive attitudes of Western nursing students in previous studies. Nine out of 17 negative items had highermean scores than positive items. Statistically significant differences were found associated with experience feelingof living with elderly people and care for elderly people. Conclusion: The results of this study suggest that nursingeducation should be directed at changing nursing students' attitudes toward older people. Experience of exposureto well-older people may be helpful to promote nursing students' positive attitudes toward elderly people. There is a need to further test the validity and reliability of the KAOPS for use with various populations in Korea.
李淑姬 김천과학대학 1978 김천과학대학 논문집 Vol.6 No.-
A survey on the actual condition of the health environment was conducted by the author in Gim cheon City from Sept. 1, 1978 to Sept. 30. A total of 2472 residents (518 households) were interviewed with the use of questionnaire. The purpose was to give support to the planning of nursing students practice for community health nursing. Results of the survey arc as follows. 1. General characteristics of the respondees. 1) The most people were under 20 years of age as 48.9%, and the least people were over 50 years of age as 5.4%. The population composition accoding to age and sex showed pyramid, and sex ratio was 103.3. 2. Cultural situation of respondees showed a phase of level of common people in rank considering the property of their house, cultural facilities and sanitary situation. 3 The sick and wounded were very few. Sort of diseases from which they had suffered, were many in nervous system and sense organ, respiratory system, digestive system. They were not cured continuously, because of the oconolical difficulties and the lack of know1edge on their health problem. 4. Average number of living children was 3.1 and the ideal number of children presented by the respondees averaged 2.3. Many (52.4%) of interviewees among 329 reproductive women were currently practicing in contraceptive methods.