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        『끝없는 죽음』에 나타난 형식과 본질의 변증법

        윤영순 서울대학교 스페인중남미연구소 2006 이베로아메리카硏究 Vol.17 No.-

        Alrededor del año 1920 cuando empezó en México el proceso institucional de la revolución, un grupo de jóvenes apareció en el mundo cultural realizando varias actividades literarias. Ellos, más tarde, se llamaban los Contemporáneos, quienes habían vivido las violencias y las matanzas de la revolución mexicana y habían sido testigos de la rápida corrupción de los revolucionarios. A raíz de ello ya no les interesó el tema político. Se aislaron en un mundo personal, poblado por los fantasmas del erotismo, el sueño y la muerte. Los Contemporáneos se dedicaron exclusivamente a la literatura universal fuera de toda preocupación política y trataron los temas universales. Su afán era de situar a México a la altura de todo lo universal. José Gorostiza, uno de los Contemporáreos, escribió un poemario Muerte sin fin en 1939 y muestra su mundo poético construido en el ser que tiene el miedo, la angustia y el gozo. El poema empieza con la premisa de que 'yo vivo la vida ilusoria.' Así que los signos que cubren al poeta pierden sus sentidos y se extienden hacia la nada. No obstante, la muerte seguramente se acerca a nosotros, sin mostrar la cara, con lentitud. "Una taza de té" y "una apenas acaricia" son las cosas muy triviales y pequeñas. Estos momentos del gusto por las cosas pequeñas y cotidianas forman parte del proceso apenas visible de la muerte lenta. Por lo tanto, la muerte es insultante y nos asesina a distancia. Muerte sin fin se basa en una dialéctica entre la forma y la sustancia. Es un itinerario del agua que aspira a encontrar su forma, mejor dicho, es un desafío desesperado del hombre que anhela su ser verdadero. Lo que el poeta mexicano poetiza es la relación con el Otro después de la caída metafísica. Por lo tanto 'la muerte' de este poema implica no sólo la muerte física de la vida sino también la muerte simbólica del quebranto constante del yo formado. Muerte sin fin no es un lamento de la muerte sino una investigación de la vida, una búsqueda de la existencia permanente. El poeta afirma que la muerte lo está acechando y lo enamora porque siempre ella nos acompaña, y al fin, tenemos que entregarnos a ella. La muerte es una parte de la vida, la cual el hombre nunca puede rechazar. Este poema es un proceso largo hacia una resignación trascendental ante la vida-muerte. Es una resignación activa del poeta después de la contemplación angustiosa.

      • KCI등재

        계승과 단절의 사이에서-그로스만의 『삶과 운명』을 읽는 두 가지 방법

        윤영순 한국러시아문학회 2015 러시아어문학 연구논집 Vol.50 No.-

        This research mainly focuses on one of the critical themes of Soviet literature in the 20th century through analysing Vasily Grossman`s “Life and Fate”, since it has been in its succession to the tradition of Russian literature of the 19th century. Long breath taking narrative structures, which is a peculiar aspect in Russian novels, are inherited in some degrees in the works of the 20th century writers such as Maksim Gorky, Mikhail Sholokhov, and Boris Pasternak. However, it does not seem to be reasonable to count only these writers as the ones who succeeded to the tradition of 19th century or the ‘great’ critical realism, because evaluations of these writers were disagreed with the change of the times and the ideology. Socialist realism, dominating monistic ideology in the whole field of art after the mid 1930s, means a kind of ‘severance’ in the tradition of Russian literature. Although Grossman`s works were written after the ‘severance,’ his works embody the tradition of 19th century Russian literature. From this point of view, this study analyzes narrative structures of “Life and Fate”. Even though Grossman was a war reporter and attained his reputation during the Stalin era with his writings about the battles of Stalingrad and Stalin, his works are even more fascinating as they are regarded as a model of the tradition of Russian literature of the 19th century.

      • KCI등재

        문학과 다큐멘터리: 알렉시예비치의 목소리 소설을 중심으로

        윤영순 한국러시아문학회 2016 러시아어문학 연구논집 Vol.53 No.-

        Данная работа посвящена изучению творчества белорусскойписательницы С. Алексиевич, которая подвергается пристальномувниманию со стороны читателей и СМИ после получения Нобелевскойпремии по литературе 2015 г. Ее жанр “роман голосов” стал предметомбурной дискуссии литературоведов с точки зрения и литературности иидеологической теденциозности. Как показывает сам терминдокументальная повесть- это соединение противоречащих друг другудвух терминов: если документ основывается на реальных событиях, топовесть подразумевает художественнный вымысел. В “романе голосов”- голоса всех интервьюруемых являются не отдельно существующейнарративной единицей, а одним большим хором. При этом писательницабережно ловит момент распада внутренной прочности “жителейутопии.” Автор не пишет прямо о реальных событиях, об истории, аслушает голоса разочарованных утопией жителей, выбирая для себяподходящие материалы. Автор берет интервью, трансформируя его вписьменные документы, при этом соединяя разные истории с улицы водну полифонию. Таким образом, текст Алексиевич становится чужойот государства историей, историей чувств “маленьких людей.” А самжанр “роман голосов” или “документальная повесть” представляетсобой своего рода синтез литературы и журналистики, позволяющийоткрыть новый горизонт расширения литературного жанра.

      • KCI등재

        Impact of Toxocariasis in Patients with Unexplained Patchy Pulmonary Infiltrate in Korea

        윤영순,이창훈,강영애,Sung-Youn Kwon,윤호일,이재호,이춘택 대한의학회 2009 Journal of Korean medical science Vol.24 No.1

        Toxocariasis is one of the causes of pulmonary eosinophilic infiltrate that is increasing in Korea. This study was designed to identify the prevalence of toxocara seropositivity in patients with unexplained pulmonary patchy infiltrate and to evaluate associated factors. We evaluated 102 patients with unexplained pulmonary patchy infiltrate on chest computed tomography (CT) scan. As a control set, 116 subjects with normal chest CT were also evaluated. History of allergic disease, drug use, parasitic disease and raw cow liver intake were taken. Blood eosinophil count and total IgE level were measured. Specific serum IgG antibody to Toxocara canis larval antigen and specific IgG antibodies to 4 other parasites were measured by enzymelinked immunosorbent assay (ELISA). In the infiltrate group, 66.7% subjects were toxocara seropositive whereas 22.4% of the control group were seropositive (p< 0.001). In the infiltrate group, patients with a history of eating raw cow liver (odds ratio [OR], 7.8) and patients with eosinophilia (OR, 5.2) had a higher incidence of toxocara seropositivity. Thirty-five percent of toxocara seropositive patients with infiltrate exhibited migrating infiltrate and 48% had decreased infiltrate on the follow- up CT. We recommend that toxocara ELISA should be performed in patients with unexplained pulmonary patchy infiltrate, and that the eating of raw cow liver should be actively discouraged.

      • KCI등재

        플라토노프와 혁명 : 프롤레타리아 작가의 낯선 목소리

        윤영순 한국러시아문학회 2016 러시아어문학 연구논집 Vol.54 No.-

        This paper studies the correlation between a Proletarian writer Platonov and the Russian Revolution. Platonov was a writer who lived through the Russian Revolution and recorded it, and his life and works of art were closely related to the Revolution. Even though he came out with the Russian Revolution and ardently supported its ideology, he was condemned as counter revolutionist during his lifetime and was one of writers who were strictly banned from publication until Perestroika. To understand these contradictory situations, this paper examines what the Revolution meant to him and how his representation about Communist Utopia realized through the Revolution had changed. The author perceived the gap between ideology and reality in the process of creating Soviet utopia and had a premonition that co-existence of humans and communist utopia would be impossible. He captured the reality that the process of establishing Communism by Stalin was in conflict with a long aspiration of Russian people towards the communist utopia. He portrayed like a Holy Fool the destruction of the people who believed in communist ideology and the process of constructing Communism without Humans as it is. This research focuses on the writer``s complex relations with the Revolution revealed consistently and ambivalently and by doing so, studies comprehensively the characteristics of Platonov``s literature which is sometimes a synonym for the Revolution and sometimes an antonym for it.

      • KCI등재
      • KCI등재후보

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