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포스트혁명의 사상무의식을 넘어: 허자오톈(賀照田)의 『혁명-포스트혁명: 중국 굴기의 역사·사상·문화적 성찰』과의 대화
백지운 서울대학교 아시아연구소 2022 아시아리뷰 Vol.12 No.1
This review essay on Zhaotian He’s book, Revolution/Post-Revolution: Reflection on the History, Thoughts, and Culture of China’s Rise, published in Taiwan in 2020, seeks a deep dialogue with Chinese intellectuals regarding the crisis of contemporary China. He illuminates ‘unconscious of thought’ as the gist of current China’s crisis, which occurred in the transition from the revolution to the post-revolution era. ‘Unconscious of thought’ refers to a conscious, mental, and emotional mechanism that blocks Chinese people from engaging in society by reorganizing the nation’s ideological axis from people-centered to party-and-elite-centered. He analyzes this mechanism as two pillars, the minifying reconstruction of Mass Line and the formation of the New Enlightenment, and ultimately emphasizes that the Chinese people need to restore their lost idealism by reconnecting themselves with others and the world as a key to rebuilding popular politics from below. 이 글은 2020년 대만에서 출간된 허자오톈(賀照田)의 저서 『혁명-포스트혁명: 중국 굴기의 역사·사상·문화적 성찰(革命後革命: 中國屈起的歷史·思想·文化省思)』의 독서를 통해 현대 중국의 위기를 진단하는 중국 지식인과의 심층 대화의 길을 모색한다. 오늘의 중국의 위기를 저자는 혁명에서 포스트혁명으로 이행하는 과정에서 발생한 ‘사상무의식’에서 찾는다. ‘사상무의식’이란 혁명 시기 사회의 주체역량이었던 인민군중을 주변화하고 당과 엘리트를 중심으로 국가의 이념과 방향을 재편함으로써 대중들의 자생적 사회참여를 차단한 모종의 의식적·정신적·심리적 기제를 의미한다. 이 기제를 군중노선의 재구성과 신계몽주의 사조의 형성이라는 두 축으로 분석하면서, 저자는 중국 인민이 아래로부터의 대중정치를 재구축하기 위해서는 타자/세계와의 끊어진 관계를 회복하여 이상주의를 재건해야 한다고 강조한다.
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백지운,김영민,송정근,백정기,홍창희 동아대학교 공과대학 부설 한국자원개발연구소 1995 硏究報告 Vol.19 No.2
A highly stabilized 0.25×200 um HEMT local oscillator with a dielectric resonator in Ku-band MIMIC reciever is designed. We used dielectric resornator for the main merit of high Q factor. And basically oscillator circuit type is designed to reflection DEO because of the advantages of a small size and a low phase noise. The designed DEO circuit is optimized, using a commercial harmonic balance based simulator Super Compact. From the DRO designed here is obtained 10.67dBm output power, 22.53dB spectrum purity, oscillating at 10.75GHz, 21.2% of high efficient, and phase noise of -148dBc/HZ for offset of 100KHz. In the variation test, we can see the result, the yield of more 62.5%, can be achieved for 10% variation L, C, and gate width. Small and Large signal parameters used for simulation are based on the data from ETRI foundary.
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화해를 위한 두 진혼곡 ― 『색/계』와 『난징! 난징!』
백지운 한국중국현대문학학회 2009 中國現代文學 Vol.0 No.50
In this essay, I analyzed recently released two movies, Lust, Caution and The City of Life and Death in terms of a cultural symptom in the era of reconciliation. Despite many differences between them, both movies share common things in that they are depicting the period of Anti-Japanese War by dealing with the peripheral places such as Shanghai and Nanjing. For long time, many historical events and literary works which had been produced in Shanghai and Nanjing have been excluded from the territory of modern Chinese (literary) history, because they had been conquered by Japanese troops during the war, reflecting contaminated body of national history. With the advent of post-coldwar atmosphere, the subject of reconciliation became important. I suggest that Lust, Caution and The City of Life and Death problematised the subject of reconciliation, or at least become a symptom of it: while the former thematized the reconciliation between CNP and CCP or Mainlander and Taiwanese, the latter tried to call back all strangers who had been excluded from the process of construction of modern Chinese history, such as CNP soldiers, traitors, prostitutes etc. In this sense, both movies are meaningful because they opened an arena for discussion by illuminating the trace of fraction which had been caused by Cold-war. However, they still remain ideological because they suppose a suture of the fraction before exposing the fraction as a problem itself. While Lust, Caution intended to seam up a crack of the modern Chinese history with aesthetic purity through which it closed in upon the deep inside of human desire, The City of Life and Death effectively fulfilled the national ideology of unity, appealing to humanism, a university narrative.
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