대금 산조의 변천 과정 연구

박환영(Park Hwan Young) 고려대학교 한국학연구소 2010 한국학연구 Vol.34 No.-

본 연구는 대금 산조의 기원과 형성 및 변천 과정을 살펴보고 대금 산조의 창시자로 알려진 박종기와 그의 제자 한주환의 대금 산조를 분석한 후 산조를 오늘날 어떻게 현대적으로 활용 할 수 있는지에 대한 방향성을 모색하였다. 박종기에 의해 처음 연주되기 시작한 대금 산조는 세월이 지나며 여러 갈래의 유파가 형성되었다. 이러한 여러 유파의 산조 중에는 형태는 약간씩 다르지만 서로 비슷한 가락(선율)을 많이 포함하고 있으며 이런 비슷한 가락이 언제 누구로부터 비롯되었는지는 잘 알려져 있지 않았다. 그리고 각 유파들은 이렇게 전래되어 오는 가락을 자기 유파만의 고유한 가락인 것처럼 알고 있는 경우도 있다. 그러던 중 유성기 음반에 실린 박종기의 대금 산조 한바탕이 발견되고 재현 연주된 결과 현행 산조가 시김새는 조금씩 다르지만 박종기 산조 가락을 많이 담고 있음이 밝혀졌다. 이에 본고에서 대금 산조의 창시자인 박종기와 그의 제자인 한주환 두 사람의 생애 및 발견된 음악 자료를 바탕으로 두 사람 산조의 전 바탕을 분석하여 음악적 특징을 조명하였다. 그 결과 박종기의 산조가 한주환 산조를 비롯한 여러 유파에 실제적으로 많은 영향을 끼쳤음을 알게 되었으며 특히 음악적 바탕이 탄탄한 한주환이 박종기의 소리 더늠 대금 산조를 전수받아 오늘날 대금 산조의 뿌리를 내리게 하였음을 알게 되었다. 산조의 현대적 활용 가능성에 대해서는 오늘날의 산조가 즉흥성과 성음의 상실로 이어지고 있는 이유를 찾아보았다. 또 산조의 발전과정을 검토하여 산조의 생명력인 즉흥성과 새로운 방향을 찾기 위한 여러 활용방안에 대해 다루었다. 산조 고유의 특징인 즉흥성의 상실 원인은 산조의 악보화에 따른 정형화와 각종 유파의 수직성과 경직성에서 비롯된다고 볼 수 있다. 또한 산조가 오늘날 중요한 음악양식으로 자리매김 하기까지는 다양한 연주방식의 변화가 있었기에 가능하였으며 산조를 개척했던 많은 명인들의 예술혼을 더욱 승화시키기 위해 몇 가지 방안을 모색해 보았다. This study examined the origin, the formation and the changes of Daegeum Sanjo, analyzed the Daegeum Sanjos by Jong-gi Part, who is known to be the founder of Daegeum Sanjo, and Joo-hwan Hahn, an apprentice of Park, and tried to find the directions for applying Sanjo to the contemporary life, in a modern fashion. Daegeum Sanjo, played initially by Jong-gi Park, came to form schools of various branches with the passage of time. The Sanjos of those various schools are incorporating many tunes of mutual resemblance in spite of the slight disagreements in form, though it is not well known when and from whom those similar tunes were originated. Each school is playing its tune which had been being handed down in that way as if it had been a tune peculiar to them exclusively. And 'Daegum Sanjo Hahnbahtahng' in the record by Seong-gi Yoo was found and played as a reproduction, that it came to be verified that the existing Sanjos show a little difference in form, but much resemblance in tune, to the Sanjo tune by Jong-gi Park. This paper listened to, wrote in musical notes and analyzed the whole body of the Sanjos of Jong-gi Park and Joo-hwan Hahn for giving light to their musical characteristics, being based on the life stories of both and the musical data which were found. It has been clarified, as a consequence, that the Sanjo by Jong-gi Park practically gave a significant effect on various schools including the Joo-hwan Hahn Sanjo, and Hahn, who was of strong musical talents, inherited Park's Sorideoneum Daegeum Sanjo and made the present type of Daegeum Sanjo take root. As to the possibility of applying Sanjo in a modern fashion, the reason that the Sanjos of the present day are being led to the loss of impromptuness and vocal sound was looked for. The developmental stages of Sanjos were also examined, and the impromptuness, the vital power of Sanjos, and various application plans for finding the new directions were discussed. The reason of the loss of impromptuness, the peculiar characteristic of Sanjo is seen to be the standardization and the verticality and rigidity in various schools. Sanjos' positing itself as an important mode of music today is made possible by various changes in playing style, and a few programs for the further sublimation of many pioneering masters of Sanjo were regarded accordingly.

판소리에 반영된 불교어휘의 문화언어학적 연구

박환영 ( Park Hwan-young ) 사단법인 한국교수불자연합회 2018 한국교수불자연합학회지 Vol.24 No.2

This paper deals with Buddhist terms inside Pansori from the standpoint of cultural linguistics. In other words, this research investigates Buddhist terms and culture by examining practical language usages inside Pansori. Pansori is an ideal linguistic text providing grassroot culture and tradition. This is because Pansori contains various aspects of mundane life narrated in people’s ordinary language and vocabulary. Since Buddhism was an influential belief among grassroot people in traditional society, Buddhist terms are easily visible inside Pansori. On the base of subjects those Buddhist terms are divided into five main categories: Buddhist gods and deities, Buddhist texts and monks as well as ritual ornaments, temples and additional ritual buildings, symbolic cosmology and vies on life and death, rituals and poetic phrases of Buddhism. In particular, Buddhist terms for symbolic cosmology and views on life and death are most frequently used inside Pansori compared to the other categories of Buddhist terms. The second most frequent category of Buddhist terms is the category dealing with gods and deities. Terms used inside Pansori present actual language usages of grassroot people in both traditional and contemporary society. Hence, these various Buddhist terms inside Pansori can be regarded as new and important corpus resources for future linguistic researches.

도시와 민속의 현장 경기지역의 축제를 중심으로

박환영 ( Hwan Young Park ) 경희대학교 민속학연구소 2002 한국의 민속과 문화 Vol.6 No.-

한국인의 효사상과 효문화 : 한국사상과 효문화 ; 한국문화 속의 효와 민속

박환영 ( Hwan Young Park ) 한국청소년효문화학회 2008 청소년과 효문화 Vol.11 No.-

In this article, I will focus on filial piety and folklore inside Korean culture. The article is divided into three main parts. Firstly, I will elucidate folklore inside Buddhist tradition which is a fundamental aspect of Korean culture. From the standpoint of Buddhism, just like the sky and the earth, filial piety is considered as the basic principle for every living creature and thus it is the most essential thing in universe. In other words, filial piety is an ongoing affinity between parents and children, and this tie is believed to be delicately connected not only to the previous world but also to the present and the future worlds. Secondly, filial piety is embedded into every day folk culture, in particular, folk tales, proverbs and animal symbols. Folk tales and proverbs concerning filial piety show that the deep and honest devotion to parents will even impress heaven. By emphasizing the fact that also animals tend to serve their father and mother in the animal world, animal symbols stress the importance of filial piety for all human beings. In accordance undutiful persons are regarded as wild beasts. Thirdly, I will show the relation of filial piety and Confucian culture. Especially in confucianism, filial piety is the most elementary source for every activity and behaviour in human society. Confucianism was introduced to Korea from China in the late Koryo dynasty. This philosophy, or more precisely this ethical thinking and activity, has been gradually and systematically developed inside Korean culture. It still remains important today. Hence filial piety is wide spread among Korean people within confucianism. In our contemporary world, due to urbanization and industrialization, past tradition and folk culture seem to loose importance. However, Koreans are keeping their humanity and compassion thanks to the strong sense of filial piety felt by the majority of people in Korea. For the restoration of traditional culture in the 21st century it is time to recover filial piety because filial piety is the core of Korean culture as well as the root of Korean folk culture.

다문화 속의 에스니시티와 유목성 고찰

박환영(Hwan Young Park) 서울대학교 비교문화연구소 2009 비교문화연구 Vol.15 No.1

특집 - 국어화법과 대화분석 - : 민속조사와 인터뷰

박환영(Hwan Young Park) 한국화법학회 2000 화법연구 Vol.2 No.-

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미디어와 도시민속학 왕꽃선녀님의 드라마 소재와 구성의 학문적 적확성 고찰

박환영 ( Hwan Young Park ) 경희대학교 민속학연구소 2005 한국의 민속과 문화 Vol.10 No.-

현대 도시 공간 속 세시(歲時)의 전승과 변이양상

박환영 ( Park Hwan-young ),이란섭 ( Lee Ran-Sub ) 한국사상문화학회 2017 한국사상과 문화 Vol.90 No.-

This article deals with annual customs in urban settings in contemporary Korean society. For instance, some traditional annual customs are still actively practiced in daily urban life in Korean society today. In particular, the Korean twenty-four divisions of a year (so called 24 Jolgi) are widely used by mass media to clarify seasonal changes. Also to some extents those 24 Jolgi time divisions have been transmitted by proverbs and folk-belief terms which are closely related to agriculture. Relatively new annual events are also regularly and repeatedly practiced today. Those newly celebrated annual events are classified into three categories: national holidays, government approved commemoration days, commercial oriented event days. All three categories are interesting to be analysed in comparison to traditional annual customs. Yet some commercial embedded event days, such as Valentine’s day, White day, Pepero’s day, etc, are gaining popularity among younger generations in contemporary urban Korea. Urbanization and industrialization are distinctive cultural and social substances in contemporary urban Korea. Hence annual customs are also inevitably affected by these influences. As a result, on the one hand some of the traditional annual customs changed slightly for both effectiveness and convenience, others are weakened or even disappeared. Furthermore, some new forms of contemporary annual events contain traditional substances of traditional annual customs. However, it is noticeable that traditional annual customs normally reinforce vertical connections whereas today’s annual events solidate horizontal links.

『몽골비사』에 반영된 여성 인명(人名)의 언어인류학적 연구

박환영(Park Hwan-Young) 한국몽골학회 2021 몽골학 Vol.- No.67

도시 공간 속에서 강릉단오제의 전승 및 계승방안 고찰

박환영(Park, Hwan-Young) 강원민속학회 2007 아시아강원민속 Vol.21 No.-