칠기문화재 보존을 위한 건조 조건과 효소 첨가에 따른 옻칠 도막의 내구성 연구

박정혜,박창현,김수철 한국가구학회 2021 한국가구학회지 Vol.32 No.4

A Study of Different Drying Condition for Conservation of Lacquer Wares and Durability of Urushi Lacquer Coats with Enzyme Addition

선임간호사가 인식하는 신규간호사의 중요한 역량

박정혜 사단법인 인문사회과학기술융합학회 2017 예술인문사회융합멀티미디어논문지 Vol.7 No.1

It is impossible that a new registered nurses in a career of less than one year, have all core competencies of nursing. The purpose of this study was to identify the important and basic competency of new graduate registered nurses in clinical settings that have been perceived by experienced senior nurses with five or more years of work experience. For data analysis, Secondary data from one part of the data of Park and Hwang’s study[1] were used, and that were a sample of 365 nurses from nationwide nine hospitals. In result, participants reported that communication and caring relationships was the most important than any other categories and the top five priority competencies were nursing knowledge, nursing skill, good character, ethics and communication for new registered nurse. This results suggest the direction and the implementation of undergraduate nursing education for good field adaptation of new registered nurse and effective and safe patient care in future. 대학을 갓 졸업한 경력 1년 미만의 신규간호사가 간호사에게 필요한 핵심간호역량을 모두 갖추는 것은 현실적으로 불가능하다. 그러므로 본 연구는 간호사의 핵심간호역량들 중 신규간호사가 갖추어야 할 중요한 우선순위의 역량이 무엇인지 확인하는 것을 목적으로 한다. 이를 위해 Park과 Hwang[1]의 자료 중 일부를 이차 분석하여 사용하였다. 본 연구에서 사용한 자료는 전국 종합병원급 이상의 9개 의료기관에서 근무하는 경력 5년 이상의 간호사 365명을 대상으로 간호사의 핵심역량 중 대학을 갓 졸업한 경력 1년 미만의 신규간호사가 갖추어야 할 중요한 역량에 대해 설문조사한 내용이다. 분석결과, 신규간호사에게 가장 중요한 역량 영역은 의사소통과 배려의 영역이었다. 또한 간호사의 25개 핵심역량들 중 신규간호사에게 중요한 순위는 순서대로 간호지식, 간호기술, 올바른 인성과 윤리의식, 그리고 의사소통능력이었다. 이것은 신규간호사의 임상현장적응과 간호의 질 향상을 위해 향후 간호교육과정에서 강조해야 할 교육의 방향이 무엇인지를 제시한다.

19세기와 20세기 전반의 烙畫 연구

박정혜 미술사연구회 2017 미술사연구 Vol.- No.33

This study begins with the question: “Can scorched paintings, often known as pyrography, be considered as part of inexpensive and popular folk paintings?” To do so, it first analyzes the activities and works of major artists who practiced scorched paintings on paper or silk during the nineteenth and twentieth centuries in the Joseon Dynasty. One of the pioneers of scorched paintings was Bak Chang-gyu from a region named Imsil in the early nineteenth century. With the support of high government of ficials who recognized his extraordinary talents, Bak gained distinction as an expert in scorched paintings and later was appointed a civil of ficer to work for painting-related projects in the government. Since burning paper or silk using a fired metal tool required a particular set of techniques, the art of scorched paintings was inherited by the Bak clan from Miryang; particularly its branch of Hogyegong, to which Bak Chang-gyu was born, produced the largest number of pyrographers. Although no subsequent artists had skills comparable to those of Bak Chang-gyu, his descendants like Bak Gye-dam and Bak Byeong-su revived the genre of scorched paintings in the early twentieth century. Meanwhile, Bak Gye-dam’s contemporaraneous artist Baek Nam-cheol was designated as the official successor of Bak, producing many of such pyrographers from the family of Baek as Baek Nam-yong and Baek Hak-gi. Baek Hak-gi enjoyed a great amount of popular fame while performing demonstrations of making scorched paintings in front of the public. The key factor in the development of scorched paintings in the early twentieth century was the sponsorship of the Japanese Government General of Korea and their popularity among the Japanese audiences. Bak Chang-gyu created his works with an exceptional command that made his works reminiscent of ink paintings, thereby proposing a higher level of quality achievable in scorched paintings and giving the genre a potential of being literary style paintings. The significant influence of his works to the later generation of artists ranged from the painting's subject matters to seals, inscriptions, artist signatures, and to the visual manner that resembled the Southern School's literary painting style. Furthermore, Bak Gye-dam established formal prototype of folding screens made of scorched paintings, in which the Four Gentlemen and other f lowering plants often serve as the central features surrounded by birds, insects, and oddly-shaped rocks. Apart from the production of scorched folding screens, Bak Gye-dam developed the stylistic languages Bak Chang-gyu did not attempt. For example, he first used a seal in the shape of a plantain leaf, a stamp marked in the beginning of an inscription-a pictorial tradition that was followed by later artists like Bak Byeong-su, Bak Sang-jeon, as well as members of the Baek family like Baek Nam-cheol and Baek Hak-gi, who did not invent their own pyrographic conventions but rather continued to follow the established practice. In conclusion, the development of scorched paintings in Joseon era displays a path distinguishable from that of folk paintings produced for practical and decorative purposes; backed by the demand of high-class supporters who appreciated the particular genre, those who practiced scorched paintings formed a specific lineage based on blood as well as apprenticeship; moreover, the artists matured their own individual styles comparable to those of ink paintings- in both craftsmanship and artistic virtuosity. 본 논문은 낙화를 과연 값싸고 대중적인 민화로 간주하는 것이 타당할까 하는 의문에서 출발하였다. 그 결과를 도출하기 위해 우선 19세기에서 20세기 전반에 활동한 주요 낙화가들을 중심으로 그들의 활동과 낙화의 회화적 특징을 규명해 보았다. 조선시대 최초의 낙화가는 19세기 전반 임실 출신의 박창규이다. 그는 타고난 재능과 함께 당시 높은 감식안을 지난 문인관료들의 후원으로 한양에서 낙화가로서 이름을 떨치고 국가의 회사에도 동원되어 관직을 제수받기도 하였다. 특별한 기능이 요구되는 낙화는 집안 내림으로 계승되었고 박창규가 속한 밀양박씨 호계공파에서 가장 많은 낙화가가 배출되었다. 19세기 후반에는 박창규에 비견될만한 화가가 출현하지 못했지만 20세기 전반 박계담과 박병수가 크게 이름을 떨치며 낙화를 부흥시켰다. 한편 박계담의 후계자로 백남철이 지명되어 백씨 집안에서도 백남룡, 백학기 등 유명 낙화가가 등장하였다. 특히 백학기는 전국을 돌며 화화회를 개최하여 대중적인 인기를 누렸다. 20세기 전반 낙화의 발전은 조선총독부의 후원과 일본인들의 인기가 큰 요인이 되었다. 박창규는 수묵화를 방불케하는 낙법을 구사하며 낙화가 도달해야 할 일정한 수준을 제시했으며 낙화의 문인화적 가능성을 보여주었다. 그림의 소재, 낙법으로 쓴 제화시와 두인, 관서, 그리고 남종문인화적인 화풍까지 모든 면에서 후대 낙화가들에게 큰 영향을 미쳤다. 박계담은 사군자와 화훼를 중심 제재로 삼고 여기에 괴석, 새, 곤충을 조합한 낙화화조화훼도 병풍의 전형을 확립시켰다. 낙화병풍 제작은 박창규가 시도하지 않은 것으로 이후 낙화가들이 따라할 수 있는 틀을 제시했다는 점에서 주목된다. 특히 박계담은 파초잎 모양의 두인을 처음 사용하였는데 이는 박계담, 박병수, 박상전, 백남철, 백학기 등 이후 주요 낙화가들에게 공통적으로 나타나는 특징이다. 백씨 집안의 낙화가들은 자신만의 개성적인 낙법을 발전시키지 못했지만 박계담이나 박병수의 낙화를 충실하게 계승하였다. 이처럼 낙화는 개인마다 다른 회화적 특징을 보여주고, 낙화를 향유하는 상류층 후원자를 가지고 있었으며 뚜렷한 사승관계를 밝힐 수있다는 점에서 실용적이고 장식적인 용도로 제작되었던 대중적인 민화와는 다른 전개 양상을 보였다.

청소년의 스마트폰 사용과 관련된 요인

박정혜 사단법인 인문사회과학기술융합학회 2018 예술인문사회융합멀티미디어논문지 Vol.8 No.12

The purpose of this study was to explore the factors associated with smartphone phone use and behavior patterns using smartphone. Secondary data was analyzed to be collected from a nationally representative sample of 2017 Korean Adolescents. This study sample included 62,276 students in middle and high schools of Korea. The collected data were analyzed SPSS version 23.0 program for frequency, percentage, χ 2 test, t-test, Pearson’s correlation coefficient and binary logistic regression analysis. In the results, 87.7% of participants has used a smartphone within a month and factors associated with smartphone use were female, high level of study, counselor of same age group and below middle status of domestic economy. And smartphone users of this study were perceived that they was less healthy and night sleep was not enough for recovery from fatigue. Their sleeping hours were shorter than those of non-users. However, they felt happier themselves than non-users. Conclusionally, this finding of this study suggested that it needs to understand smartphone use and to improve smartphone use environment of adolescents positively. 스마트폰은 우리 일상생활의 필수품으로 자리 잡고 있으며, 우리는 스마트폰을 활용하여 더욱 다양하고 유익한 생활을 영위하고 있다. 그러나 청소년은 다른 연령층에 비해 스마트폰 과의존 위험군의 비율이 높고, 과의존에 가장 취약하다. 그러므로 본 연구는 청소년의 스마트폰 사용과 관련된 다양한 요인들과 사용실태를 분석하여 청소년의 스마트폰 사용에 대해 이해하고, 올바른 사용 환경을 마련하는데 기여하고자 한다. 본 연구를 위하여 2017년 청소년건강행태온라인조사 자료를 이차 분석 하였으며, 분석대상자수는 2017년 현재 전국 중․고등학교에 재학 중인 12-18세 청소년 62,276명이다. 이 자료의 분석을 위하여 SPSS version 23.0 프로그램의 빈도와 백분율, 교차분석, t-test, Pearson’s correlation coefficient 값을 통한 상관관계분석, 그리고 이분형 로지스틱 회귀분석을 사용하였다. 본연구결과, 대상자의 87.7%가 최근 한 달 이내 스마트폰을 사용한 경험이 있었고, 스마트폰 사용과 관련된 요인들은 여학생, 상위 학업성적, 고민상담자가 또래집단, 가족의 경제상태가 중 이하였다. 한편, 스마트폰 사용자들은 자신의 건강상태가 좋지 않다고 인식하였고, 수면으로 피로회복이 어려우며, 수면시간이 비사용자에 비해 짧은 것으로 나타났다. 그러나 현재 행복하다고 인지하는 수준은 비사용자에 비해 유의미하게 높았다. 그러므로 이러한 요인들을 중심으로 청소년의 스마트폰 사용에 대해 이해하고 올바른 사용 환경을 마련할 필요가 있다.

IT Standard Weekly 온라인 포털 뉴스 서비스로 새롭게 오픈

박정혜,Park, Jeong-Hye 한국정보통신기술협회 2005 TTA저널 Vol.102 No.-

노인의 신체기능과 삶 만족

박정혜 한국자료분석학회 2023 한국자료분석학회 학술대회자료집 Vol.2023 No.1

지역사회 1인 가구 노인의 영양 위험

박정혜,강세원 한국자료분석학회 2023 한국자료분석학회 학술대회자료집 Vol.2023 No.1

노인의 영양 위험과 관련된 요인 : 일상생활수행능력/ 도구적일상생활수행능력(ADL/IADL)을 중심으로

박정혜,황혜영,전열어 사단법인 한국융합기술연구학회 2023 아시아태평양융합연구교류논문지 Vol.9 No.11

The purpose of this study is to identify factors related to nutritional risk in the elderly. A secondary analysis was conducted on data from 9,920 people who responded directly to the survey conducted by the Ministry of Health and Welfare and the Korea Institute for Health and Social Affairs from September to November, 2020. The participants in the survey on the elderly aged 65 years or older. Descriptive statistics, cross-tabulation, weighted multiple regression analysis, and binary logistic regression analysis were conducted on the research data using IBM SPSS 23.0. The research results are as following. Out of the subjects, 28.9% were elderly people at nutritional risk, and among them, those at high nutritional risk were 32.1%, or 9.3% of the total study subjects. The factor that most influenced the nutritional risk of the elderly was more chronic diseases(β=0.17, p<0.001), dependent ADL/IADL(β=0.13, p<0.001), and the elderly living in single-person households(β=0.13, p<0.001). Accordingly, we identified factors related to nutritional risk according to ADL/IADL dependence, which has the higher nutritional risk relationship. Among those dependent on ADL/IADL, the nutritional risk was 3.07 times higher for single-person households, 1.64 times higher for senior citizen restaurant users, 1.59 times higher for couple households, and 1.53 times higher for those with a daily helper. Based on these results, this study concluded that, in particular, to reduce the nutritional risk of dependent ADL/IADL elderly people, periodic observation of nutritional status of single-person households, couple households, and elderly people using senior citizen restaurants, regular health checkups, and continuous nutritional management programs for each chronic disease were conducted. It shows that balanced nutritional intake and health management education are needed for the elderly and their helpers.

자외선 첨가제가 적용된 옻칠 도료의 UV 열화에 대한 내구성 연구

박정혜,김수철,오정은,조상윤,박창현 한국가구학회 2022 한국가구학회지 Vol.33 No.1

Lacquer is known to be vulnerable to UV-Rays generally. So in this study we tried to confirm the durability of the lacquer against UV deterioration by using Sunscreen and UV Stabilizer. Based on KS M ISO 4892-3, aspect of UV deterioration of lacquer film with sunscreen and lacquer film coated with UV-stabilizer was observed for up to 1080 hours and the deterioration patterns were also observed at regular intervals. To evaluate the deterioration degree, gloss, chromaticity, surface observation, microscope and FT-IR analysis were performed. As a result of the analysis, sunscreen mixed lacquer maintained the gloss longer than the UV-stabilizer coated lacquer, and the color change was less. It was also confirmed that the sunscreen mixed lacquer has the longest durability against deterioration in observing surface and microscope. Through FT-IR analysis, it was verified that the sunscreen mixed lacquer was more similar in chemical structure to pure lacquer than UV-stabilizer coated lacquer. For the degradation rate, the degradation progressed less than that of the control group. Summarizing the results of these studies, it is judged that the lacquer has the best durability against light deterioration when a 2% concentration of sunscreen was mixed lacquer.

원주역사박물관 소장 근⋅현대 목칠공예품의 재질분석 및 보존처리

박정혜,황인선,김수철 한국가구학회 2018 한국가구학회지 Vol.29 No.2

This study is consisted of analyzing materials and conservation treatment relating modern wooden lacquered craftworks. The subjects are small wooden lacquered tables, two are ‘Seokryumuntongyeongban’ and ‘Seokryumungujokban’ made by Lee Hyung Man (intangible culural asset, lacquerware inlaid with mother-of-pearl) and one is ‘Najeonchilghi-nanjukmunsang’ estimated to be crafted in the late Joseon Dynasty. As a result of wood species identification, the leg of ‘Seokryumungujokban’ is Diospyros spp. and the leg of ‘Najeonchilghi-nanjukmunsang’ is Abies spp. And the lacquered surfaces are made up various overlapped layers from the foundation layer to the coating layer. Using the results of research, applied conservation treatment to the craftworks. Cleaning, joining and restoration was proceeded causiously in the order using several natural materials not injuring the original parts. Specially many holes in upperside of ‘Najeonchilghi-nanjukmunsang’ were found through X-ray radiography. The upperside was too weak to stand much stress so focusing on the restoration only the surface. This is expected to be basic data, applied to make understand the materials and the conservation treatment of modern wooden lacquered craftworks.