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- 주제어 : Immorality of Nature Antagonistic to Human Purpos (검색결과 1 건)
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양영수 한국로렌스학회 2007 D.H. 로렌스 연구 Vol.15 No.1
It can be soundly said that two different elements of idiosyncratic view of the Nature, those of romanticism and naturalism, are characterizing Thomas Hardy and D. H. Lawrence The former element came from time-hornored tradition beginning with the primitive society and lies roughly in common with Christianity in terms of spiritual force immanent in the Nature The latter element was formed together with the modern scientific view of the universe, Darwinism in particular, which tends to look on human life in the light of natural law Hardy's literary world is, however, only limitedly naturalistic since it lacks strict application of scientific analysis and dispassionate reasoning while including pathetic and myterious features Hardy so often falls into sentimental imagination when he introduces the natural law of the survival of the fittest or the genetic inheritance Lawrence's literary world is situated at the intersection of the two ways naturalist-materialist reading of the universe expounded by Darwinism and the transcendentalist-vitalist reading of the romantic Nature tradition Comprehensively speaking, such points of comparison as following can be mentioned Firstly, the nature in Hardy's world looms as formidable and antagonistic to human purposes while Lawrence's nature is viewed as the sources of bountiful vitality and inspiration Secondly, enthusiastic lovers in Hardy's literature suffer from final frustration even in the heart of natural habitation, while Lawrence's loving characters meet more successful outcomes with the helping influence from the nature Thirdly, Hardy's literary characters in general undergo the climax of insignificance of life at the moment of their death, while most of the characters in Lawrence's literature go through the magnificence and reverence of life right on their deathbeds, with the former inclined to reductive meaning of life and the latter to expansive meaning of life.
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