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        興天寺 舍利殿과 石塔에 관한 연구 : 朝鮮初期 漢城의 塔婆 On Relic container-Wooden Edifice(舍利殿) and Stone Pagoda(舍利石塔) in Hungchoˇn-Sa(興天寺) temple

        康炳喜 한국불교미술사학회 ( 구 한국미술사연구소 ) 2002 강좌미술사 Vol.19 No.-

        Hu˘ngcho˘n-Sa temple was one of the characteristic temples of Early Choso˘n Period in Seoul Province. This temple was established in the sixth year of king Taejo(1398 A.D.) in memory of his dead queen. Wooden Building as a Relic container and Stone Pagoda in Hu˘ngcho˘n-Sa temple were completed in the first year of king Chungjong(1399 A.D.). they were made unusual from the traditional point of view. They are no longer existent but we can imagine their shape according to the literature(especially Sil-rok) on this subject and Buddhist fine arts. The former was supposed to be three-storied octagonal shape including the latter. The stone pagoda which was placed inside the building was so constructed as for those concerned to climb up and to open the door to see the sacred relics of Buddha. And those relics were sometimes moved to another place. As a conclusion, those facts implied very important meaning. Above a mentioned wooden edifice which was relic container octagonal multi-storied shape connected octagonal thirteen-storied Pohyo˘n-sa stone pagoda(普賢寺八角十三層石塔) built in the end of the Ko˘ryo˘ dynasty to multi-angled, multi-storied pagoda style of the early Choso˘n periond. In addition, other Buddhist fine arts spansored by king Taejo Lee Sung-gye- a relic container in 1390-1391 A.D. and monk pagoda of Muhag(無學) in 1397 A.D.- implied serious meaning. We are able to infer from those historical facts the style of Hu˘ngcho˘n-Sa temple edifece and the stone pagoda in it. Relic container excavated at Mt. Ku˘mgang(金剛山) is twofold. Outer one was the shape of octagonal wooden edifice and inner one was a Lamsism style pagoda. Also monk pagoda of Muhag is similar to Tibetan pagoda or to relic container in later Ko˘ryo˘ dynasty. During the later period, Ko˘ryo˘ dynasty came to maintain a close relationship with Yu¨an(元) China. So Buddhist arts of that period have the influences of Nepalese and Tibetan style. This same tendency is commonly found in Buddhist pagoda, in monk pagoda and in relic container. We can be sure that they effected each other in their style and shape. It is concluded that the stone pagoda of Hu˘ngcho˘n-Sa temple must be similar is those Nepalese and Tibetan style of monk pagoda of Muhag and relic container supported by king Taejo Lee Sung-gye. Monk pagoda of Muhag was another characteristic element. It was a surrounding balcony. The stone pagoda of Hu˘ngcho˘n-Sa temple is supposed to have the same surrounding balcony for those concerned to go up and down the pagoda. An important example of Nepalese and Tibetan style pagoda in early Choso˘n period is a relic stone pagoda in the east end of Ho˘eam-sa(檜巖寺) temple site. We do not know exactly who sponsored, when it was made, and what was its use yet. Also that temple was deeply concerned with monk Muhag and king Taejo Lee Sung-gye. When we think of the engraving and another art elements we can conclude the age and character of Hu˘ngcho˘n-Sa temple stone pagoda. The shape of stone Buddhist pagoda of Bongin-Sa(奉印寺) temple in 1619 A.D. is similar to that of monk pagoda of Muhag. So we can presume that relic stone pagoda of Ho?eam-sa temple site is bukkhist pagoda constructed in king Sejo. During the choso˘n Dynasty, Buddhism was oppressed based on Neo-Confucian norm. Moreover at the beginning of the Choso˘n Dynasty Buddhism was subject to ruling power. A great number of temples were merged. However, in reality Buddhism was not be completely suppressed. Afterwards the new mode of End-Ko˘ryo˘ and Early Choso˘n Buddhist pagoda has been succeeded and spread by Buddhist line linked with monk Naong(懶翁), monk Muhag(無學), and monk Hamho˘(涵虛).

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