Museum as Powerhouse: Museum Performance in 21<SUP>st</SUP> Century Taiwan

Lai Ying-Ying 현대미술사학회 2007 현대미술사연구 Vol.22 No.-

In recent years, like all museums worldwide, museums in Taiwan have endeavored to attract visitors; organizing blockbuster exhibitions of great masters is one way to do so. However, the inherent danger of this approach is that the museum comes to resemble a venue for the ‘culture business,’ and the exhibition is operated as a profitgenerating machine. although employing sound strategies can facilitate the success of an event, organizers must never forget the core mission of the museum. What is meant by ‘museum performance?’ With its mission and vision in mind, it is the task of the museum to perform to its greatest potential and capacity while facing shrinking budgets that prevent them from increasing their collections, engaging in new projects, and maintaining an adequate staff. Fortunately, with the growing maturity of museum professionals, some museums have managed to effectively integrate both public and private sector resources to enhance their overall performance. Community engagement, audience development, marketing strategies and the public and scholarly response are all measures of successful performance. This report aims to examine the performance of three museums, each different in size, by examining one exhibition from each museum as a case study. Emphasis is placed on each museum’s program and project, as executed under its unique policy and mission. In each instance, museum professionals employed various societal resources to enhance museum performance. Museums have transformed into active sites for communication and recreation that provide audiences with accessible learning environments, while bridging gaps between the elite and the general public, high art and low art, traditional antiquities and contemporary avant-garde art . In 21st century Taiwan, the museum functions as a powerhouse that generates energy in society, aggressively elicits public participation, and transmits old wisdom to future generations.

박물관・미술관 학예사 자격 제도 개선 방안 연구

최환 서양미술사학회 2008 서양미술사학회논문집 Vol.29 No.-

Museum is defined as the nonprofit perpetual organization which has several functions such as the collection, preservation, conservation, research, study, exhibition, education of the cultural & natural relics those are providences of the humankind, so eventually museum should be opened to the populace and contribute to the development of the human society. As the educational role of the museum has been enlarged from the mid of 20th century, the important function of the museum also is changing from the relic conservation centered to the communication with the museum visitors who could have opportunity of participate and experience the atmosphere of the art which is the cultural relic of the human insight, ability of the solving the problem and source of the creativity As the current museums have been changed to the place for the populace and the importance of the communication has been increased, we feel strongly the necessity of the increment of functions such as the exhibition, education, and marketing besides traditional functions like conservation and research of the relics. The increasing tendency of the theme museums dealing such as cinema, animation, game, music etc is also needs the enlargement of the field of speciality of the curators. In the knowledge, information based society, the museum can not work actively and provide good quality service to the needs of clients(museum visitors) without speciality of the experts of the museums Curator has been known as very bright promising job through the media. but in the real, the job condition and treatment of the curator is not so bright as expected and the opportunity of employment is not so large enough. Because museum in korea is in the period of transition than matured state. so that the financial & human resources and program field are still inferior than developed countries. The systemic base construction for the supporting, producing and training of This study has been done through the questionnaire result analysis which has sent to museum related people about the domestic museum management state & organization, curator hiring condition in the time of registration of the museum based on the museum promotion law, the improvement measure for the curator(1,2,3 level) promotion system, introducing specified curator system, selection & manage of the career approval museum. This study treats of improvement measure of the curator promotion system & qualification condition, of the employment for the certificated curator, of the management and revaluation of the career approval museums, of the intern and practical trainee educational system for the effective practical career accumulation. 본 연구는 국내 박물관 운영 현황 및 조직 구조, 박물관 및 미술관 진흥법 상 박물관 등록 시 학예사 채용에 관한 문제점, 정학예사(1,2,3급) 자격제도의 승급 제도 개선 방안, 전문학예사 제도의 도입 여부 및 경력인정기관의 선정 및 관리에 대한 검토를 위해 박물관 관련자를 대상으로 한 설문조사를 시행 그 결과를 분석, 정학예사 승급제도 및 자격 요건에 대한 개선방안, 학예사 자격증 소지자의 채용 활성화, 경력인정기관에 대한 관리 및 지속적 재평가, 실무경력 축적의 효과성 증진을 위한 인턴 및 실무연수생 교육 체계에 대한 개선점에 대하여 논하였다.

뮤지엄 공공성 강화 요소로서 계단형 오픈스페이스 디자인 경향 연구

고혜란 ( Hyeran Ko ),최정아 ( Jeong Ah Choi ) 한국공간디자인학회 2019 한국공간디자인학회논문집 Vol.14 No.6

(Background and Purpose) In recent times, the role of the cultural space of a city has been changing to open public space where people can encounter culture in their daily lives to enhance the public’s cultural character . The open space in a museum has been expanded to strengthen the public space of the museum by making a stair-shaped open space. This study focused on the stair-shaped open space of a museum and proposes a design for such an open space as a strengthening factor of a museum’s public character. (Method) The study used theoretical consideration for the public character of a museum (i.e., open space and stairs) in the discussion of the stair-shaped open space as a space element for strengthening a museum’s public character. We categorized the type and characteristics of the extracted stairs. We then summarized the characteristics of the stair-shaped open space for strengthening museums’ public character based on the openness and connectivity of functions in the aspects of space composition and the approachability of physical openness and the amenity of the space in the aspect of space usage, and we analyzed the examples. (Results) First, the visual transparency of the vertical wall and horizontal ceiling surfaces of the museum’s stair-shaped open space introduces external natural elements to form an atmosphere of a rest area to alleviate museum fatigue. Second, the open space is usually used as a convenient space for relaxation and as an exhibition space and educational space to strengthen the public domain of the museum. Third, the stair-shaped open space is used as a center-movement space of the museum building and a place for conducting various space programs to provide visitors with a natural visual perception and daily access. Fourth, the open space provides a flexible and dynamic atmosphere in the exhibition and educational spaces and encourages continued stay. (Conclusions) This study proposes a stair-shaped open space design to strengthen museums’ public character. First, the space should be located in an open space inside a museum and be open visually and physically to allow people’s access. Second, the museum’s stair-shaped open space should support functional connection with the public domain of the museum, adjacent to the convenient, educational, and exhibition space located on the museum’s floor. Third, it should be located at the museum's entrance space or central space to facilitate visitors’ access to the museum's open central space. Fourth, the museum’s open space should be installed with transparent vertical walls and a horizontal ceiling to form an aesthetically pleasing dynamic space for convenience. Therefore, the importance of a stair-shaped open space is that it is connected to the features of space, is guaranteed to offer physical openness, and is comfortable.

20세기초 동아시아 박물관과 역사적 知識의 造形

하세봉(Ha,Sae-Bong) 동북아시아문화학회 2011 동북아 문화연구 Vol.1 No.28

This thesis examines analyzing how historic knowledge was shaped in museum. Examining by Tokyo Imperial Museum, Government General Museum of Taiwan, Yi Wang Ga Museum, Government General Museum of Chosun, and NanTong Museum of late 19th and early 20th century, tried to find out similarities and differences. These museums are similar in that they adopt museums as modern system considering models of other countries(Europe or Japan) and exhibitions played important roles in gathering relics. Experts who leaded adoption of western civilization played an important role. These experts were conservatives who valued tradition and relics while they aimed for western civilization. It originated in the character of museum system. Historical Knowledge by museums was constituted with five combinations of conceptions which are nationality, locality, coloniality, and artistry. Every museum cannot help having modernity for museum itself is modern system. Modernity was symbolized by museum building of western style in Yi Wang Ga Museum, Government General Museum of Chosun. Tokyo Imperial Museum revealed nationality in that it tried building of imperial history which includes colonies. In early time, Tokyo Imperial Museum pursued modernity and artistry, however it concentrated on artistry than modernity later. We can find locality in that Tokyo Imperial Museum tried to find meaning about Japanese art by relating with natural characteristics. It is Taiwan Governor Museum that extremely expressed coloniality and artistry was not considered. Government General Museum of Chosun could not be exceptions of features of coloniality, but it need to recognize that artistry was focused all over the exhibitions. It was NanTong Museum that most directly expressed locality. Like these, Museums of East Asia established in around 1900 made different historical knowledge by varying weigh of five factors, nationality, locality, modernity, coloniality and artistry.

문화콘텐츠 창출 기반으로서의 박물관 출판사업 체계화 연구

박현택 한국기초조형학회 2008 기초조형학연구 Vol.9 No.6

Today's society is known as 'knowledge-based age' and 'culture-based age' competing with information and knowledge and striving for better life through cultural satisfaction. The core of such society is cultural contents, and essence of such contents are cultural heritage and traditional arts. In this effect, museums try to meet the various needs of the public by becoming an institution offering broad range of cultural services and creating effective environments. This study is on how to systematically develop and improve the museums' publications and their contents which are main categories in the knowledge-based society. First, the concept of cultural contents and museum publication should be determined and categorized. Second, study their correlation and explain the actual effect of their development. Finally, compare and contrast the situation of the National Museum of Korea with other major overseas museums and work out on the solutions and improvements. Through this process, the publications of the national museums of Korea will be able to develop into a new shape and become part of the nation's cultural business. Today's society is known as 'knowledge-based age' and 'culture-based age' competing with information and knowledge and striving for better life through cultural satisfaction. The core of such society is cultural contents, and essence of such contents are cultural heritage and traditional arts. In this effect, museums try to meet the various needs of the public by becoming an institution offering broad range of cultural services and creating effective environments. This study is on how to systematically develop and improve the museums' publications and their contents which are main categories in the knowledge-based society. First, the concept of cultural contents and museum publication should be determined and categorized. Second, study their correlation and explain the actual effect of their development. Finally, compare and contrast the situation of the National Museum of Korea with other major overseas museums and work out on the solutions and improvements. Through this process, the publications of the national museums of Korea will be able to develop into a new shape and become part of the nation's cultural business.

뮤지엄 유튜브(YouTube) 채널과 콘텐츠 현황 분석 및 활용방안 연구

최정은,김면 한국기초조형학회 2019 기초조형학연구 Vol.20 No.5

The purpose of this study is to explore strategies and methods to utilize the content through analysis on the museum's YouTube channel and its content status. Recent data about followers, view counts, and video counts of the Top 100 Museum YouTube Channels released in Jan 2019 compared the counts over a period of six months and found that they had attained the fastest rate of growth since 2005, which is the year YouTube was created. This phenomenon is not unrelated with a recent survey indicating that South Korea's longest-used app is YouTube. From the number of active smartphone users and the evolution and expansion of internet networks to the emergence of Generation Z, the paradigm in Social Media has been changing with a new focus on videocentric content all over the world. Therefore, the museum also needs to develop ways to enter social video platforms such as YouTube and utilize online communication channels. A review and analysis of existing domestic and international literature on this topic found research on social media for museums, applications of YouTube in similar fields as well as content strategy for the platform; however, research on the utilization of YouTube Channel and Contents of Museums were not found. Thus, ten overseas museums and six Korean museums which have shown meaningful activities in this field were selected for this study, which was taken from a total of 125 museums including the above-cited list of 100 museum YouTube channels and an additional 25 museums selected by the researcher. The data, contents, and features of 16 museum YouTube channels were analyzed in a case study; then, the researcher set ten evaluation criteria and used them as an analysis framework. Based on the results, the following offers suggestions as to how best use the Museum YouTube channel. 1) Identifying the exact needs and information that viewers want. 2) Providing continuous contents and trust. 3) Museum professionalism and educational content. 4) Content planning and production according to the nature and target of YouTube. 5) Offering various formats and languages and expanding an appreciation of these formats and languages. Museums should realize what are their unique specialties are, reflect global trends and issues sensitively, and adopt an approach as main agents of the future to expand the foundation of cultural democracy through an audience-friendly perspective and strategy. 본 연구 목적은 뮤지엄 유튜브 채널과 콘텐츠 현황에 대한 분석을 통해 그 활용 전략과 방안을 모색하는 데 있다. 2019년 1월 공개된 100개 뮤지엄 유튜브 채널의 구독자, 조회 수, 비디오 수 데이터에 근거하여 약 반년후 어느 정도 상승했는지 비교해 본 결과, 2005년 유튜브가 개발된 이후 가장 빠른 상승세를 확인할 수 있었다. 이러한 현상은 국내에서 가장 오래 사용하는 앱이 유튜브라는 최근 조사와도 무관하지 않다. 스마트폰 사용률 증가와 인터넷 이용 환경의 확대, Z세대 등장에 이르기까지 전 세계적으로 소셜미디어 패러다임이 동영상중심으로 새롭게 변화하고 있는 상황이다. 뮤지엄 역시 유튜브와 같은 동영상 플랫폼 진입과 온라인 소통 채널활용 방안을 강구해야 할 필요성이 있다. 국내외 선행 연구들을 살펴 본 결과 뮤지엄 소셜미디어와 유사 분야유튜브 활용, 그리고 유튜브 콘텐츠 전략 연구는 있으나 뮤지엄의 유튜브 활용방안에 대한 연구는 아직 부재한것으로 파악하였다. 그리하여 상기 100개 뮤지엄 리스트에 연구자가 추가 선정한 25개를 합친 총 125개 뮤지엄 중 유의미한 활동을 보여준다고 판단되는 해외 뮤지엄 10개와 국내 뮤지엄 6개를 연구 대상으로 선정하였다. 16개 뮤지엄 유튜브 채널의 데이터와 콘텐츠, 특징 등을 사례 분석하였으며, 10개 평가 기준 요인을 설정해 분석틀로 활용하였다. 이를 통해 도출된 결과를 종합하여 뮤지엄 유튜브 채널 활용 방안에 대해 다음과 같이제안하였다. 1) 시청자가 정확히 원하는 정보 및 니즈 파악 2) 지속적인 콘텐츠 제공과 신뢰감 형성 3) 뮤지엄전문성과 교육적 콘텐츠 제공 4) 유튜브 플랫폼의 본질과 타깃에 따른 콘텐츠 기획·제작 5) 다양한 포맷 및 언어 제공과 감상법 확대이다. 뮤지엄만이 가지는 특수성이 무엇인지 파악하고, 글로벌한 트렌드와 이슈를 민감하게 반영하며, 관람객 친화적인 관점과 전략으로 문화 민주주의의 저변을 확대하는 미래시대의 주체로 접근해야한다.

국내 과학박물관 전시공간 구성의 특성에 관한 연구

홍승희,김용승 한국문화공간건축학회 2014 한국문화공간건축학회논문집 Vol.- No.47

Museum has a purpose of the transfer of knowledge, It is a space that provides exhibition and education of visitors. For the purpose of transmission of museum knowledge, you look the same as schools and libraries, There is a difference between the schools and libraries to pursue the teaching methods of direct transfer. Then, let us see how the knowledge transfer is being performed using the space of the museum. Museum can be distinguished history museums, art galleries, the Museum of Science. The Museum of Art and History Museum, focuses on the theme and order from the exhibition by historicity. In contrast, the Science Museum, the focus of the exhibition have been together on the subject than the order. Thus Science Museum can be a building is intended knowledge transfer through the subject relatively clear, The exhibition is also constructed in the delivery of interest and attention. Therefore, in this study, I'm trying to ensure that the configuration of the exhibition space and a method of transmitting knowledge of the Science Museum indicates the relevance, and to present a strategy for constructing the exhibition space of the Museum of Science. They are as follows: The result through the course of the study as described above. In the exhibition room that is configured in the order, the degree of concentration of the visitors appear high in the interval a high degree of integration. This is consistent theory of Space Syntax. In the exhibition room that is configured on the theme, the degree of concentration of visitors is displayed in the lower section having a low degree of integration. This is displayed on the reverse of the theory of Space Syntax. From this result, In the exhibition space which composed to arrangement thematically, it is possible to inference like these. First, the space which is high degree of integration is playing role in path for people. Second, the space which is low degree of integration is arranging important exhibit dispersely for making people more concentrating on it.

박물관 전시와 사회적 맥락의 함의관계-조선시대 오복(五福)상징 목칠공예품의 전시분석-

엄소연 국립민속박물관 2008 민속학연구 Vol.0 No.22

The article focuses on the decontextualization of the subject of the exhibition, and focuses on describing the presentation of the exhibition and analyzing the meanings of the descriptions and energy factors in context. The exhibition design by the exhibition holder becomes a recreation, and the audience soon realizes that it is just for "show." This research avoided the inquired-about musiography aspects cited in museum exhibition researches, and considered the decontextualization of the exhibited works, linked with the social context. This research was restricted to the five-blessings-symbol woodcrafts from the Joseon period because such woodcrafts represent the decontextualization of modern museum formation in Korea, which is directly related to the history of the National Folk Museum and its exhibited craftworks, as its background. The National Folk Museum of Korea, which has a unique historical background in that it was a modern museum that was created during the Japanese occupation of Korea, has adopted craft nationality mainly in relation to ancient art. The woodcrafts, which make up the majority of the museum's old art pieces, unlike any other art form, are not merely historical products regarded as having normative social usefulness but are complex products of human skills that take on artistic and symbolic forms. The five-blessings-symbol woodcrafts from the Joseon period, especially the utensils, techniques, materials, and patterns, which have been implied as being connected with the changes in the social structure of the post-Joseon period, have already been studied. In this light, the decontextualization of the exhibition of the five-blessings-symbol woodcrafts from the Joseon period at the National Folk Museum could be understood by analyzing the descriptions and energy factors for its significance, and by reading the changes from the original context of the exhibit. In this context, the characteristics of the National Folk Museum, which reflects the history of museum formation in Korea, were examined the exhibition aspects of the five-blessings-symbol woodcrafts from the Joseon period were analyzed in their context and their decontextualized meaning was interpreted. The actual analysis was among those that had been carried out on eight national museums that have permanent displays of articles from the Joseon period, including the National Museum of Korea, the National Folk Museum, and other local museums. Field research on their abstracts and arrangement features, according to the relationship of the signs and energy, was conducted. The exhibition analysis revealed that all the eight historical museums that were analyzed had deviated from the original context and had disconnected energies and descriptions, exhibiting a decontextualization of loss, falling out, and distortion. Granted that the Confucian ideology, which was the basis of the life, culture, and values of the ruling social stratum, was consistent in the Joseon period, the exhibition signs were more applicable to the post-Joseon period or were generalized to speak for the regional or whole folk culture. Such decontextualization of the museum exhibitions of the two aforementioned factors can be recontextualized based on the knowledge, experience, and purpose of the audience. Hence, such understanding and an alternative plan should be requested so that the equilibrium could be maintained.

박물관의 교육적 의미에 관하여: 초등학생 대상의 구성주의 박물관을 위한 시론

권의신 ( Eui Sin Kwen ) 한국초등교육학회 2005 초등교육연구 Vol.18 No.2

Museums are the product of the modernization process in Europe. Museums may date to B.C 3th century in their origin, but they were established as a modern cultural system during the process of the French Revolution. Private collections which had spoken for the richness and culture of specific classes were reorganized as public museums which showed the background of the disorganization of feudal society and the making of civil society. The public museum helped to construct national identity and at the same time showed national richness and power. In contrast, many critics have pointed out that museums have been more and more alienated from our lives. What is expected most today is the educational role of the museum in its continuous changing process. The museums which have changed to real public educational institutions have tried to overcome the distance from daily life. Museums that have in the past displayed objects one-sidedly are conscious of visitors and take great pains to listen to the visitors` needs. On the basis of such a recognition, this thesis suggests that the 'constructivist museum' is the model museums should head towards. Constructivist museums should turn the attention centered on the object and the exhibition to the visitors themselves. What should be considered most importantly in the subject of display and choice of objects are the visitors` view and interest. The greatest task of museum is to constitute the environment and to make the communication between visitors and exhibition be performed smoothly by listening to the visitors` needs continuously. Finally, I suggest a hands-on exhibition for displays intended for children.

뮤지엄의 평면 구성 체계에 따른 건축형태에 관한 연구

박상준 ( Park Sang-jun ) 대한전시디자인학회 2024 전시디자인연구 Vol.21 No.1

현대 건축은 좀 더 새롭고 다양한 변화를 추구하는 현 시대적 이슈에 따라 비정형 형태가 늘어나고, 정형에서 비정형으로 변화하는 경향 보이고 있다. 건축은 평면, 형태, 공간을 구성하는 법칙이 존재하며 그러한 법칙에 따라 구성되었을 때 그 건축은 질서와 예술로서의 조형성을 가지게 된다. 건축에서의 뮤지엄은 존재하는 형태만으로 도시 랜드마크로서 가치를 지니기 때문에, 평면과 형태에 있어서 조형성을 필요로 하게 된다. 이에 본 연구는 단순히 전시 공간을 넘어 다양한, 문화적, 사회적, 교육적 기능을 수행하는 복합문화공간으로서 시대의 변화에 따라 함께 변화하고 있는 현대 뮤지엄 건축의 평면과 형태를 분석하는 것을 목적으로 한다. 이에 본 연구의 방법으로는 문헌과 선행연구의 조사 분석을 통하여 현대건축의 형태적 특징을 분석하고, 2000년 이후 Museum건축의 형태와 유형 등 다양한 분석을 통해 Museum 건축의 평면에 따른 형태의 특성을 고찰하였다. 주요 사례로는 Museo Guggenheim Bilbao, Louvre Abu Dhabi 등의 40건의 해체주의를 포함한 다양한 형태를 추구하는 뮤지엄 건축의 평면과 형태를 분석하였다, 연구방법을 위한 분석의 기준은 다음과 같다. 1) 뮤지엄 건축의 평면 구성 체계는 기하학적 평면, 사선형 평면, 원형 평면, 유기적 평면, 선형적 평면, 자유선형적 평면으로 구분하였다. 그리고 2) 뮤지엄 건축의 형태적 특성을 기하학성, 비대칭성, 유기성, 투명성, 선형성, 재질복합성, 지역 맥락성, 전통융합성, 지속가능성으로 구분하였다. 이를 기본으로 하여 각 작품의 평면과 형태를 분석한 결과, 뮤지엄 건축의 평면은 기하학적 특성과 동심원의 특성을 가진 평면이 많으며, 형태적 특성은 기하학성, 비대칭성, 유기성의 특성을 가진 형태가 많이 나타나고 있다. 이는 기하학적 평면이 형태 그대로 드러나거나 또는 기학학적 평면이 형태로 구현되면서 다양한 형태로 변화 되어 나타남을 의미한다. 그리고, 기하학적 평면 구성은 그 자체의 특성과 장점을 바탕으로 뮤지엄의 목적과 디자인 컨셉에 맞추어 적절하게 사용되고, 중앙 집중형 평면 구성(구심형 및 원형)은 중심 공간을 강조하며 원통의 형태로 나타난다. 사선형 구성은 강한 방향성을, 유기적 구성의 평면 체계는 창의적이고 유기적인 형태를 통해 독특한 건축 형태를 추구하는 것으로 나타났다. 이러한 연구 결과는 뮤지엄 건축의 미적 가치를 높이고, 건축 설계의 기획 단계에서 활용 될 수 있는 평면과 형태의 유형별 자료를 제공 할 수 있다. 그리고 현 시대 뮤지엄의 건축형태 경향과 평면의 구성체계, 뮤지엄 건축의 형태 생성을 위한 디자인 단계에서 더 다양한 건축적 형태를 사전에 제시 할 수 있는 기초 자료가 될 수 있을 것이라 기대한다. In modern architecture, when atypical forms are increasing keeping up with the contemporary issues of pursuing diversity, the tendency from being regular to being irregular. architecture follows laws that govern the composition of plans, Forms and spaces. When constructed according to these laws, the architecture gains order and Formativeness. As the existence of a museum itself has value as a landmark of a city, it requires formativeness in its form and plan. The purpose of this study is to analyze the floor plan and form of modern museum architecture which evolves, along with the changes of the times, as complex cultural spaces performing various cultural, social, and educational functions, beyond just exhibition spaces. Therefore, this study investigates the types of museum in the modern architecture through research and analysis of literature and precedent studies, and identifies the characteristics of museum construction through various types of analysis on museum construction forms and types after 2000. The major cases analyzed were the 40 cases of museums pursuing various architectural forms including deconstructivism, such as the Guggenheim Museum Bilbao and Louvre Abu Dhabi. The standards for analyzing research methods are as follows. 1)The characteristics of architectural plans that these museums have were compared according to floor plan systems (geometric composition, angulate composition, linear composition, concentric composition). and 2) Formal characteristics of museum architecture (geometry, asymmetry, organic, transparency, Material complexity, Local context, Traditional convergence, sustainability) Results of analyzing the plane and shape of each work, The planes of museum architecture are most often those with geometric characteristics and concentric circle characteristics. the most common morphological characteristics are geometry, asymmetry, and organicity. It means that the geometric plane is revealed as its form or that the geometric plane is transformed into various forms as it is realized in form. And, based on its own characteristics and advantages, geometric composition system is used appropriately in line with a museum’s purpose and design concept; centralized floor plan system (concentric and circular) emphasizes central spaces and concentrates in the form of a cylinder; diagonal composition provides strong directionality; the floor plan system of organic composition pursues unique architectural forms through creative and organic forms. These study results are expected to enhance the functional and aesthetic values of museum architecture and the tendency of modern construction type of museum, organization methods of plan and therefore, this study is expected to become a basic resource to suggest more various construction types in the design stage for the museum form generation.